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  Edith Nesbit - Six of the Best –...

  Edith Nesbit

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  Six has always been a number we group things around – Six of the best, six of one half a dozen of another, six feet under, six pack, six degrees of separation and a sixth sense are but a few of the ways we use this number. 
   
  Such is its popularity that we thought it is also a very good way of challenging and investigating an author’s work to give width, brevity, humour and depth across six of their very best. 
   
  In this series we gather together authors whose short stories both rivet the attention and inspire the imagination to visit their gems in a series of six, to roam across an author’s legacy in a few short hours and gain a greater understanding of their writing and, of course, to be lavishly entertained by their ideas, their narrative and their way with words. 
   
  These stories can be surprising and sometimes at a tangent to what we expected, but each is fully formed and a marvellous adventure into the world and words of a literary master. 
   
  1 - Six of the Best - Edith Nesbit - An Introduction 
  2 - Edith Nesbit - An Introduction 
  3 - From The Dead by Edith Nesbit 
  4 - The Mass for the Dead by Edith Nesbit 
  5 - The Power of Darkness by Edith Nesbit 
  6 - The Pavilion by Edith Nesbit 
  7 - The Ebony Frame by Edith Nesbit 
  8 - Man Size in Marble by Edith Nesbit

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  One Summer Night

  Ambrose Bierce

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  Henry Armstrong has been buried, yet he doesn’t quite feel dead. In the pitch-black confinement of his grave, he slowly grasps the absurdity of his situation, though his body lies sealed in a tight coffin beneath layers of fresh soil. Above him, on this gloomy summer night, three men are digging up his resting place—two medical students and their mysterious companion, Jess, who knows the cemetery better than anyone. But none of them could anticipate the horror awaiting them. Bierce’s tale reaches into the depths of dread, leaving readers with one chilling question: what truly happens on the edge between life and death?

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  Typhoon and Other Stories

  Joseph Conrad

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  In these four stories, written between 1900 and 1902, Joseph Conrad bid gradual farewell to his adventurous life at sea and began to confront the more daunting complexities of life on land in the twentieth century. In 'Typhoon' Conrad reveals, in the steadfast courage of an undemonstrative captain and the imaginative readiness of his young first mate, the differences between instinct and intelligence in a partnership vital to human survival. 'Falk', the companion sea-story, contrasts, as Conrad once put it, 'common sentimentalism with the frank standpoint of a more or less primitive man', a man with a conscience, however, about the girl he desires. In one of the 'land-stories' Conrad explores the utter isolation of an East European emigrant in England; in the other, the plight of a woman ironically trapped by the unwitting alliance of two retired widowers - each blind in his own way.

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  Secret Music

  Odie Hawkins

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  Odie Hawkins utilizes the same thrust, power, and creativity that made Ghetto Sketches his first bestseller. He has moved the focus from Chicago to Los Angeles; and once again, he has populated his stories with unforgettable characters—the telephone freak, the tenants of Mrs. Solomon’s apartment building, and a few surrealistic types.   The Secret Music we all hear is echoed within these stories . . .

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  Let's All Kill Constance

  Ray Bradbury

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  On a dismal evening in the previous century, an unnamed writer in Venice, California, answers a furious pounding at his beachfront bungalow door and again admits Constance Rattigan into his life. An aging, once-glamorous Hollywood star, Constance is running in fear from something she dares not acknowledge -- and vanishes as suddenly as she appeared, leaving the narrator two macabre books: twin listings of the Tinseltown dead and soon to be dead, with Constance's name included among them. And so begins an odyssey as dark as it is wondrous, as the writer sets off in a broken-down jalopy with his irascible sidekick Crumley to sift through the ashes of a bygone Hollywood -- a graveyard of ghosts and secrets where each twisted road leads to grim shrines and shattered dreams ... and, all too often, to death.

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  The Purple Wig

  G. K. Chesterton

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  Publisher's SummaryGilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown.In The Purple Wig, an investigative journalist, Frances Finn, sets out to discover the strange secret of the dukes of Exmoor and the legend of their mysterious hereditary deformed ear. When Finn meets the current duke, he is wearing a hideous purple wig, which apparently he never takes off in the presence of anybody. It would appear to be an ugly way of hiding his deformity...but Father Brown, who is visiting the duke at the time, is suspicious about the motives for wearing such a wig. As the investigation progresses, the story takes a highly unexpected turn.

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