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  Barry Pain - Six of the Best -...

  Barry Pain

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  Six has always been a number we group things around – Six of the best, six of one half a dozen of another, six feet under, six pack, six degrees of separation and a sixth sense are but a few of the ways we use this number. 
   
  Such is its popularity that we thought it is also a very good way of challenging and investigating an author’s work to give width, brevity, humour and depth across six of their very best. 
   
  In this series we gather together authors whose short stories both rivet the attention and inspire the imagination to visit their gems in a series of six, to roam across an author’s legacy in a few short hours and gain a greater understanding of their writing and, of course, to be lavishly entertained by their ideas, their narrative and their way with words. 
   
  These stories can be surprising and sometimes at a tangent to what we expected, but each is fully formed and a marvellous adventure into the world and words of a literary master. 
   
  1 - Six of the Best - Barry Pain - An Introduction 
  2 - Barry Pain - An Introduction  
  3 - The Extermination by Barry Pain 
  4 - The Diary of a God by Barry Pain 
  5 - The Act of Heroism by Barry Pain 
  6 - The Bet by Barry Pain 
  7 - Murder, from The Memoirs of Constantine Dix by Barry Pain 
  8 - Post Mortem by Barry Pain

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  Top 10 Short Stories The -...

  D H Lawrence, Nikolai Gogol,...

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  Short stories have always been a sort of instant access into an author’s brain, their soul and heart.  A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. 
   
  In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author?  
   
  The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme.  Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature. 
   
  Some you may disagree with but they will get you thinking; about our choices and about those you would have made.  If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something. 
   
  In this volume our author’s pens turn to tales of sadness.  This distressing feeling can arrive at a moment’s notice or gradually build and overwhelm.  Within these stories Anton Chekhov, Sherwood Anderson, Alice Dunbar Nelson, Katherine Mansfield and many others explore and reveal the consequences.  
   
  1 - The Top 10 Short Stories - Sadness - An Introduction 
  2 - Odour of Chrysanthemums by D H Lawrence 
  3 - The Cloak by Nikolai Gogol also known as 'The Overcoat' 
  4 - Life of Ma Parker by Katherine Mansfield 
  5 - Paul's Case by Willa Cather 
  6 - Silence by Leonid Andreyev 
  7 - The Stones of the Village by Alice Dunbar Nelson 
  8 - Hide And Seek or Pliatki by Fyodor Sologub 
  9 - Hands by Sherwood Anderson 
  10 - Vanka by Anton Chekhov 
  11 - A Dark Brown Dog by Stephen Crane

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  A Little Cloud - From their pens...

  James Joyce

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  James Augustine Aloysius Joyce was born on the 2nd February 1882 in Dublin into a middle-class family, and the eldest of ten surviving siblings 
  Admired as a brilliant student he briefly attended the Christian Brothers-run O'Connell School before excelling at the Jesuit schools of Clongowes and Belvedere.  From there he went on to attend University College Dublin from 1898, studying English, French and Italian 
  In 1902, Joyce was now in his early twenties, and went to Paris to study Medicine but soon abandoned his teachings.  Back in Dublin to attend to his dying Mother he met Nora Barnacle. They bonded immediately into a life-long match. Together they decided to emigrate to Europe.  The couple lived in Trieste, Rome, Paris, and finally Zürich where Joyce pursued a variety of jobs and ventures to supplement his literary pursuits but none of these paid off.  
  After publishing a poetry volume, ‘Chamber Music’, in 1907, his short story collection ‘The Dubliners’, in 1914, helped establish his talent in the rapidly changing world.  
  Although far from home Joyce’s literary heart and works were set in his recollections of Dublin.  Characters are close resemblances of family and friends and indeed enemies.  His landmark work ‘Ulysses’, published in 1922, is set in the streets and alleyways of the city as it parallels Homer’s Odyssey in a variety of styles including its famed stream of consciousness. 
  His pen continued to produce classics of the order of ‘A Portrait of the Artist as A Young Man’ and ‘Finnegan’s Wake’ together with several volumes of poetry and a play ‘The Exiles, in 1918.   
  On the 11th January 1941, Joyce underwent surgery in Zürich for a perforated duodenal ulcer. The next day he fell into a coma. On the 13th after a brief period of lucidity in which he called for his wife and son he passed.  He was 58.

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  Ayala's Angel

  Anthony Trollope

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  "This is Trollope's eightieth tale. Though it is the work of an older man, it is perhaps the brightest and freshest novel he ever wrote. The story of a young woman forced to choose a husband from among three unsavory men, the novel is remarkable for its wealth of minor characters and it  romantic exuberance."

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  My Life - The Classic Tale

  Helen Keller

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  When she was 19 months old, Helen Keller (1880–1968) suffered a severe illness that left her blind and deaf. Not long after, she also became mute. Keller mounted a tenacious struggle to overcome these handicaps with the help of her inspired teacher, Anne Sullivan. Here is one of the greatest stories of human courage ever committed to paper. In this classic autobiography, Miss Keller recounts the first 22 years of her life, including the magical moment at the water pump when she recognized the connection between the word "water" and the cold liquid on her hands. Subsequent experiences were equally noteworthy: her joy at eventually learning to speak, her friendships with Oliver Wendell Holmes and other notables, her education at Radcliffe, and extraordinary relationship with Miss Sullivan.

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  The Antichrist

  Friedrich Nietzsche

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  Friedrich Nietzsche's "The Antichrist" is a philosophical work that presents his critical analysis of Christianity and its impact on Western culture. Written in 1888, towards the end of Nietzsche's productive life, "The Antichrist" reflects his deep-seated criticisms of traditional Christian values and morality. In the text, Nietzsche vehemently opposes what he sees as the life-denying aspects of Christianity. He argues that the Christian emphasis on otherworldly concerns, asceticism, and moral values such as humility and self-sacrifice are detrimental to the flourishing of human life. Nietzsche contends that Christianity has fostered a culture of weakness, passivity, and resentment, suppressing the natural instincts and drives that lead to individual strength and vitality. 
   
  "The Antichrist" also delves into Nietzsche's critique of the figure of Jesus Christ, whom he views as a symbol of weakness and a distortion of true strength. Nietzsche contends that the Christian notion of God represents a negation of life, promoting an idealized realm beyond this world at the expense of embracing earthly existence. Nietzsche's writing style in "The Antichrist" is often controversial and provocative, reflecting his desire to challenge established beliefs and provoke critical thinking. The work serves as a forceful critique of organized religion, morality, and the cultural influence of Christianity in Western societies. 
   
  It's essential to approach Nietzsche's "The Antichrist" within the broader context of his philosophical works, as it contributes to his overarching critique of morality, metaphysics, and the prevailing cultural values of his time. While the title may suggest a direct opposition to Christian beliefs, Nietzsche intends to provoke thought and encourage a reevaluation of existing values rather than presenting a straightforward condemnation.

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