Publisher: Panozzo Editore
Qualcosa anche per Ofelia (1971) è un atto unico scritto come parallelo di Amleto. Nel diverso modo di rapportarsi alle figure di Amleto e Ofelia, il dramma offre uno schizzo di due modi opposti di rapportarsi a sé e al mondo, con la leggerezza e l’ironia che caratterizza tutta l’opera di Joan Ure.
The collection Poems: Series Two presents the first installment of the complete poetic works of Emily Dickinson. It is broken into the four parts Life, Love, Nature, and Time and Eternity and includes 161 poems. Emily Elizabeth Dickinson (December 10, 1830 - May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's house in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, to even leave her bedroom. Dickinson never married, and most friendships between her and others depended entirely upon correspondence. While Dickinson was a prolific writer, her only publications during her lifetime were 10 of her nearly 1,800 poems, and one letter. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era. They contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends, and also explore aesthetics, society, nature and spirituality. Although Dickinson's acquaintances were most likely aware of her writing, it was not until after her death in 1886 - when Lavinia, Dickinson's younger sister, discovered her cache of poems - that her work became public. Her first collection of poetry was published in 1890 by personal acquaintances Thomas Wentworth Higginson and Mabel Loomis Todd, though both heavily edited the content. A 1998 article in The New York Times revealed that of the many edits made to Dickinson's work, the name Susan was often deliberately removed. At least eleven of Dickinson's poems were dedicated to sister-in-law Susan Huntington Gilbert Dickinson, though all the dedications were obliterated, presumably by Todd. A complete, and mostly unaltered, collection of her poetry became available for the first time when scholar Thomas H. Johnson published The Poems of Emily Dickinson in 1955.Show book
Alfred Tennyson was born on August 6th, 1809, in Somersby, Lincolnshire, the fourth of twelve children. Most of Tennyson's early education was under the direction of his father, although he did spend four unhappy years at a nearby grammar school. He left home in 1827 to join his elder brothers at Trinity College, Cambridge, more to escape his father than a desire for serious academic work. At Trinity he was living for the first time among young men of his own age who knew little of his problems. He was delighted to make new friends; he was handsome, intelligent, humorous, a gifted impersonator and soon at the center of those interested in poetry and conversation. That same year, he and his brother Charles published Poems by Two Brothers. Although the poems in the book were of teenage quality, they attracted the attention of the “Apostles," a select undergraduate literary club led by Arthur Hallam. The “Apostles” provided Tennyson with friendship and confidence. Hallam and Tennyson became the best of friends; they toured Europe together in 1830 and again in 1832. Hallam’s sudden death in 1833 greatly affected the young poet. The long elegy In Memoriam and many of Tennyson’s other poems are tributes to Hallam. In 1830, Tennyson published Poems, Chiefly Lyrical and in 1832 he published a second volume entitled simply Poems. Some reviewers condemned these books as “affected” and “obscure.” Tennyson, stung by the reviews, would not publish another book for nine years. In 1836, he became engaged to Emily Sellwood. When he lost his inheritance on a failed investment in 1840, the engagement was cancelled. In 1842, however, Tennyson’s Poems [in two volumes] was a tremendous critical and popular success. In 1850, with the publication of In Memoriam, Tennyson’s reputation was pre-eminent. He was also selected as Poet Laureate in succession to Wordsworth and, to complete a wonderful year, he married Emily Sellwood. At the age of 41, Tennyson had established himself as the most popular poet of the Victorian era.The money from his poetry [at times exceeding 10,000 pounds per year] allowed him to purchase a home in the country and to write in relative seclusion. His appearance—a large and bearded man, he regularly wore a cloak and a broad brimmed hat—enhanced his notoriety. In 1859, Tennyson published the first poems of Idylls of the Kings, which sold more than 10,000 copies in a fortnight. In 1884, he accepted a peerage, becoming Alfred Lord Tennyson. On October 6th, 1892, an hour or so after midnight, surrounded by his family, he died at Aldworth. It is said that the moonlight was streaming through the window and Tennyson himself was holding open a volume of Shakespeare. He was buried in Westminster Abbey. This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Show book
A unique insight into Shakespeare's most monumentally complex character - and the play that bears his name - from a highly respected actor and former academic. The genesis for Playing Lear came when Oliver Ford Davies was asked to play Lear for the Almeida Theatre in 2002. The book is both an in-depth analysis of the play, in which the author looks at the many possible interpretations of both play and character, and a rehearsal diary in which we see the author's personal journey through the role, starting with his re-examination of the text and culminating in the first night performance and beyond. Playing Lear comes with 16 pages of production photographs, and is written with great clarity and perception and with all the rigour and authority one would expect from a former academic and drama critic. 'Of the many books I have read about acting Shakespeare, this is one of the most intelligent and honest' John Barton 'One of the most moving and intelligent Lears I have ever seen ... such truth, and such clarity, that one feels like cheering' Charles Spencer, Daily TelegraphShow book
Nobody knows where the fish went, and nobody knows why the fish went – but ever since they did, things just haven't been the same. In a committee room on Capitol Hill, three senators have a job to do: they must question a man on charges of trading rare marine commodities, and they must find out what he knows. Politics and the planet collide in a fiercely original play about the limits of science, the power of myths, and the things we can't control. Marek Horn's Yellowfin was premiered at Southwark Playhouse, London, in October 2021, directed by Ed Madden.Show book
Indulge in Rumi's passion with this collection of 13th century love poetry. Become lost in the words of The Love Poems of Rumi. Included in this audiobook is a collection of Jalal al-Din Rumi's passionate love poems, translated by Nader Khalili. Beautifully read by Neil Shah, you'll become spiritually inspired by the words in this audiobook. Perfect for lovers, dreamers, and poets, the poems from this 13th century theologist will leave you wistfully peaceful. This audiobook was produced and published by Echo Point Books & Media, an independent bookseller in Brattleboro, Vermont. ©2015 Cal-Earth Inc. (P)Show book
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.Show book
