Verlag: 404 Ink
Let Me Tell You This is a vital exploration of racism, gender-based violence, and the sustaining, restorative bonds between women, told with searing precision and intelligent lyricism. Nadine takes you on a journey exploring heritage, connection, and speaking out. These poems demonstrate the power of heart and voice, and will stay with readers long after the last page.
Since childhood, Janice Whyne has been a words person, writing prose-filled Christmas cards, songs and poetry. She sees poetry as a means of self-expression. A conduit and a safe space for our emotions, feelings and lived experiences. She's a Londoner by birthplace, a Jamaican by birthright, and also regards Indonesia as another homeland. In Conversation is a personal milestone in Janice's journey of rediscovering her creative self. Along the way, she's ventured into the world of open mics, spoken word and poetry slams; winning 1st runner-up at the Ubud Writers & Readers Festival Poetry Slam 2019 & 2022. The poems in In Conversation began their lives with a word(s) exchanged in conversation or that captured her attention in something she was listening to or viewing. She regards them as articulations of the said and unsaid; with the poetic voice in them not always hers, but rather an expression of the voice(s) of others. Readers have described it as unapologetic, raw, poignant, vulnerable and brave: a journey. "It speaks of someone that feels and loves much for this world, the wonderful imperfect people in it, and the injustices that go on." Themes of life, loss, love, protest and more are awaiting all who choose to engage in conversation with these poems. Her poem 'Sitting with Amazing' is part of The Poetry Archive Now Worldview 2021 Winners collection. Other poems have been featured in ‘Coffee & Contemplation: a taste of empowerment’ (2020), Coffee People Zine, Issue 10 (2020), All My Relations, Volume 5, Talbot-Heindl (2023), ‘Her locks unveiled: poems from the Black in White poetry competition’ (2023) as well as in other online and printed mediums.Zum Buch
The period known as the Avignon Papacy began in 1309, when Pope Clement V relocated the seat of papal power to Avignon, France. The French monarchy slowly gained control over the papacy during this time, and as they did, corruption and greed grew in the church. The troubadour and priest Raimon de Cornet staunchly opposed the Avignon Papacy for these reasons. He summarized his grievances in this noteworthy poem, in which he states, “I see the pope his sacred trust betray, / For while the rich his grace can gain alway, / His favors from the poor are aye withholden.”Zum Buch
Poet, playwright and novelist Blake Morrison evokes the lives of the Brontë sisters, with a nod to Chekhov's Three Sisters. Against the backdrop of a windswept northern village, three remarkable young women live their lives brightly. In Haworth in the 1840s, in a gloomy parsonage, where there are neither curtains nor comforts, Charlotte, Anne and Emily Brontë light up their world with outspoken wit, aspirations, dreams and ideas. And throughout their confined lives intensely lived… they write. With a touch of poetic licence, Morrison shows us the overwhelming humanity, charged emotions and brooding unease which characterise the Brontë household - and that of Chekhov's Three Sisters. Blake Morrison's play We Are Three Sisters was first performed at the Viaduct Theatre, Halifax, in 2011. 'Well-researched... beautifully intact, and speaks absolutely to the constrained world the Brontës inhabited' - Telegraph 'Morrison's use of the Three Sisters template is as intelligent as it is daring... a finely tuned piece' - GuardianZum Buch
The Long Song is the story of a young slave girl who lives through the final turbulent days of slavery on a sugar plantation in 19th-century Jamaica. It is adapted from Andrea Levy's award-winning novel by Suhayla El-Bushra, and premiered at Chichester Festival Theatre in October 2021, directed by Charlotte Gwinner.Zum Buch
Smith's edgy and funny The Watts Tower Project focuses on Simon Rodia, the Italian immigrant who spent 33 years building his towers - only to walk away from them, never to return. Smith blends his own childhood, the life of Rodia, and L.A. history to create a wonderfully eclectic piece.An L.A. Theatre Works performance featuring Roger Guenveur Smith. (P)2007 L.A. Theater WorksZum Buch
Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the worlds’ leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.Zum Buch
