Publisher: BookRix
O Come Loud Anthems Let Us Sing Sheet Music for String Quartet 1. Full Score F-Major 2. Solo Instruments: (Violin 1, Violin 2, Viola, Cello) Tune: Herr Jesu Christ Instrumentation: String Quartet Type of Score: Full Score, 4 Solo Parts Difficulty Level: Advanced/Professional Arranged and Produced by Viktor Dick
An inspiring discourse on the power of music from one of the twentieth century’s most important figures, André Gide André Gide, one of the great intellectuals of the twentieth century and a devoted pianist, invites readers to reevaluate Frédéric Chopin as a composer “betrayed . . . deeply, intimately, totally violated” by a music community that had fundamentally misinterpreted his work. As a profound admirer of Chopin’s “promenade of discoveries,” Gide intersperses musical notation throughout the text to illuminate his arguments, but most moving is Gide’s own poetic expression for the music he so loved. This edition includes rare pages and fragments from Gide’s journals, which relate to Chopin and music.Show book
FROM THE AUTHOR OF A BRIEF HISTORY OF THE SMILE, A COMPLETE INDEX OF THE DIGIT In this collision between art and science, history and pop culture, the acclaimed art historian Angus Trumble examines the finger from every possible angle. His inquiries into its representation in art take us from Buddhist statues in Kyoto to the ceiling of the Sistine Chapel, from cave art to Picasso's Guernica, from Van Dyck's and Rubens's winning ways with gloves to the longstanding French taste for tapering digits. But Trumble also asks intriguing questions about the finger in general: How do fingers work, and why do most of us have five on each hand? Why do we bite our nails? This witty, odd, and fascinating book is filled with diverse anecdotes about the silent language of gesture, the game of love, the spinning of balls, superstitions relating to the severed fingers of thieves, and systems of computation that were used on wharves and in shops, markets, granaries, and warehouses throughout the ancient Roman world. Side by side with historical discussions of rings and gloves and nail polish are meditations on the finger's essential role in writing, speech, sports, crime, law, sex, worhsip, memory, scratching politely at eighteenth-century French doors (instead of crudely knocking), or merely satisfying an itch—and, of course, in the eponymous show of contempt.Show book
Shorty’s been arrested by Inspector Friday for sticking up a gas station and even though he told them it was a guy named Donald Bolton Shorty has ended up in Jail. Inspector Friday informs Mary to tell Blackie that Shorty’s guilty and he’s to keep his nose out of this case.Show book
After his wife’s death, retired cop Walter ‘Pops’ Washington has made a home for his ex-felon son in his sprawling, rent-controlled, Riverside Drive apartment. Will a long-simmering feud with the NYPD cause him to lose his home and the family he’s built there? The play was the winner of the 2015 Pulitzer Prize for Drama. An L.A. Theatre Works full-cast recording starring (in alphabetical order): Elisa Bocanegra as Church Lady; John Cothran as Pops;Seamus Dever as Lieutenant Carrow; James Martinez as Oswaldo;Ana Ortiz as Lulu; Larry Powell as Junior;and Emily Swallow as Detective Audrey O’Connor. Directed by Diane Rodriguez and recorded before an audience at UCLA’s James Bridges Theater in November 2017.Show book
Should Christians even bother with the modern wing at the art museum? After all, modern art and artists are often caricatured as rabidly opposed to God, the church—indeed, to faith of any kind. But is that all there is to the story? In this Studies in Theology and the Arts volume, coeditors Cameron J. Anderson and G. Walter Hansen gather the reflections of artists, art historians, and theologians who collectively offer a more complicated narrative of the history of modern art and its place in the Christian life. Here, readers will find insights on the work and faith of artists including Marc Chagall, Jackson Pollock, Mark Rothko, Andy Warhol, and more. For those willing to look with eyes of faith, they may just find that God is present in the modern wing too. The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.Show book
The Uncanny Muse explores the history of automation in the arts and delves into one of the most momentous and controversial aspects of AI: artificial creativity. The adoption of technology and machinery has long transformed the world, but as the potential for artificial intelligence expands, David Hajdu examines the new, increasingly urgent questions about technology's role in culture. Hajdu traces the fascinating, varied ways in which inventors and artists have sought to emulate mental processes and mechanize creative production. For decades, machines and artists have engaged in expressing the human condition—along with the condition of living with machines—through player pianos, broadcasting technology, electric organs, digital movie effects, synthesizers, and motion capture. By communicating and informing human knowledge, the machines have exerted considerable influence on the history of art—and often more influence than humans have been willing to recognize. As Hajdu proclaims: "before machine learning, there was machine teaching." With thoughtful and surprising turns from Berry Gordy and George Harrison to Andy Warhol and Stevie Wonder, David Hajdu takes a novel and contrarian approach: he sees how machines through the ages have enabled creativity, not stifled it—and The Uncanny Muse sees no reason why this shouldn't be the case with AI today.Show book
