Outros livros que poderiam interessá-lo

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  Laffmobb's We Got Next Vol 9

  Various Artists, Amberia Allen,...

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  A new comedy series that delivers a next generation twist on stand-up. An entertaining hour where reality meets stand-up comedy via performances and profiles of the next generation of great African American comics.  We Got Next takes you into the talent scout lab of Bob Sumner (Founder/Producer/Lead Talent Scout of Def Comedy Jam series with Russell Simmons on HBO) as he sets out to answer the question, “Who’s next?”

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  L'elisir d'amore

  Thomson Smillie

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  L’elisir d’amore, or The Elixir of Love, has remained popular for almost two centuries because of a touching tale and a galaxy of comic characters adapted from the traditional commedia dell’ arte. Above all Donizetti poured into the score all the warmth and tenderness of the Italian temperament. His melodic invention never ceases to charm whether in the jolly rustic choruses, the exhilarating ‘patter’ numbers, or the sweet sadness of the beautiful arias, of which ‘Una furtiva lagrima’, the great tenor showpiece, is the best known.

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  Richard E Norman and Race...

  Barbara Tepa Lupack

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  A history of the early 1900s southern-born, white filmmaker and the silent films he created for black audiences. 
   
  In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving “home talent” filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman’s personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema. 
   
  “Grounded in impressive archival research, Barbara Lupack’s book offers a long overdue history of Richard E. Norman and the filmmaking company he established early in the twentieth century. Lupack’s ability to describe Norman’s films—and the work that went into their production—reanimates them for readers and stresses their role in shaping early African American cinematic representation.” —Paula Massood, author of Making a Promised Land: Harlem in 20th-Century Photography and Film 
   
  “Thoroughly researched and crisply written . . . The first book-length work on Norman, Lupack’s monograph clearly delineates the Norman Company’s importance . . . [Richard E. Norman and Race Filmmaking’s] most profound contribution lies, perhaps, in how it illuminates the fraught economics of race filmmaking.” —Journal of American History 
   
  “Lupack’s book provides a wealth of archival information about this vibrant moment in film history . . . [This] is a solid contribution to regional film studies and race film business practice, and will appeal to scholars, students, and film-buffs alike.” —Black Camera

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  The Majesty of the River Road

  Lee Malone

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  Master photographer Paul Malone captures the charm and grandeur of these palatial homes and other notable structures in the Mississippi River region between Baton Rouge and New Orleans in 156 full-color photographs, including interior views of many of them. Ornate stairways and foyers, elaborate parlors, and spectacular bedrooms complete with period furnishings reflect the prosperous and opulent lifestyle of the antebellum period. The accompanying text by Lee Malone highlights the history of each home and provides an architectural description. Some of the River Road structures included in this volume are Mount Hope, Oak Alley, Magnolia Mound, Glendale, Bocage, L'Hermitage, and Nottoway, plus many, many more.

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  Rossini's La Cenerentola - A...

  Michael Steen

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  Rossini's La Cenerentola (or Cinderella) is one of the most popular comic operas in the classical repertoire – the timeless fairy tale about the triumph of virtue over snobbery. Its first performance at Rome's Teatro Valle in January 1817 – when the composer was not yet 25 – was the customary fiasco. More recently, audiences have laughed at Rossini's wit, gasped at the momentum of his crescendos and marvelled at dazzling coloratura from great sopranos such as Cecilia Bartoli. The opera moves at the same frantic pace at which Rossini worked to compose it. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include The Magic Flute, L'Elisir d'Amore and La Traviata.

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  The Ground of the Image

  Jean-Luc Nancy

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  The renowned philosopher provides “noteworthy contributions to themes connected with images, imagination, representation, aesthetics, and . . . religion.” —Journal of American Academy of Religion 
   
  What is this power that lies in the depths and recesses of an image—which is always only an impenetrable surface? What secrets are concealed in the ground or in the figures of an image—which never does anything but show just exactly what it is and nothing else? How does the immanence of images open onto their unimaginable others, their imageless origin? 
   
  In this collection of writings on images and visual art, Jean-Luc Nancy explores such questions through an extraordinary range of references. From Renaissance painting and landscape to photography and video, from the image of Roman death masks to the language of silent film, from Cleopatra to Kant and Heidegger, Nancy pursues a reflection on visuality that goes far beyond the many disciplines with which it intersects. He offers insights into the religious, cultural, political, art historical, and philosophical aspects of the visual relation, treating such vexed problems as the connection between image and violence, the sacred status of images, and, in a profound and important essay, the forbidden representation of the Shoah. In the background of all these investigations lies a preoccupation with finitude, the unsettling forces envisaged by the images that confront us, the limits that bind us to them, the death that stares back at us from their frozen traits and distant intimacies. 
   
  In these vibrant and complex essays, a central figure in European philosophy continues to work through some of the most important questions of our time.

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