Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
The Comedies - Lady Windermere's Fan An Ideal Husband A Woman of No Importance and The Importance of Being Earnest - cover

The Comedies - Lady Windermere's Fan An Ideal Husband A Woman of No Importance and The Importance of Being Earnest

Oscar Wilde

Publisher: Open Road Media

  • 0
  • 0
  • 0

Summary

Experience the wit of Wilde in these four delightfully satiric plays—including his masterpiece, The Importance of Being Earnest.   In the late nineteenth century, Oscar Wilde’s plays were the toast of London, celebrated for the Irish playwright’s mischievous wit, pointed social satire, and gift for energetic farce.  Lady Windermere’s Fan: Gossip leads Lady Windermere to believe her husband is having an affair, and when the woman in question appears at her party, she makes an impulsive choice that threatens to destroy her reputation.  An Ideal Husband: When a femme fatale blackmails prestigious politician Sir Robert Chittern, his wife is forced to re-evaluate her standards for “an ideal husband.”  A Woman of No Importance: Young Gerald Arbuthnot is honored to be chosen as secretary to the sophisticated—and flirtatious—Lord Illingworth. So why does Gerald’s mother oppose the appointment?  The Importance of Being Earnest: In the playful sendup of Victorian courtship and manners, bachelors Jack and Algernon each woo ladies using the ironic alias of “Ernest.”
Available since: 09/11/2018.
Print length: 970 pages.

Other books that might interest you

  • The Milk Hours - Poems - cover

    The Milk Hours - Poems

    John James

    • 0
    • 0
    • 0
    Winner of the Max Ritvo Poetry Prize, The Milk Hours is an elegant debut that searches widely to ask what it means to exist in a state of loss. 
    “We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy. These are poems of frequent swerves and transformations, which never stray far from an engagement with science, geography, art, and aesthetics, nor from the dream logic that motivates their incessant investigations. 
    Indeed, while John James begins with the biographical—the haunting loss of a father in childhood, the exhausted hours of early fatherhood—the questions that emerge from his poetic synthesis are both timely and universal: what is it to be human in an era where nature and culture have fused? To live in a time of political and environmental upheaval, of both personal and public loss? How do we make meaning, and to whom—or what—do we turn, when such boundaries so radically collapse?
    Show book
  • Mary Shelley’s Frankenstein - cover

    Mary Shelley’s Frankenstein

    Mary Shelley, Kate McAll

    • 0
    • 0
    • 0
    The 1815 eruption of Indonesia’s Tambora volcano had a catastrophic effect on climate around the world. In North America and Europe, the following twelve months became known as “the year without summer.” Confined indoors by the relentless rain and cold, a group of friends, including 18-year old Mary Wollstonecraft Shelley and poet Lord Byron, began writing ghost stories to pass the time. Shelley’s tale “Frankenstein” remains, over 200 years later, a work of timeless imagination and power.Includes a post-play conversation with Leslie S. Klinger, author of The New Annotated Frankenstein.Original music by John Biddle.Recorded before a live audience at the UCLA James Bridges Theater in February 2020.Adapted by Kate McAllDirector: Anna Lyse EriksonProducing Director: Susan Albert LoewenbergAn L.A. Theatre Works Full-Cast Performance featuring:Seamus Dever as Captain WaltonAdhir Kalyan as Victor FrankensteinStacy Keach as The CreatureCerris Morgan-Moyer as Elizabeth Lavenza, Justine MoritzMike McShane as Mr. Davy, Father, DonaldDarren Richardson as Henry Clerval, Judge, Old Man, HamishAssociate Artistic Director: Anna Lyse EriksonRecording Engineer and Sound Designer: Mark Holden for The Invisible Studios, West HollywoodSenior Radio Producer: Ronn LipkinFoley Artist: Brian DeShazorProduction Manager: Erica R. ChristensenEditor and Mixing Engineer: Charles Carroll
    Show book
  • Out of Sorts (NHB Modern Plays) - cover

    Out of Sorts (NHB Modern Plays)

    Danusia Samal

    • 0
    • 0
    • 0
    Zara has spent her adult life being two different people. The good Muslim daughter, all set to marry the man her family approves of – and a free-spirited British millennial, who parties as hard as she works.
    Over one dramatic weekend, the lies she's been telling to keep these two worlds apart begin to unravel and she is forced to confront her real identity.
    Danusia Samal's play Out of Sorts was the winner of Theatre503's International Playwriting Award 2018. It premiered at Theatre503, London, in October 2019.
    Show book
  • The Lost World - cover

    The Lost World

    Sir Aarthur Conan Doyl, John de...

    • 0
    • 0
    • 0
    Arthur Conan Doyle’s rollicking adventure tale follows a scientific expedition deep into the Amazon jungle – right back into the time of dinosaurs and cave men.  Before Jurassic Park, before Indiana Jones - there was The Lost World! An L.A. Theatre Works full-cast performance featuring Josh Clark, Kyle Colerider-Krugh, Peter Paige, Kirsten Potter, Kate Steele, Tom Virtue, Kenneth Alan Williams.Recorded before a live audience at the Skirball Cultural Center, Los Angeles.The Lost World is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation to enhance public understanding of science and technology in the modern world.
    Show book
  • God's Dice (NHB Modern Plays) - cover

    God's Dice (NHB Modern Plays)

    David Baddiel

    • 0
    • 0
    • 0
    Science and religion go head to head in David Baddiel's debut play: a ferociously funny battle for power, fame and followers.
    When physics student Edie seems to prove, scientifically, the existence of God, it has far-reaching effects. Not least for her lecturer, Henry Brook, his marriage to celebrity atheist author Virginia – and his entire universe.
    God's Dice is an electric tragicomedy about the power of belief and our quest for truth in a fractured world. It premiered at Soho Theatre, London, in October 2019, starring Alan Davies as Henry, and directed by James Grieve.
    Show book
  • The Real Thing - cover

    The Real Thing

    Tom Stoppard

    • 0
    • 0
    • 0
    Henry may be the wittiest playwright of his generation, but he’s hopelessly naïve when it comes to understanding love and infidelity. Writing about betrayal is one thing, living with it is another. After Henry leaves his wife for another woman, he’s confronted with being the cuckold himself. Both dazzlingly clever and emotionally naked, Henry’s search for the “the real thing” in art and love demonstrates beautifully why both are worth the effort in the end.
    
    Recorded in Los Angeles before a live audience at the Skirball Cultural Center in November 2008.
    
    Directed by Rosalind Ayres
    Producing Director Susan Albert Loewenberg
    An L.A. Theatre Works Full-Cast Performance Featuring:
    Andrea Bowen as Debbie
    Matthew Gaydos as Brodie and TV Director
    Carolyn Seymour as Charlotte
    Simon Templeman as Henry
    Douglas Weston as Max
    Joanne Whalley as Annie
    Matthew Wolf as Billy
    
    Associate Producers: Jennifer Brooks and Christina Montaño
    Recording Engineer/Sound Designer/Editor/Mixer: Mark Holden for The Invisible Studios, West Hollywood
    Sound Effects Artist: Theresa Arrison
    Music Supervisor: Scott Willis
    Show book