Altri libri che potrebbero interessarti

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  Spinning (NHB Modern Plays)

  Deirdre Kinahan

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  A devastating new play about loss and families, by Deirdre Kinahan, one of Ireland's most exciting playwrights.
  What does it feel like to lose everything? To explain? What does it take to forgive the unforgivable?
  In small-town Ireland, father-of-one Conor is desperate to hold on to a life that is disintegrating before his eyes. Susan is a mother searching for reason in the darkness of her teenage daughter's killing. When they finally meet, a contemporary tragedy comes to light.
  Spinning was first performed by Fishamble: The New Play Company as part of the Dublin Theatre Festival in 2014.

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  Ways to Say Goodbye

  Anne Kellas

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  In this poetry collection 'Ways to Say Goodbye'. Anne Kellas takes the listener through dream sequences, abstract and imagistic poems and deeply personal poems of loss. The effect is a cumulative building of a quiet world of reflective resilience as the poet tries out possible ways to do what is almost impossible – to love and to say goodbye."These poems, their accounts of the ways art, chance talk, angels, birds, memories and music can come at us with terrible and tender truths, are gifts that teach us how ‘to read the mind of clouds’." (Kevin Brophy)

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  Twas the Night Before Christmas...

  Clement Clarke Moore

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  Librivox volunteers bring you nine different readings of Clement C. Moore's 'Twas the Night Before Christmas, a weekly poetry project. (Summary by Annie Coleman)

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  The Flag and the Faithful

  William J. Lampton

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  LibriVox volunteers bring you 12 recordings of The Flag and the Faithful by William J. Lampton. This was the Weekly Poetry project for January 20, 2013.William J. Lampton was the second cousin of Jane Clemens (the youngest of the three daughters of Samuel Langhorne Clemens, better known by his pen name Mark Twain.)He launched his jounalist carreer in 1877 by starting the Ashland (Kentucky) Weekly Review, with his father’s money. Lampton wrote several book, as well as humorous poems he called 'yawps'.  These were printed in the New York Sun and published in Yawps and Other Things ca. 1900. (Summary taken from Wikipedia and the Mark Twain Project)

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  A Requiem For What Could Have Been

  Zachary Phillips

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  I wrote these poems incrementally, but collated, edited, and recorded them collectively. A process that was at first therapeutic and then brutally revealing. A lot of the pieces touch upon regret, lost possibilities, and missed opportunities born of trauma, neglect, mental illness, and fear, as well as the desperation that comes when you find yourself searching for hope inside of darkness.What could’ve been and what is, are not the same thing. A lot of my pain comes from an inability to reconcile those two disparate facets of my existence. I know I can’t have everything I want, no one can. But when you are broken, it can be hard to know what you want, let alone have any idea of how to attain it.Thus, I write. I write to heal, to express the darkness within, to get it onto the page, and into the light. To understand myself and to understand my understanding of the world.If you resonate with my words I encourage you to write some of your own - it will help.what could have beenis brokenand what isfeels like a dreamthese words servedas a temporary anchoragainst the swirling chaosof a corrupted soullonging for restwritingsaved my lifeeditingalmost killed mei hopeit wasworth it

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  The Tradition

  Jericho Brown

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  Winner of the 2020 Pulitzer Prize for PoetryFinalist for the 2019 National Book AwardJericho Brown's daring book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown's mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.

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