Otros libros que te pueden interesar

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  Eros and Psyche

  Robert Bridges

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  Bridges' Eros and Psyche retells the Eros (= Cupid) and Psyche myth first recorded by Lucius Apuleius in his book The Golden Ass.The poem is divided into twelve cantos - one for each of the twelve months of the year - which gives the poem a certain, almost "pastoral" feel. The number of stanzas in each canto equals the number of days in that month: so the first canto March has 31 stanzas, the second canto April has 30 stanzas, and so on. Each stanza is a septet (ie comprises exactly seven lines) which follow the same end-rhyming schema of a-b-a-b-c-c-b.(Summary by Godsend)

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  The Je Ne Scai Quoi

  William Whitehead

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  LibriVox volunteers bring you 7 different recordings of The Je Ne Scai Quoi by William Whitehead. This was the weekly poetry project for the week of March 30th, 2008.

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  Caesar and Cleopatra

  Shaw George Bernard

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  Caesar and Cleopatra, a play written in 1898 by George Bernard Shaw, was first staged in 1901 and first published with Captain Brassbound's Conversion and The Devil's Disciple in his 1901 collection, Three Plays for Puritans. It was first performed at Newcastle upon Tyne on March 15, 1899. London production was at the Savoy Theatre in 1907. Shaw wants to prove that it was not love but politics that drew Cleopatra to Julius Caesar. He sees the Roman occupation of ancient Egypt as similar to the British occupation that was occurring during his time. Caesar understands the importance of good government, and values these things above art and love. (Summary by Wikipedia)Cast list:Belzanor/First Auxilliary:  ScottMolsonThe Persian/Second Auxilliary: ChuckWThe Sentinel/Soldier/Roman Soldiers:  silverquillVoice/The Newcomer - Bel Affris/First Porter:  Rick RodstromThe Guardsmen/Second Porter:  Algy PugThe Women/A Woman/Charmian:  glorianaFtatateeta:  CaprishaPageThe Nubian Sentinel/Third Porter/Musician:  LibbyGThe Man - Caesar:  neustarThe Girl - Cleopatra:  JoFriday21Pothinus:  professorrctTheodotus/The Official:  AmateurOzmologistAchillas/Fourth Porter/The Second Official:  beeberRufio:  jondalar1988Britannus:  gmprzywaraThe Bolder Courtiers/All the courtiers/Major-domo:  Algy PugLucius/Boatman:  engineerdstA Centurion:  GmanNubian/Nubian Sentinel/Apollodorus:  ToddHWPtolemy:  VperIras:  DrDawnDuncanNarrator:  DSayersEdited By:  ToddHWCoordinated By:  Algy Pug

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  Midlife Action Figure - Poems

  Chris Banks

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  Banks’s stunning new collection, exploring bold frontiers
  		 
  “Poetry is an act of mischief,” Theodore Roethke famously once said, and Chris Banks takes this as his credo in Midlife Action Figure. His subject matter ranges from the familiar to the surreal, taking readers through poems that are both wondrous and strange, heartfelt and humorous, controlled and impatient. Whether calling a tree “an anthology of leaves” or describing time as “a Fisher-Price View-Master of ‘first kisses’ and ‘no return’ policies,” Banks approaches writing as if anything might make for alarming, strange, and dizzying verse. 
  		 
  Banks knits together wit with wildly inventive imagery as he follows his poems outside convention where they play with stolen matches. Capable of both deep introspection and the quick turn of phrase, he places his tongue firmly in his cheek as he looks for a measure of human wonder in this intermission between TED Talks and the apocalypse. Midlife Action Figure is a tour de force for anyone looking for that rare book that is as exciting as it is provocative, showcasing both pathos and humor, while it explores what it means to be alive in the early 21st century.

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  Only Through Love Can You...

  Durlston School

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  "Your judging eyes interpret quickly with assurance upon the view,Yet what they tell you is not always true,Below our outer shield with structure and mind beats a heart honest and trueYou cannot judge a person by viewOnly through love can you understand."A collection of poetry by Durlston School

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  Letter from Brooklyn

  Jacob Scheier

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  Having lived part time in Brooklyn for the past several years, Jacob Scheier's new poems are solidly rooted in Jewish New York life and examine love, loss, history, identity, protest, and popular culture. At the heart of Letter from Brooklyn is the notion that people understand who they are by where they have been. Everything is at once political and poetic, inseparable from intimate experience and personal heartbreak. Scheier moves from the inner worlds of grief and love to form a poetic dialectic between the familial and the historical. Whether eating in a knish restaurant on the Lower East Side or falling in and then out of love with the Brooklyn Bridge, or even being startled while biking down a prairie road, with depth and originality Scheier confronts the question of where home is and what it means amid private and public loss.

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