Verlag: Charles River Editors
The Prose Edda was written in the 13th century by Snorri Sturluson. It is a compilation of Scandinavian poetry describing many of their myths and folklore. This edition was translated by Arthur Gilchrist Brodeur in 1916. Heraklion Press has included a linked table of contents.
The most renowned and wittiest of Oscar Wilde’s comedies, The Importance of Being Earnest ridicules Victorian sensibilities and is still strikingly relevant to this day. This full-cast audio adaptation featuring Tim Brooke-Taylor as Lady Bracknell is unique yet at the same time reassuringly familiar, with wonderful performances from the Offstage Theatre Group.The play itself is the story of two single gentlemen who have taken to bending the truth in order to put some excitement into their lives. John ‘Jack’ Worthing has invented a brother, Earnest, whom he uses as an excuse to leave his dull life behind to visit Gwendolyn Fairfax. When learning of this subterfuge, Algernon ‘Algy’ Montcrieff decides to take the name Earnest when visiting Jack Worthing's young and beautiful ward, Cecily Cardew. The pair struggle to keep up with their own stories and their adventures in romance begin to go awry when they end up together in the country. This leads to a tale of deception and disguise that becomes more and more tangled as the play goes on.Zum Buch
Lacplesis is an epic poem by Andrejs Pumpurs, a Latvian poet, who wrote it between 1872-1887 based on local legends. Lacplesis is regarded as the Latvian national epic.The poem recounts the life of the legendary hero Lacplesis, chosen by the gods to become a hero of his people. His name means "Bear-slayer”. At the castle of Lord Aizkrauklis, he spies on the activities of the witch Spidola(Spidala), who is under the control of the Devil, and the holy man Kangars, who is in reality a traitor plotting to replace the old gods with Christianity. Lacplesis meets and falls in love with the maiden Laimdota and becomes friends with another hero, Koknesis ("Wood-bearer").Further adventures seperate the lovers and bring Laimdota to Germany, but Lacplesis becomes lost in the Northern Sea, where he is welcomed by the daughter of the North Wind. In his dangerous journey home from the Northern Sea, he fights monsters and is reunited with Laimdota. They return home and celebrate wedding, but the heroes soon set off to fight the German crusaders. Kangars finds out the secret of Lacplesis' strength and treacherously reveals it to the Germans. In a seemingly friendly tournament Lacplesis is overpowered by the Black Knight, they both fall into Daugava river and disappear.(Summary adapted from Wikipedia by Kristine Bekere)
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I'm ill-equipped   for this. I sit     by a fake fireplace that frames a real flame.   I've been crossed     by two crows today. 'Multi-vectored, Rogers's poems hum with life and tension, their speaker poised as mother, seer, reporter and daughter. They speak of loss and cold realities (misplaced charms of luck, a tour of an assisted-living facility, coins thrown into Niagara Falls). They also interweave dreams and visions: “O Lion, I am / an old handmaiden; I will not lay the pretty baby in the lap / of the imposter.�* Simple but evocative, at once strange and plain, Rogers's poems of address ricochet off the familiar “Dear Reader�* or Dickinson's “Dear Master�* ... Rogers's poems provide instructions for what to leave, what to take and what to fight. They act as selvage between the vast mother-ocean — the mem of memory — and the fabric we make of the uncertain in-between.’ — Hoa Nguyen, The Boston Review ‘How can we live with the kind of pain that worsens each day? Dear Leader explains through bold endurance, enumerated blessings and the artistic imagination. By pasting stark truths over, or under, images of strange, compelling beauty, Rogers creates a collage, a simulation of the human heart underassault, bleeding but unbroken. Part Orpheus, part pop-heroine who can “paint the daytime black,�* all, an original act of aesthetic violence and pure, dauntless, love.’ — Lynn Crosbie ’In Dear Leader, Damian Rogers re-invents the same-old poetic lyric to offers us one-of-a-kind insights on childbirth and party bars, rolling blackouts and old rock standards. Here, what looks at first like familiar language always reveals itself to be a rare mineral. And that’s the magic: this is a poetry that refuses to be staged or to succumb to cliché or mannerism, insisting on celebration and condemnation, caution and cosmic vibrations. “Say you’re a poet,�* Rogers advises us, tongue-in-cheek, “Maybe you mean / Hi, I have a lot of feelings.�* Striking that balance between one-liners and mourning is no small feat.‘ —Trillium Award Jury Citation Praise for Paper Radio: ‘Paper Radio jumped out at me and I can’t say why, but that’s what you want poetry to do, and I never want to say why. Because it’s real and talking to me. Because it’s bloody and horrifying beauty. It’s the Clash and Buckminster Fuller, Auden and Bowie.’ — Bob HolmanZum Buch
The Aesthetic and Decadent Movement of the late 19th century spawned the idea of "Art for Art's Sake," challenged aesthetic standards and shocked the bourgeosie. From Walter Pater's study, "The Renaissance to Salome, the truly decadent collaboration between Oscar Wilde and Aubrey Beardsley, Karl Beckson has chosen a full spectrum of works that chronicle the British artistic achievement of the 1890s. In this revised edition of a classic anthology, "The Ballad of Reading Gaol" has been included in its entirety; the bibliography has been completely updated; Professor Beckson's notes and commentary have been expanded from the first edition published in 1966. The so-called Decadent or Aesthetic period remains one of the most interesting in the history of the arts. The poetry and prose of such writers as Yeats, Wilde, Symons, Johnson, Dowson, Barlas, Pater and others are included in this collection, along with sixteen of Aubrey Beardsley's drawings.Zum Buch
Sir David Suchet and Dame Harriet Walter star in Yasmina Reza’s The Unexpected Man, translated by Christopher Hampton. A notorious author shares a train compartment with a long-time reader. But can they connect with each other through a silent tide of self-doubt and second-guessing?Includes and interview with cast members Sir David Suchet and Dame Harriet Walter.An L.A. Theatre Works performance featuring Sir David Suchet and Dame Harriet Walter.Zum Buch
Robert Laurence Binyon, CH, was born on 10th August 1869 in Lancaster in Lancashire, England to Quaker parents, Frederick Binyon and Mary Dockray. He studied at St Paul's School, London before enrolling at Trinity College, Oxford, to read classics. Binyon’s first published work was Persephone in 1890. As a poet, his output was not prodigious and, in the main, the volumes he did publish were slim, but his reputation was of the highest order. When the Poet Laureate, Alfred Austin, died in 1913, Binyon was considered alongside Thomas Hardy and Rudyard Kipling for the post which was eventually given to Robert Bridges. Binyon played a pivotal role in helping to establish the modernist School of poetry and introduced imagist poets such as Ezra Pound, Richard Aldington and H.D. (Hilda Doolittle) to East Asian visual art and literature. Most of his career was spent at The British Museum where he produced many books particularly on the art of the Far East. Moved and shaken by the onset of the World War I and its military tactics of young men slaughtered to hold or gain a few yards of shell-shocked mud Binyon wrote his seminal poem For the Fallen. It became an instant classic, turning moments of great loss into a National and human tribute. After the war, he returned to the British Museum and wrote numerous books on art; especially on William Blake, Persian and Japanese art. In 1931, his two volume Collected Poems appeared and in 1933, he retired from the British Museum. Between 1933 and 1943, Binyon published his acclaimed translation of Dante's Divine Comedy in an English version of terza rima. During the Second World War Binyon wrote another poetic masterpiece 'The Burning of the Leaves', about the London Blitz. Robert Laurence Binyon died in Dunedin Nursing Home, Bath Road, Reading, on March 10th, 1943 after undergoing an operation. This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Zum Buch
