Other books that might interest you

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  Plastiglomerate

  Tim Cresswell

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  The third in a trilogy by acclaimed poet-geographer Tim Cresswell, Plastiglomerate charts the relentless impact of mankind on the environment. The central poem recycles the British folk ballad 'The Twa Magicians' to make a magnificent, troubling ecological protest song. From plastic pollution and wrecked vessels to forest fires and melting icecaps, Cresswell writes vital, urgent poetry for the Anthropocene age.
  His earlier collection Fence has been described by Rob McFarlane as 'A strange and spectral volume, born of a fence that separates nowhere from the now and here, deep in the high Arctic.'

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  Bunbury

  Tom Jacobson

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  What if... Romeo & Juliet had a happy ending? Or Blanche Dubois didn’t go crazy? Or the Three Sisters actually made it to Moscow? When he discovers he’s only a fictitious, never-seen character in Oscar Wilde’s The Importance of Being Earnest, Bunbury joins forces with Rosaline, Romeo’s never-seen obsession from Romeo and Juliet. Together they infiltrate and alter classic literature.Recorded before a live audience at the Skirball Cultural Center, Los Angeles in July 2006.Directed by Rosalind AyresProducing Director Susan Albert LoewenbergJean Gilpin as Lady Bracknell/Martha/Old CecilyKathryn Hahn as Rosaline/MashaMelinda Page Hamilton as Cecily/Blanche/IrinaPeter Paige as BunburyAmanda Rowan as Gwendolyn/Olga/JulietOrlando Seale as Hartley/Romeo/VladimirAndré Sogliuzzo as Algernon/Alan/JimJohn Vickery as Friar Lawrence/Lawyer/George/Old AlgMatthew Wolf as Jack/Estragon/Voice of the PeacockAssociate Producer: Brendon FoxRecording Engineer/Sound Designer/Mixer: Mark HoldenStage Manager/Foley Artist: Amy Bristol

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  Damon Runyon Theater - Sense of...

  Damon Runyon

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  The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.

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  Black Riders and Other Lines

  Stephen Crane

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  A collection of enigmatic poems

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  There Are No Beginnings (NHB...

  Charley Miles

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  This is not a story about the Yorkshire Ripper.
  It's 1975 and Sharon just wants to marry Donny Osmond. Her mum, June, is working to keep girls like Helen off the street, and Fiona is desperate to get inside the Milgarth Police Station incident room.
  Between the years of 1975 and 1980, the women of Leeds lived in fear. With no clue as to who was responsible for the sustained attacks and murders across the city, the authorities urged women to stay at home. From the fear and fury, a steadfast solidarity arose, birthing the Reclaim the Night movement and echoing down the generations to this day.
  Charley Miles's play There Are No Beginnings was premiered at Leeds Playhouse in October 2019, in a production featuring Julie Hesmondhalgh.

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  Heavy Is the Head

  Sumaya Enyegue

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  "Where does all the grief go when it's not tugging at your wrist?" Enyegue's debut collection is an ode to girlhood, to Blackness, to generational trauma, sexual assault, and mental health.This collection does not aim to heal anyone who reads it, but instead help them confront their own healing. Rather than sugar-coated bullets that enter you lightly, these poems are designed to hurt. They are for the girls with difficult names, the boys with softness at their core, and the people with neither. They are meant for the people who are Black, and the people who are not—because we are all tethered together by the heaviness of the human experience.

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