Other books that might interest you

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  Deirdre of the Sorrows - A...

  J. M. Synge

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  Come and join me as we rediscover one of the greatest myths to come out of the Emerald Isle: "Deirdre of the Sorrows," adapted for the stage by J.M. Synge. 
  Deirdre, a woman of immeasurable beauty, is betrothed/condemned to the King of Ulster, Conchubar. But in true mythological fashion, there is a prophecy which prevents this--a prophecy that tells of her falling in love with another man, of heroes being banished in her name, of multiple wars waged for her honor. Loyalty, familial ties, and unadulterated love will be strained and broken, with only one question remaining: Who will be left to admire the beauty and sorrow of life?

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  Marie Corelli's Collected Poems

  Marie Corelli

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  Marie Corelli is best known as a novelist, but was always a poet at heart, composing on her strongest passions, whether for love, nature, God, or country.This volume collects poems from across her bestselling books and across her career, curated by Brenda Vyver, her her 'companion' of 40 years, who she left everything to when she died, and who is buried alongside her in a twin grave. It is perhaps worth noting that Brenda drove much of Corelli's work, which ran heavy to erotic descriptions of women.Corelli was the Victorian romance author who outsold Arthur Conan Doyle, H. G. Wells, and Rudyard Kipling put together. Despite critics labelling her as "as "the favourite of the common multitude", she was a favourite of Winston Churchill, Queen Victoria and William Gladstone. She was the only author invited to the coronation of Edward VII, and her friends included Mark Twain, Ouida, the Empress Frederick of Germany, and Alfred Tennyson. Her often darkly romantic works tried to reconcile Christianity with mystical ideas such as reincarnation and astral projection.A true character, Corelli claimed that she had warned the finders of the tomb of Tutankhamun about the "dire punishment" likely to occur to those who rifle Egyptian tombs, claiming to cite an ancient book that indicated that poisons had been left after burials. She . She was associated at some point with the Fraternitas Rosae Crucis; a mystical Rosicrucian group, and her books were a part of the foundation of today's corpus of esoteric philosophy."a woman of deplorable talent who imagined that she was a genius, and was accepted as a genius by a public to whose commonplace sentimentalities and prejudices she gave a glamorous setting." - Grant Allen "the imagination of a Poe with the style of an Ouida and the mentality of a nursemaid." -James Agate

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  ballast

  Quenton Baker

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  A poetic sequence using the 1841 slave revolt aboard the brig Creole as a lens through which to view the vitality of Black lives and the afterlife of slavery.In 1841, the only successful, large-scale revolt of American-born enslaved people erupted on the ship Creole. 135 people escaped chattel slavery that day. The event was recounted in US Senate documents, including letters exchanged between US and British consulates in The Bahamas and depositions from the white crew on the ship. There is no known record or testimony from the 135 people who escaped. Their story has been lost to time and indifference. Quenton Baker’s ballast is an attempt at incomplete redress.With imagination, deep empathy, and skilled and compelling lyricism, Baker took a black marker to those Senate documents and culled a poetic recount of the Creole revolt. Layers of ink connect readers to Baker’s poetic process: (re)phrasing the narrative of the state through a dexterous process of hands-on redactions.ballast is a relentless, wrenching, and gorgeously written book, a defiant reclamation of one of the most important but overlooked events in US history, and an essential contribution to contemporary poetry.

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  The Affirmations

  Luke Hathaway

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  ”...a trans-mystical work of love and change...”—Ali Blythe, author of Hymnswitch
  		 
  The mystics who coined the phrase ‘the way of affirmation’ understood the apocalyptic nature of the word yes, the way it can lead out of one life and into another. Moving among the languages of Christian conversion, Classical metamorphosis, seasonal transformation, and gender transition, Luke Hathaway tells the story of the love that rewired his being, asking each of us to experience the transfiguration that can follow upon saying yes—with all one’s heart, with all one’s soul, with all one’s mind, with all one’s strength ... and with all one’s body, too.

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  Robin Hood and the Christmas Heist

  Chris Bush, Matt Winkworth

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  As winter's first snow falls, there's not much Christmas cheer in Sherwood Forest. Cupboards are bare, the nights are cold, and the cruel Sheriff of Nottingham squeezes his citizens for every penny they're worth.
  But deep in the forest, in the heart of the Major Oak, Robin and Marian are plotting an audacious scheme to bring some festive joy to all…
  This charming retelling of the Robin Hood legend by Chris Bush, with music by Matt Winkworth, was first performed at Rose Theatre, Kingston upon Thames, in 2024, directed by Elin Schofield.
  Robin Hood and the Christmas Heist was commissioned by the Rose to be performed by members of the Rose Youth Theatre alongside four professional adult actors – and offers a wealth of opportunities for other theatre companies who want a merry Christmas classic that hits the target.

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  Sorrow Tears and Blood - Poetry...

  David Onamade

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  David’s book is one of despair and hope; one that paints a picture of our society that is both dark and broken up by fleeting rays of light. From his plight on the streets in one of England’s richest regions, to the interactions of people he observes and encounters every day, to the impacts of Covid-19 and the changing seasons – this is poetry and prose at its most powerful. It is a book that reveals the double-talk of homeless service provision – a society that consigns people as worthless without knowing their backgrounds; which assumes that homelessness is a choice rather than a predicament. It is impossible not to have read this book and come away changed: to feel the biting need to make a difference and sense of injustice as to why so many individuals – people who could otherwise fulfil their potential, for the benefit of others as well as themselves – are thrown cruelly to the fringes. 
   

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