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  When Can We Be Soft? - Poems of...

  Bobbie Isabel

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  In this debut poetry collection, Bobbie Isabel explores the pressure women face to constantly be strong, and the exploitation they endure when the world will not let them be soft. Employing a combination of free verse and more traditional forms, Bobbie expresses the female perspective of strength and resilience through pain, trauma, and ultimately hope. Within poetic expression, she has found her voice, as the poem "Keeping Silent" says, that speaks for the little girl she was, that comforts her tormented adolescent self, and that fortifies the broken woman she has been with boundaries of empathy and compassion for who she was at each stage and what she lived, understanding that her tears were not silent but rather screams of injustice. 
  This collection of poetry comes from a place of pain; even the poems of hope grew from those ashes. Therefore, there will be subjects some will find difficult to read.

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  Little Bits of Ruined Beauty...

  Tom Wentworth

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  When Eddie returns home to Shropshire, he falls back into his fractious, complicated relationship with his father, both skirting around things long left unsaid. As their connection starts to evolve, can they break through and find the new beginning they both need?
  Tom Wentworth's Little Bits of Ruined Beauty is a darkly comic play examining the subtle shift from cared-for to carer, and how dignity and independence are maintained in isolated rural areas.
  It was premiered in 2022 by Pentabus on a tour of the UK, directed by Nickie Miles-Wildin, and commissioned and supported by Unlimited, celebrating the work of disabled artists.

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  Black Milk

  Vassily Sigarev

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  A worm's eye view of post-Communist Russia, from the Siberian-born author of Plasticine.
  A remote railway station in the 'Boundless Motherland'. Stranded there are a young spiv, selling overpriced toasters to the local peasantry, and his heavily pregnant wife. They don't like the place, they don't like the people, and they don't much like each other...
  Vassily Sigarev's play Black Milk, in this English translation by Sasha Dugdale, was first performed at the Royal Court Theatre, London, in 2003.

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  Roses and Thorns - 100 Poems for...

  Angelina Scriptor

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  Angelina Scriptor began writing poetry when she was only a child, but one fateful day, she decided to look back. It was only then that she realized she had something that most poetry books lacked. While still only a teenager, Angelina noticed that life encompasses more than the simple routes of love and loss that other poets tend to focus on. Life holds both hidden beauties and traumatizing horrors, tucked intricately within its own pages, jumbled amongst themselves to further hide the signs of their existence. 
  Life is telling a story, day in and day out. Slowly, it builds and breaks each of its characters, leaving them to individually collect the pieces of the puzzle that they constantly yearn to complete. And, in the meantime, they are left to create their own stories, whether they do so while coming together with others, or if they’re left to trudge down the dark path of life alone, barely making it to their next sentence. 
  If you choose to read this book of poems, you will be met with many stories that Scriptor experienced over the years, whether they be her own, or those she uncovered while peering down the path of another. 
  This book holds not only the beautiful rosebuds of life’s growth, but also its sharp, threatening thorns. Every page is left to fulfill another journey, never relying on that of another to do so. Sometimes, words sit seemingly simple, but more times than not, its vines will burrow deep into the root of life, tugging at its very existence. 
  That is for each reader to determine for themselves, may they decide to seek the answer.

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  Īnangahua Gold

  Kathleen Gallagher

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  This historical novel, told in two stories 20 twenty years apart, explores the relationships that unfold on the West Coast of Te Wai Pounamu New Zealand, in the mid-19th century, as isolated, difficult to access parts of the country are entered by European explorers guided by local Maori. 
  Set in the 19th Century, it plaits together as a flax-root narrative prose and poetic imagery to tell a timeless love story. It links people with the natural environment, and blends languages, cultures, shared endeavour and compassion in a vivid multi-cultural epiphany of life in Aotearoa-New Zealand. - John Weir 
  Kathleen Gallagher is a poet, playwright, filmmaker and novelist. She received the New Zealand Playwrights Award in 1993, and the Sonja Davies Peace Award in 2004 for the film Tau Te Mauri Breath Of Peace. She has authored three collections of poetry, 16 plays, six feature films, and two novels.

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  The Poetry of Sarojini Naidu -...

  Sarojini Naidu

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  Sarojini Chattopadhyay was born into a Bengali family in Hyderabad, India on 13th February 1879, the eldest of the eight siblings. The family was well-respected in Hyderabad and were established artists. 
   
  Naidu passed her matriculation examination at the University of Madras and took a four-year break from her studies.  
   
  In 1895, H.E.H. the Nizam's Charitable Trust founded by the 6th Nizam, Mahbub Ali Khan, gave her the chance to study in England, first at King's College, London and later at Girton College, Cambridge.  
   
  Even in these early times she was a social activist.  It was whilst in England that she worked as a suffragist and was first drawn to the Indian National Congress' Hindu movement for India's independence from British Colonial rule.  
   
  She began writing at the age of twelve. Her play, ‘Maher Muneer’, written in Persian, impressed the Nawab of Hyderabad. It was an auspicious start. 
   
  Sarojini met Paidipati Govindarajulu Naidu, a physician, and after finishing her studies at age 19 married him. The couple would have five children.  Interestingly their families approved their marriage even though they were from different castes and society was not as tolerant as it might be today.  Additionally, Sarojini was from Bengal and Naidu from Andhra Pradesh and marriages between those from the north and south were frowned upon.  Happily, they overcame these problems and both marriage and careers thrived. 
   
  In 1905, her first collection of poems, ‘The Golden Threshold’ was published. 
   
  Naidu became a part of the Indian nationalist movement and was a follower of Mahatma Gandhi and his idea of swaraj (this was an India without its colonial administration systems).  Despite her growing political career she still found time to write and published several further volumes of poetry. Such was her eloquence that she became known as the ‘Nightingale of India’. 
  Sarojini was appointed the President of the Indian National Congress in 1925 and was a major influence and figure in the Independence movement.  
   
  Along with several other Congress leaders including Gandhi and Jawaharlal Nehru she was arrested for taking part in the 1930 Salt March.  Indeed Sarojini faced frequent arrest by the British Authorities and spent, in total, many months in prison. 
   
  Following India's independence from British rule in 1947, Sarojini was appointed as the governor of the present-day Uttar Pradesh in so doing she became India's first female governor. 
   
  Returning from work in New Delhi on 15th February, 1949 she was advised to rest by her doctors, and her official engagements were cancelled.  Her health deteriorated rapidly and on 1st March bloodletting was performed after she complained of severe headache.  
   
  Sarojini Naidu died of a cardiac arrest on 2nd March 1949.  She was 70.

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