Other books that might interest you

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  Hunger - A Memoir of (My) Body

  Roxane Gay

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  From the New York Times bestselling author of Bad Feminist: a searingly honest memoir of food, weight, self-image, and learning how to feed your hunger while taking care of yourself. 
  “I ate and ate and ate in the hopes that if I made myself big, my body would be safe. I buried the girl I was because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere. . . . I was trapped in my body, one that I barely recognized or understood, but at least I was safe.” 
  In her phenomenally popular essays and long-running Tumblr blog, Roxane Gay has written with intimacy and sensitivity about food and body, using her own emotional and psychological struggles as a means of exploring our shared anxieties over pleasure, consumption, appearance, and health. As a woman who describes her own body as “wildly undisciplined,” Roxane understands the tension between desire and denial, between self-comfort and self-care. In Hunger, she explores her past—including the devastating act of violence that acted as a turning point in her young life—and brings readers along on her journey to understand and ultimately save herself. 
  With the bracing candor, vulnerability, and power that have made her one of the most admired writers of her generation, Roxane explores what it means to learn to take care of yourself: how to feed your hungers for delicious and satisfying food, a smaller and safer body, and a body that can love and be loved—in a time when the bigger you are, the smaller your world becomes.

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  Scéalta - Short Stories by Irish...

  Rebecca O'Connor

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  The short story is one of Ireland's national treasures, and within these pages are some of its finest practitioners — from such established names as Julia O'Faolain, Claire Keegan and Christine Dwyer Hickey, to the exciting new voices of Judy Kravis, Eithne McGuinness and Cherry Smyth. Here we have stories of dysfunctional marriages, abnormal goings on in rural outposts, urban alienation, and kitchen sink dramas where the woman is no longer tied to the kitchen sink but railing against past wrongs. Issues of domestic violence, child abuse, and abortion are laid startlingly bare. The voices are bold, unsentimental, often very funny, and always deeply affecting. Part of a series showcasing contemporary women writers from around the world.

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  Quiet Time with the President -...

  Peter Friedland with Jill Margo

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  One Sunday in 2001 ear, nose and throat specialist Dr Peter Friedland received an unexpected call from Nelson Mandela’s personal physician. The former president was struggling to hear. Could Peter visit him at home? 
  Friedland discovered that Mandela was using antiquated hearing aids and was struggling to maintain them. Soon he became a regular visitor to Mandela’s home in Houghton where he experienced the elderly statesman, in the frailty of old age, away from the crowds. He was full of stories and always bearing a lesson.  
  But outside Mandela’s quiet house, Friedland’s life was ricocheting from treating one victim of violent crime to another. On many days he worked as a head and neck trauma surgeon and found himself drawn into the victims’ families. When his own family and friends were exposed to violent crime, he was driven to make a life-changing decision. 
  In Quiet Time with the President, Friedland also examines the powerful forces that push people away from South Africa and those that pull them back. Telling his famous patient that he was planning to leave the country was insurmountably difficult for Friedland, but Mandela surprised him.  
  He’d accept his leaving, but on one condition . . .

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  The Countess of Saint-Geran -...

  Alexandre Dumas

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  To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.In this, the fourteenth of the series, Dumas, the novelist-historian, brings his story-telling skills to a famous subject: the background of one of the most famouse of French lawsuits, that centering around the secret abduction of Bernard de la Guiche, later Count of Saint-Geran, from the child-bed of his mother Suzanne de Longaunay, by the Marquis de Saint-Maixant--a notorious womanizer, schemer, and probably murderer. Dumas gives us the whole story, basing his tale on well-established historical sources, from the time when the Marquis first insinuated himself into the family to the outcome of the lawsuit contesting Bernard's identity and legitimacy as the heir of the La Guiche fortune. It is a story of remarkable perfidy, cruelt and betrayal of trust.Of course, Dumas, the dramatist and novelist, cannot help embellishing the work of Dumas, the historian. He gives us words and actions that cannot possibly be part of the historical record from scenes that are as effectively histrionic as they are undocumented. However, all his melodrama is well based on his history, and he certainly makes a wonderful tale out of his materials.Dumas may have collaborated on this, as he frequently did in his works, with other writers. Nevertheless, it is clearly Dumas who has the final say on this work, as with all the other works in this series.Enjoy!

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  About Man and God and Law - The...

  Stephen Daniel Arnoff

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  About Man and God and Law is the story of how Bob Dylan sparked a revolution of the spirit and why it matters today. 
   
   
   
  Many of our assumptions about empathy, sensual pleasure, and the essence of work, community, country, race, and the divine have germinated in Bob Dylan's need to know what's blowing in the wind and how it feels. Tracing his work and vision through themes that have shaped religious and cultural history for millennia, Stephen Daniel Arnoff uncovers how Bob Dylan has re-enchanted ancient questions of meaning and purpose throughout popular culture, inspiring a pantheon of prophetic musicians along the way. This field guide to Dylan's spiritual wisdom aims to make good on the promise that if we look closely enough at his body of work—precisely at a moment when the world we thought we knew seems like uncharted territory—we can open up our eyes to see not only where we really are, but where we need to go.

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  A Prison Diary: Hell - Hell

  Jeffrey Archer

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  The sun is shining through the bars of my window on what must be a glorious summer day. I've been incarcerated in a cell five paces by three for twelve and a half hours, and will not be let out again until midday; eighteen and a half hours of solitary confinement. There is a child of seventeen in the cell below me who has been charged with shoplifting - his first offence, not even convicted - and he is being locked up for eighteen and a half hours, unable to speak to anyone. This is Great Britain in the twenty-first century, not Turkey, not Nigeria, not Kosovo, but Britain. On Thursday 19 July 2001, after a perjury trial lasting seven weeks, Jeffrey Archer was sentenced to four years in jail. He was to spend the first twenty-two days and fourteen hours in HMP Belmarsh, a double A-Category high-security prison in South London, which houses some of Britain's most violent criminals. Hell, the first volume in Archer's The Prison Diaries, is the author's daily record of the time he spent there.

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