Other books that might interest you

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  Shattering Inequities -...

  Robin Avelear La Salle, Ruth S....

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  For education leaders who believe that all students deserve the premium education that only some currently experience, Shattering Inequities: Real-World Wisdom for School and District Leaders shows how your leadership can provide equitable outcomes for our most vulnerable students. Chapters include examples of actual equity leaders and leadership lessons as easily retrievable equity hooks—memory cues of complete, complex, and nuanced leadership takeaways. In the throes of educational transformation, the book’s examples provide leaders with practical ways to quickly and effectively infuse substantive thoughtfulness into common equity challenges and inspire equity-driven action to ensure that demographics do not determine destiny.

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  Daddy Issues - Love and Hate in...

  Katherine Angel

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  On the fraught bonds between daughters and their fathers, women, and the patriarchy 
   
   
   
  In this beguiling, incisive book, critically acclaimed writer Katherine Angel examines the place of fathers in contemporary culture with her characteristic mix of boldness and nuance, asking how the mixture of love and hatred we feel toward our fathers—and patriarchal father figures—can be turned into a relationship that is generative rather than destructive. 
   
   
   
  Moving deftly between psychoanalysis from Freud to Winnicott, cultural visions of fathering from King Lear to Ivanka Trump, and issues from incest to MeToo, Angel probes the fraught bond of daughters and fathers, women and the patriarchal regime. What, she asks, is this discomfiting space of love and hate—and how are we to reckon with both fealty and rebellion? 
   
   
   
  As in her earlier book Tomorrow Sex Will Be Good Again, Angel proves herself to be one of the most perceptive feminist writers at work today.

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  Israel - What Went Wrong?

  Omer Bartov

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  Israel: What Went Wrong? by Omer Bartov is a forthcoming title from Farrar, Straus and Giroux.

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  Fragile Power - Why Having...

  Dr. Paul L. Hokemeyer

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  Having treated some of the world's most successful people, psychotherapist "Dr. Paul" sets out to answer why so many people who have everything end up feeling like their achievements are never enough—as well as what that pattern can reveal about ourselves and the society in which we live. 
   
   
   
  The exclusivity of living behind the velvet rope or the gilded gate doesn't guarantee happiness for the rich, famous, and powerful; there are downsides to attainment as well. We all—including people who seem protected by their privileged lives—can experience the self-destructive behaviors common to modern life, including chronic stress, addiction, anxiety, imposter syndrome, infidelity, negative body image, and narcissism. 
   
   
   
  Division marks our era. There's a growing separation between the haves and have nots, men and women, as well as the empowered and the disenfranchised. At the same time, our culture is defined by celebrities, and the powerful, affluent people we put on a pedestal to idolize and emulate. Too often, we think our lives would be better if we could have what they have or be more like them. It's time to realize that even the most admired people can go through life feeling unloved and unable to escape their problems.

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  And You May Find Yourself -...

  Sari Botton

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  Gen-X author and Oldster Magazine/Memoir Land editor Sari Botton reads her celebrated memoir, "And You May Find Yourself...", about finding yourself later in life—after first getting lost in all the wrong places. As Botton discovers, the wrong places famously include her own self-suppression and misguided efforts to please others (mostly men). In a series of candid, reflective, sometimes humorous essays, Botton describes coming to feminism and self-actualization as an older person; second (and third and fourth) chances; and how maybe it's never too late to find your way...assuming you're lucky enough to live long.  
  "In her edgy, tender, witty way, Sari Botton has written a book for any woman who ever contorted herself to fit culturally imposed ideals, in other words, all of us. In witnessing the ways Sari has fought and failed and flourished, in the poignancy and laughter, there is deep wisdom and an abundance of spirit." 
  —Beverly Donofrio, author of "Riding in Cars with Boys" 
  "A fresh and humorous meditation on the trials and tribulations of a smart Gen-X young woman who tries to extricate herself from a straitlaced suburban upbringing to become a cool, East Village girl, only to keep falling for the wrong man, the wrong therapist, and the wrong job... until she doesn't. Botton's hilarious and self-aware pages on dating all the wrong men recall some of Candace Bushnell's original Sex and the City essays and Helen Fielding's Bridget Jones' Diary."  
  —Catherine Texier, author of "Breakup" 
  "A humanizing, humble, and hard look at a life. Investigative journalism of the soul. Sari Botton's And You May Find Yourself is like the older sister of My Misspent Youth by Meghan Daum. You will absolutely find yourself in this intelligent, clever, and clear-hearted book." 
  —Chloe Caldwell, author of "The Red Zone: A Love Story"

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  Theatre of the Unimpressed - In...

  Jordan Tannahill

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  How dull plays are killing theatre and what we can do about it.
     
  Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between?
     
  A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form.
    
     
  Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination.
     
  ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail
     
  ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)

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