Verlag: vidimusic
Christian Hymns & Chorals 4 Twenty known Christian Songs Sheet Music for String Quartet Instrumentation: Double Violin, Viola & Cello Difficulty Level: Advanced Arranged and Produced by Viktor Dick
Esther was lying in bed half asleep when the clock struck midnight and a voice spoke to her. It sounded to her like her bother Tom and it warned her that her husband Charles must not go to the house of Waverley that it would bring death and sorrow. Esther begged her husband not to go to the house tonight even though he was going to find out what had happened to her brother, Tom Hargreaves.Zum Buch
Russell C. Brennan (aka Russell Writer) started DJing at only 15 years old in places he wasn’t even old enough to be in, where ‘Saturday Night's Alright for Fighting’ by Elton John was often on the turntable. Fought over by two agencies who wanted to represent him, he quickly established himself as a popular DJ in clubs, restaurants, dancehalls and pubs around London and Southern England before being snapped up by an international agency who would catapult him to being one of the first super DJs back in the 80s playing big clubs around Europe. He was also asked to become the premiere VJ of MTV Europe when it launched. This book is far from being a bog-standard sex, drugs and rock n’ roll tale (although some of that apart from the drugs does creep in). He gives an insight into what a ruthless business it can be and covers other striking events that also became part of his journey like murder and a very unique marriage. It gives an insight into what it’s like to be a top DJ and celebrity lifestyle , often in a humorous or poetic way but as is the case with some of his other biographies about other parts of his career, it’s a warts and all story featuring more than a few unusual relationships, so no holds barred and not for the squeamish. Russell is currently the world’s only male Geisha (the rest are all female). What that means in reality is, he has made a dent in all the arts from writing, music, photography and art and is even editor of an influential cultural magazine and head honcho of an influential indie record label. . He has come a long way since those early DJ days that first put him on the map.Zum Buch
Hieronymus Bosch was painting frightening, yet vaguely likable monsters long before computer games were ever invented, often including a touch of humour. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch experienced the drama of the highly charged Renaissance and its wars of religion. Medieval tradition and values were crumbling, paving the way to thrust man into a new universe where faith lost some of its power and much of its magic. Bosch set out to warn doubters of the perils awaiting any and all who lost their faith in God. His favourite allegories were heaven, hell, and lust. He believed that everyone had to choose between one of two options: heaven or hell. Bosch brilliantly exploited the symbolism of a wide range of fruits and plants to lend sexual overtones to his themes, which author Virginia Pitts Rembert meticulously deciphers to provide readers with new insight into this fascinating artist and his works.Zum Buch
Die Fledermaus is one of the few operatic works to which the phrase ‘never a dull moment’ can be truthfully applied. From the explosive opening of the famous overture – reminiscent of a volley of champagne corks – through the surging energy of the ‘Fledermaus Waltz’ and the many comic numbers, of which the accelerando trio is the finest, up to such huge concerted numbers as the ‘Duidu’ finale to Act II, this is an operetta which almost incarnates nostalgia. Thomson Smillie and David Timson infuse their exploration of Die Fledermaus with as much life as the operetta itself. The most rewarding and memorable extracts are included, and the whole piece is tantalisingly introduced – a trip to see it has to be the next step! Timson begins, “‘Nostalgia’, as the saying goes, ‘may not be what it used to be,’ but thank goodness we still have Johann Strauss’s Die Fledermaus!”Zum Buch
The colorful life and creative career of the writer behind six of Hitchcock’s thrillers: “An intriguing and revealing story.” —Times Literary Supplement With a career that spanned from the silent era to the 1990s, British screenwriter Charles Bennett lived an extraordinary life. His experiences as an actor, director, playwright, film and television writer, and novelist in both England and Hollywood left him with many amusing anecdotes, opinions about his craft, and impressions of the many famous people he knew. Among other things, Bennett was a decorated WWI hero, an eminent Shakespearean actor, and an Allied spy and propagandist during WWII, but he is best remembered for his commercially and critically acclaimed collaborations with directors Sir Alfred Hitchcock and Cecil B. DeMille. The fruitful partnership with Hitchcock began after the director adapted Bennett’s 1929 play Blackmail as the first British sound film. Their partnership produced six thrillers: The Man Who Knew Too Much, The 39 Steps, Sabotage, Secret Agent, Young and Innocent, and Foreign Correspondent. In this witty and intriguing book, Bennett discusses how their collaboration created such famous motifs as the “wrong man accused” device and the MacGuffin. He also takes readers behind the scenes with the Master of Suspense, offering his thoughts on the director’s work, sense of humor, and personal life. Featuring an introduction and additional biographical material from Bennett’s son, editor John Charles Bennett, Hitchcock’s Partner in Suspense is a richly detailed narrative of a remarkable yet often-overlooked figure in film history.Zum Buch
From action flicks to biopics to SNL skits, how presidents are portrayed on screen: “An interesting study of the real presidency and the reel presidency.” —USA Today Magazine Winner of the Popular Culture Association’s Ray and Pat Browne Book Award Whether serious or satirical, biographical or fictional, the ways that US presidents are depicted in popular culture reveal much about us as a nation. The contributors to Hollywood’s White House examine the historical accuracy of presidential depictions, illuminate their influence, and uncover how they reflect the concerns of their times and the social and political visions of the filmmakers. With reflections on portrayals of Washington, Adams, Lincoln, FDR, Nixon, and more, this volume, which includes a comprehensive filmography and a bibliography, is ideal for both historians and film enthusiasts. “An engaging collection.” —Robert Brent Toplin, author of Reel History: In Defense of HollywoodZum Buch
