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  Jean-Claude Grumberg - Three Plays

  Jean-Claude Grumberg

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  Winner of seven Molières, the Pulitzer Prize of France, Jean-Claude Grumberg is one of France’s leading dramatists and a distinguished voice of modern European Jewry after the Shoah. His success in portraying contemporary Parisian Jews on the stage represents a new development in European theater and a new aesthetic expression of European Jewish experience and sensibility of the Holocaust and its aftermath, a perspective quite different from either the American or the Israeli one. Grumberg’s Jews are French to their fingertips, yet they have been made more consciously Jewish by the war and the difficulties of reintegrating into a society in which too many neighbors denounced them or ignored their pleas to save their children. Affirming the new status of Jewish culture, Grumberg’s plays insist on the recognition of Jewish identity and uniqueness within the majority societies of Europe.  This volume offers the first English translation of three of Grumberg’s prize-winning plays: The Workplace (L’Atelier, 1979), On the Way to the Promised Land (Vers toi Terre promise, 2006) and Mama’s Coming Back, Poor Orphan (Maman revient, pauvre orphelin, 1994). Presented in the order of the history they record and steeped in Grumberg’s personal experience and insights into contemporary Parisian life, these plays serve as documentary witnesses that begin with the immediate postwar reality and continue up to the end of the twentieth century. Seth Wolitz provides notes on the plays’ themes, structures, characters, and settings, along with an introduction that discusses Grumberg’s place within the emergence of French-Jewish drama and a translation of an interview with the playwright himself.

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  The Poetry of Aphra Behn

  Aphra Behn

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  Aphra Behn was a prolific and well-established poet and playwright but facts about her life remain scant and difficult to confirm. What can safely be said is that Aphra Behn is regarded as a key English playwright and a major figure in Restoration theatre.  Her poetry is now far more appreciated and seen as a breakthrough for women of the 17th Century and beyond.  
   
  Aphra was baptised on 14th December 1640 and grew up with the gathering tensions leading to the English Civil War, a time of much division and difficulty as the King, Parliament, and their respective forces, came closer and then finally into open conflict. 
   
  By 1664 her marriage was over, less than a year after it began. She now used Mrs Behn as her professional name and moved towards pursuing a more sustainable and substantial career, working for the King's Company and the Duke's Company players as a scribe. Her first play ‘The Forc’d Marriage’, was staged in 1670, and thereafter many followed, including her later comic works, which were more commercially successful.  She wrote 19 plays in all and contributed to many others as well as several works of prose. 
   
  Along with her literary career there are claims she was a spy, that she travelled abroad, possibly as far as Surinam.  She also claimed to have met a slave leader in Africa and based her story ‘Oroonoko’ on his life.  Other accounts suggest that during her life she was also known as Ann Behn, Agent One-Sixty and Astrea. Her financial troubles seem to have also incurred her a brief stay in a debtors' prison. Whatever the truth, both her life and work seem rich, textured and full of adventure. 
   
  From the mid 1680’s Aphra’s health began to decline.  This was exacerbated by her continual state of debt and descent into poverty although she was often fond of saying that she had led a ‘life dedicated to pleasure and poetry.’ 
    
  Aphra Behn died on 16th April 1689. She is buried in the East Cloister of Westminster Abbey and the inscription on her tombstone reads: "Here lies a Proof that Wit can never be Defence enough against Mortality."  
  1 - The Poetry of Aphra Behn - An Introduction 
  2 - The Disappointment by Aphra Behn 
  3 - On a Juniper Tree, Cut Down to Make Busks by Aphra Behn 
  4 - The Willing Mistress by Aphra Behn 
  5 - To Lysander by Aphra Behn 
  6 - Love Armed by Aphra Behn 
  7 - On Desire by Aphra Behn 
  8 - The Counsel by Aphra Behn 
  9 - Love's Witness by Aphra Behn 
  10 - The Invitation by Aphra Behn 
  11 - To Mrs B by Aphra Behn 
  12 - On Her Loving Two Equally by Aphra Behn 
  13 - The Dream by Aphra Behn 
  14 - Song by Aphra Behn 
  15 - A Ballad on Mr J H to Amoret, Asking Why I Was So Sad by Aphra Behn 
  16 - The Return by Aphra Behn 
  17 - Oh How the Hand the Lover Ought to Prize by Aphra Behn 
  18 - The Dog in the Manger by Aphra Behn 
  19 - Angellica's Lament by Aphra Behn 
  20 - A Congratulatory Poem by Aphra Behn 
  21 - A Letter to a Brother of the Pen in Tribulation by Aphra Behn 
  22 - Epitaph on the Tombstone of a Child, the Last of Seven That Died Before by Aphra Behn 
  23 - A Thousand Martyrs aka The Libertine by Aphra Behn 
  24 - On the Death of the Late Earl of Rochester by Aphra Behn

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  Love & Misadventure

  Lang Leav

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  Celebrating the 10th anniversary of the bestselling Love & Misadventure, this updated audiobook edition features a special foreword by Lang Leav and highly personal annotations interspersed throughout.
   
  Love & Misadventure will take you on a rollercoaster ride through the highly relatable themes of love—from the initial butterflies, through to the soaring heights, and the devastating plunge. And, in the end, the message is one of hope.
   
  The journey from love to heartbreak to finding love again is personal yet universal. Lang Leav’s evocative poetry speaks to the soul of anyone who has travelled along this path. Capturing the naivety, excitement, and pure joy of finding that special someone, and the mind-numbing despair when a relationship suddenly comes to an end. Leav has an unnerving ability to see deep inside the hearts and minds of her readers. Her talent for translating complex emotions with astonishing simplicity has won her a cult following of devoted modern poetry fans from all over the world.
   
  Lang Leav is an internationally bestselling poet, novelist and artist. Lang’s words of love, loss, and self-empowerment have inspired millions across the globe to seek their own voice through the healing power of poetry. Love & Misadventure was her first poetry collection.

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  Bessie's Resurrection

  Kimberly A. Collins

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  Bessie's Resurrection gives voice to Richard Wright's fictional character Bessie Mears from his novel Native Son (1940). These poems offer Bessie room to articulte her experiences as an African American woman and how she suffes in her unenviable position, powerless and unseen. Here, Bessie's fictive character is self actualized by two historical African American trailblazers: Bessie Coleman and Bessie Smith who lived during the same time period when Bessie's story takes place. These poems, which reimagine their lives, are a microcosim of the lived experiences of African American women who face violence, limitations and challenges, Their voices and bodies are resurrected to articulate their ideas of worth to claim a space to speak not only for themselves but also for their sisters who are voiceless. Their lives become three songs which are analogous to the sections in Wright's novel: Fear, Flight and Fate. While Bessie Mears supplies the soundtrack to Bigger's story, it is Bessie Smith's blues sung by Colie Aziza which serve as the soundtrack for Bessie's Resurrection. This collection of poems, written for all three Bessie's, honors Black women as the necessary backbone to the fight against their voices and their bodies being buried alive.

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  Love's Labour's Lost

  William Shakespeare

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  This new edition of Shakespeare's Love's Labour's Lost presents a highly readable text of the play based on the first quarto of 1598. A thorough but concise critical commentary and a comprehensive introduction illuminate the significant elements of the play, its remarkable use of language, and its performance history.

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  C+nto - & Othered Poems

  Joelle Taylor

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  WINNER OF THE T S ELIOT PRIZE 2021
  WINNER OF THE POLARI PRIZE 2022
  'Visionary and powerful. I loved it.' Hollie McNish
  The female body is a political space.
  C+nto enters the private lives of women from the butch counterculture, telling the inside story of the protests they led in the '90s to reclaim their bodies as their own – their difficult balance between survival and self-expression. History, magic, rebellion, party and sermon vibrate through Joelle Taylor's cantos to uncover these underground communities forged by women.
  Part-memoir and part-conjecture, Taylor explores sexuality and gender in poetry that is lyrical, expansive, imagistic, epic and intimate. C+nto is a love poem, a riot, a late night, and an honouring.
  minds. Here is poetry that defends our right to walk without fear, wear what we choose, be who we uniquely are." - - Diana Souhami

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