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  The Past Present Predicament

  Mark Adams, Julia Dawn

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  Episode Two: The Past/Present Predicament "I remember when we used to have a life and not just a "Lovefilm" account" Jon and Alice’s latest dinner party attempt results in some guests glad to get away. Alice is nostalgic for the past, but realises some things have always been the same…  Fighting for the remote are Jon and Alice, a twenty-something couple living together in London. Alice enjoys socialising; Jon hates meeting people. While Alice is climbing her career ladder, Jon is quite content on the bottom rung of his. They are constantly caught in the middle ground between settling for what they have and wanting more, and wondering whether what they have together is worth fighting for... Written by Mark Adams and Julia Dawn. Directed by Dexter O’Neill and Helen Oakleigh.  Fight for the Remote stars Andrew Hayden-Smith as Jon and Ayesha Antoina as Alice with Ellen Thomas as Mrs. Hamilton. THE CAST; ALICE - Ayesha Antoine; JON - Andrew Hayden-Smith; KEREN - Helen Oakleigh; GRUB - Daniel King; MARRIED DAVE - Nathiel King; CAMP RAYMOND - Keith Flood; HAPPY AZIZ - Neil D’Souza with Sean Connolly as RADIO PUNDIT. Recorded at Orpheus Studios. Theme Tune by Manike Music. Post Production by Robbie Dunlop. Fantom Films Production 2011. www.fantomfilms.co.uk www.fightfortheremote.co.uk.

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  JMW Turner

  Eric Shanes

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  J.M.W. Turner is without a doubt the greatest painter of landscapes and seascapes of all time. His production was prodigious: some 550 oil paintings, more than 2,000 extremely detailed and refined watercolours and nearly 20,000 studies, sketches and watercolour sketches. He excelled in all forms of painting: landscapes or seascapes, elaborate historical representations or classical scenes, miniature and watercolours of scenes of daily life on land and on sea, destined to be reproduced in engravings. The ensemble of Turner’s artwork evokes a particularly rich and dramatic sensibility, an interest for the complexities of life, an unequalled approach of the size and scale of nature, and a profound curiosity to discover what is under the surface – that which the painter calls the intrinsic “qualities and causes” of things. This curiosity leads Turner to explore the universal principles of architecture – whether it is born from nature or by man’s hand −, of light, of meteorology as well as of the dynamic of waves. He was a talented and extremely sophisticated colourist, becoming one of the best in European painting, and without a doubt the most skilled painter in conveying subtleties and nuances. His works, particularly his last works, reflect his projection of an ideal world of colours, forms and impressions.

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  Our Miss Brooks - Volume 5 - The...

  Al Lewis

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  Our Miss Brooks was a big radio hit from the get go.  Eve Arden may not have been the original first choice but she made the role her own and gathered individual awards by the armful. 
   
  All the way up until its debut in 1949 women had been, as in much of life, the subordinate gender, supporters and flag-wavers rather than equals or the stars.  
   
  Our Miss Brooks helped change that. Here was a woman, not confined to life as a housewife.  She was confident, funny and layered with sometimes conflicting emotions, trying to gain a boyfriend of her choosing and holding down a job as a high-school teacher.  It was quite a menu.  
   
  Jeff Chandler played her shy biology teacher love interest, Mr Boynton.  And the dynamics and laughs between themselves, the students, their colleagues, and principal, all played by a very fine cast, make this situation comedy one of radios funniest and finest.  
   
  -Let’s go join the fun.

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  Motorcycles Minotaurs & Banjos -...

  Steven Sherrill

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  This book is about twenty-one days, and sixty years. A motorcycle ride down the spine of Appalachia, with a little banjo  and big myth for company, to play and sing at the graves of dead banjo heroes. About making a life about making work. This book is about outsiders. Interlopers. Class migrants. Death. Awakening. Creative Process. Growth through risk-taking. It’s a book about ghosts. Music. Writing. Not writing. What’s this book not about? “Finding myself.” I know who I am.  
  Steven Sherrill is a high school dropout, a nearly retired professor, a family man, a ne'er-do-well banjo player, a motorcyclist, an aquarist, a sonic/video muckraker, and a novelist with five books in the world, one of which (The Minotaur Takes a Cigarette Break) is a cult classic. 

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  The Importance of Being Earnest

  Oscar Wilde

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  This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag.  Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, “that name which inspires absolute confidence.”  Wilde’s effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.Includes an interview with director Michael Hackett, Professor of Theater in the School of Theater, Film and Television at UCLA.An L.A. Theatre Works full-cast performance featuring:James Marsters as JackCharles Busch as Lady BracknellEmily Bergl as CecilyNeil Dickson as Lane and MerrimanJill Gascoine as Miss PrismChristopher Neame as ChasubleMatthew Wolf as AlgernonSarah Zimmerman as GwendolenDirected by Michael Hackett. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.

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  The Mountaintop

  Katori Hall

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  On April 4, 1968, Martin Luther King Jr. was assassinated outside of his room at the Lorraine Motel in Memphis. What happened inside room 306 on the evening of April 3 is the subject of Katori Hall’s The Mountaintop. Hours after King’s final speech, punctuated by his immortal line, “I’ve been to the mountaintop,” the celebrated Reverend forms an unlikely friendship with a motel maid as they talk into the early hours of what will be his final day. An L.A. Theatre Works full cast performance featuring: Aja Naomi King as CamaeLarry Powell as Dr. Martin Luther King Directed by Roger Guenveur Smith. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in May of 2016.

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