Carmen
Prosper Mérimée
Publisher: Booklassic
Summary
Carmen is a novella by Prosper Mérimée, written and first published in 1845. It has been adapted into a number of dramatic works, including the famous opera by Georges Bizet.
Publisher: Booklassic
Carmen is a novella by Prosper Mérimée, written and first published in 1845. It has been adapted into a number of dramatic works, including the famous opera by Georges Bizet.
A New York Times Notable Book and “thoroughly gripping” historical mystery: On a ship packed with Irish immigrants, one passenger is a killer (People). In the bitter winter of 1847, leaving an Ireland torn by famine and injustice, the Star of the Sea sets sail for New York. On board are hundreds of refugees, some of them optimistic, many more of them desperate. Among them are a maid with a devastating secret, the bankrupt Lord Merridith accompanied by his wife and children—and a killer stalking the decks, hungry for the vengeance that will bring absolution. This journey will see many lives end, while others begin anew. Passionate loves are tenderly recalled, shirked responsibilities regretted too late, and profound relationships shockingly revealed. In this spellbinding tale of tragedy and mercy, love and healing, the farther the ship sails toward the Promised Land, the more her passengers seem moored to a past that will never let them go. “O’Connor’s luscious book brews the suspense of a thriller with the scope and passion of a Victorian novel—seasoned in authentic historical detail and served up in language that is equal parts lyrical and gritty.” —Booklist “Engrossing . . . will hold historical fiction fans rapt.” —Publishers WeeklyShow book
Katherine Mansfield (1888-1923) was a prominent modernist writer of short fiction and a close associate of D. H. Lawrence and Virginia Woolf. Set in 1915 in France, "An Indiscreet Journey" is a tale of travelling behind the lines in war-torn Europe where soldiers and civilians are living a strange precarious existence.Show book
The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. America prides itself on liberty, on justice for all and, if you are a wealthy white man, that is essentially true. Sadly, many other segments of society find it difficult to feel or become part of this endeavour. Within this chronological history of the American short story, that prejudice has helped shape the borders of those two endless questions about any anthology. Why that story? Why that Author? We made some hard choices. We start with Uriah Derrick Dárcy, an unlikely American name and, to all intents, it appears to be a pseudonym, about whom little is known or can be verified. He leads our literary parade. From here leviathans appear on a regular basis; Hawthorne, Poe, Melville, Twain but also note how many women are here and not just Stowe, Alcott and Chopin. Women’s status as writers is often neglected or undervalued, predominantly due to their second-class social status throughout much of history but their stories, their angles of approach to writing are both expertly crafted and refreshing. Another stain on the social and cultural fabric of American has been that of Race. Black people were harshly and unfairly treated as a matter of course. The Civil War may have opened the door but in reality little changed. The majority of the stories included here written by black authors are disturbing in the wrongs they were accused of, and the burdens they were forced to carry. This eye-opening literature enables us to once more take stock and applaud and bring some glimmers of recognition to their struggles and their art. There are some authors, liberally sprinkled throughout, both male and female who may previously have escaped your attention. Enjoy them. Adore them. Make them part of your everyday reading and listening. These forgotten voices are fine examples both of their craft, their art, and their take on society as it was then. In the period we cover from the late 18th Century, around the time of the American Revolution, up until the catastrophe of World War 2, the printing press was creating a market to share words. With industrialization and a large swathe of people eager to be distracted from hard working lives, a plethora of magazines and periodicals shot up, all clamoring for works to publish, to share those words, to introduce new ideas and explain how some of us view ourselves and each other. Some of these authors were only published that way, one story wonders—hitched to the fading star of a disposable periodical. And, of course, the elephant in the room was the English. In its early days US copyright law was non-existent and didn’t recognise anyone else’s. Publishers were free to take the talents of Dickens or Trollope and freely print it without permission or coin. Competing against that, gave you a decided disadvantage. Within these stories you will also find very occasional examples of historical prejudice. A few words here and there which in today’s world some may find inappropriate or even offensive. It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight. Context is everything, both to understand and to illuminate the path forward. The author’s words are set, our reaction to them encourages our change. Within this melting pot of styles, genres and wordplay one fact stands out: The American short story Literary tradition has a strong, vibrant and almost inclusive history, if you know where to look. Which is hereShow book
In this episode, Geoffrey is surprised when the sexy female soccer player he always pervs on invites him over for a drink. However, is the beautiful Jasmine Xi really interested in Geoffrey or does she have another nefarious purpose? And what is Geoffrey's friend Martin's involvement in the unexpected turn of events? There is only one way to find out. Listen to this audiobook.Show book
The Castle of Otranto is a 1764 novel by Horace Walpole. It is generally held to be the first gothic novel, initiating a literary genre which would become extremely popular in the later 18th century and early 19th century. Thus, Castle, and Walpole by extension is arguably the forerunner to such authors as Ann Radcliffe, Bram Stoker, Daphne du Maurier, and Stephen King.Show book
"Come with me, ladies and gentlemen who are in any wise weary of London: come with me: and those that tire at all of the world we know: for we have new worlds here." - Lord Dunsany, the preface to "The Book of Wonder"Show book