Verlag: Glissato Edizioni Musicali
Opening fanfare from "Also Sprach Zarathustra" by R. Strauss, well known after its use in Stanley Kubrick's 1968 film 2001 "A Space Odysse". Arrangement for Flexible Low Brass Quartet (key Bb) score and parts (16) for : Trombones/Euphonium 1-4 B.C & T.C. French Horns 1-4 in F & Eb, Tubas Bb & Eb T.C.
Steve Jobs tried to stop this moment from ever happening. Google and Microsoft made bids to preempt it. The music industry blocked it time and again. Yet, on a summer's eve in 2011, the whiz kid CEO of a Swedish start-up celebrated his company's US launch.In the midst of the Apple-Android tech war and a music label crusade against piracy and illegal downloading, Spotify redrew the battle lines, sent shockwaves through Silicon Valley, and got the hardline executives at Universal, Sony, and Warner to sign with its "free-mium" platform.In The Spotify Play, Swedish investigative tech journalists Sven Carlsson and Jonas Leijonhufvud, who covered the company from its inception, draw upon hundreds of interviews, previously untapped sources, and in-depth reporting on figures like Mark Zuckerberg, Sean Parker, Steve Jobs, Taylor Swift, Jay-Z, Pony Ma Huateng, and Jimmy Iovine. They have captured the riveting David vs. Goliath story of a disruptive innovator who played the industry giants in a quest to revolutionize the consumption of sound, building today's largest online source of audio, with more than 50 million songs, one million-plus podcasts, and over 300 million users.Zum Buch
Italian-American immigrant life in the 1950’s textures this searing drama of love and revenge. Longshoreman Eddie Carbone is devoted to his wife, Beatrice and to his niece, Catherine. When Beatrice’s impoverished Sicilian cousins enter the U.S. illegally, in hope of finding work, Eddie gives them a helping hand. But when Catherine and one of the cousins fall in love, Eddie’s affection for his niece turns into obsession. An L.A. Theatre Works full-cast performance featuring Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill, Amy Pietz and Don Tieri.Zum Buch
For Tony Hawk, it wasn't enough to skate for two decades, to invent more than eighty tricks, and to win more than twice as many professional contests as any other skater.It wasn't enough to knock himself unconscious more than ten times, fracture several ribs, break his elbow, knock out his teeth twice, compress the vertebrae in his back, pop his bursa sack, get more than fifty stitches laced into his shins, rip apart the cartilage in his knee, bruise his tailbone, sprain his ankles, and tear his ligaments too many times to count.No.He had to land the 900. And after thirteen years of failed attempts, he nailed it. It had never been done before. Growing up in Sierra Mesa, California, Tony was a hyperactive demon child with an I44 IQ. He threw tantrums, terrorized the nanny until she quit, exploded with rage whenever he lost a game; this was a kid who was expelled from preschool. When his brother, Steve, gave him a blue plastic hand-me-down skateboard and his father built a skate ramp in the driveway, Tony finally found his outlet--while skating, he could be as hard on himself as he was on everyone around him. But it wasn't an easy ride to the top of the skating game. Fellow skaters mocked his skating style and dubbed him a circus skater. He was so skinny he had to wear elbow pads on his knees, and so light he had to ollie just to catch air off a ramp. He was so desperate to be accepted by young skating legends like Steve Caballero, Mike McGill, and Christian Hosoi that he ate gum from between Steve's toes. But a few years of determination and hard work paid off in multiple professional wins, and the skaters who once had mocked him were now trying to learn his tricks. Tony had created a new style of skating. In Hawk Tony goes behind the scenes of competitions, demos, and movies and shares the less glamorous demands of being a skateboarder--from skating on Italian TV wearing see-through plastic shorts to doing a demo in Brazil after throwing up for five days straight from food poisoning. He's dealt with teammates who lit themselves and other subjects on fire, driving down a freeway as the dashboard of their van burned. He's gone through the unpredictable ride of the skateboard industry during which, in the span of a few years, his annual income shrank to what he had made in a single month and then rebounded into seven figures. But Tony's greatest difficulty was dealing with the loss of his number one fan and supporter--his dad, Frank Hawk. With brutal honesty, Tony recalls the stories of love, loss, bad hairdos, embarrassing '80s clothes, and his determination that had shaped his life. As he takes a look back at his experiences with the skateboarding legends of the '70s, '80s, and '90s, including Stacy Peralta, Eddie Elguera, Lance Mountain, Mark Gonzalez, Bob Burnquist, and Colin Mckay, he tells the real history of skateboarding--and also what the future has in store for the sport and for him.Zum Buch
A group of politically correct teachers are tasked with creating a Thanksgiving play for their students. They hire a Native American actor to lend authenticity to the proceedings. When it turns out she’s ethnically ambiguous the teachers are left to navigate the resulting pitfalls in this rich satire. Includes a conversation with playwright Larissa FastHorse.Recorded at The Invisible Studios, West Hollywood, in September 2020.Director: Rosalind AyresProducing Director: Susan Albert LoewenbergEllis Greer as AliciaJosh Stamberg as JaxtonMark Jude Sullivan as CadenLiza Weil as LoganProducer: Anna Lyse EriksonRecording Engineers: Neil Wogenson and Mark HoldenSenior Radio Producer: Ronn LipkinFoley Artist: Jeff GardnerMixed by Charles Carroll for The Invisible Studios, West HollywoodLead funding for The Thanksgiving Play is generously provided by: Barbara Timmer and Catherine Glynn Benkaim, Mike and Beth Kasser, The John Logan Foundation/Desert Wolf Productions, Jamie Wolf“Ode to Joy” opening recorder quartet performed by Ulung Tanoto on his YouTube channel Si Ulung.The Thanksgiving Play was commissioned and originally produced by Artists Repertory Theatre, Damaso Rodriguez, Artistic Director; Sarah Horton, Managing Director, Portland, Oregon.Playwrights Horizons, Inc., New York City, produced the World Premiere of The Thanksgiving Play in 2018.Zum Buch
Is Ted Nugent an absolute genius or batsh!t crazy? Imagine a spectrum where on one side is pure genius, and the other side is utter lunacy. Where would you place Ted Nugent on this genius-lunatic spectrum? In this book, the guitar legend and conservative activist explores: * Violent crime, gun violence, recidivism, and prisons. * The right to bear arms. * The spoiled brats of Hollywood. * Systemic racism in America. * Censorship by Big Tech. * The First Amendment. * The January 6 capitol attack. * The gender control of government, media, and academia. * Turning over Roe V Wade abortion ruling. * Democrats, Marxists, and communists. * Gun control. * Mass shootings at schools. * The toxic hypocrisy of liberals. * Donald Trump. * Joe Biden. * MyPillow CEO Mike Lindell. * Dr. Anthony Fauci. * Kyle Rittenhouse. Is Ted Nugent crazy, brilliant, or both? Read this book, and figure it out!Zum Buch
Universally celebrated for the intricacy of his pointillist canvases, Georges Seurat (1859-1891) was a painter whose stunning union of art and science produced uniquely compelling results. Seurat’s intricate paintings could take years to complete, with the magnificent results impressing the viewer with both their scientific complexity and visual impact. His Un Dimanche Après-Midi à l’Île de la Grande Jatte (Sunday Afternoon on the Island of Grand Jatte) has held its place among the most treasured and distinguished pieces of 20th-century art. Klaus H. Carl offers readers an intriguing glimpse into the detailed scientific technique behind Seurat’s pointillist masterpieces.Zum Buch
