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  All Shards and Paste

  Joey Polisena

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  Shards are the chipped-off pieces and eroded grains of myself that I collected from my mid-20s, when I was almost homeless again (yes, again), through my 30s, when I fought through that poverty, depression, and grief to find myself as a survivor. A poet doesn't just love you for a moment. She lets you puncture her skin with the way you feel, lets it heal, and then rubs it now and then to feel you again. This debut collection of poetry and hand-drawn artwork by a Cleveland, Ohio artist tells stories of traumas, breaking cycles, sexy romances, and the bond between the poet and reader.

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  Domesticated Volume Two

  James Domestic

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  In the second Domesticated instalment, East Anglian punk poet, James Domestic, is once again taking potshots at work, so-called-punk-rock, outdoor and indoor pursuits, aging, right wing lunatics, politics, feet, and himself. As if that wasn’t enough, you’ll also find his trademark surrealism, sarcasm, and quintessentially British whimsy applied to animals, emails, food, and the power of music, alongside his idiosyncratic illustrations, and photographs from his murky past. 
    
  A man in too many bands to count, a solo artist, a vocalist, a songwriter, a DJ, a poet, a painter, and a punk. James Domestic failed miserably at school through the distractions of music, alcohol, and girls, spent his early post-school life between the chemical factory and the dole, and somehow now has a PhD. A square peg in life’s round hole. A face that never fitted. He couldn’t care less. Come along for the ride. 
    
  “A sardonic, sarcastic wit, a penchant for the surreal, and a dynamic pace” (Nathan Brown, Louder Than War) 
    
  “Words that bite, belch, and bleed in their brilliance” (Mark Grist, multi-award-winning poet and battle rapper) 
    
  “A unique collection of poetic ventures into the human condition, with humour, anger, and a canny use of language: inspired and inspiring!” (Dick Lucas, Subhumans, Culture Shock etc.) 
    
  “Relentless” (Attila the Stockbroker, social surrealist poet and songwriter).

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  Riviera Tramp

  Thomas Kennedy

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  Annabel is an unmarried, childless, thirty-five year old self-made billionaire based in Monaco. Robert is a renowned heart surgeon based in Ireland, aged forty.LiChan is Vietnamese and she is Annabel's personal assistant. Simon Beauvoir is Annabel’s uncle and he runs her bank.Charlotte Rossi is Psychiatrist to both Annabel and LiChan.Barty is Robert’s friend, convalescing in Italy after a heart operation, with his wife Mona.Yolanda is a twenty year old, working in a boat yard where Robert stops to earn some cash cleaning boats.Howard is a Texan multi-millionaire whom Annabel is considering to become the father of her intended childrenGriggs is Annabel's Head of Security and also her butler. He and the chauffeur Taylor, are both gay and in a relationship.Robert is tramping across the south of France, aiming to meet his friend and patient, Barty, in Italy. As part of the challenge he has set himself, he is working and hitching his way across to Italy, not having brought any cash or cards to finance his journey.Annabel is on her way back via Nice, to Monaco, after a gruelling business trip. She drives a top of the range red jaguar car.Annabel, on route from Nice airport, feeling exhausted and worried she might fall asleep at the wheel, parks in the car park at the start of the Promenade des Anglais, to take fresh air before driving on to Monaco.Robert is sleeping as a tramp under the promenade.Prostitutes are using the car park as a base in order to serve the airport trade.When Annabel is mugged she screams for help and is rescued by Robert.  Robert thinks she is a prostitute and she thinks he is an alcoholic tramp.  Subsequently, they sit together and as they converse, they warm to each other, but they don't expect their meeting to be more than a passing of two ships in the night.  But later they make love in her Jaguar.  They part, but don’t realise they have fallen in love.  The story shows how they get back together

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  A Christmas Carol In Prose Ghost...

  Charles Dickens

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  Charles Dickens' classic morality tale for Christmastide, first published in 1843. 
  Elderly miser Ebenezer Scrooge receives an unexpected visit from a series of otherworldly advisors... 
  Narrated by Robin Reads.

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  Perfection Comes at a Price

  Ulla Beattie

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  Eric has a miserable childhood in a violent, drunken family in a tough London housing estate. He compensates by looking for perfection. For him, this means worldly success in a diplomatic career as far away from his childhood as possible. His single-minded ambition comes at a price. It makes him leave his childhood sweetheart Katie behind, since he knows that she can’t keep up with him. Their ways part. Eric marries an upper-class woman and becomes an Ambassador. However, Katie and he never quite lose touch. After his wife’s death Eric and Katie come together again. There is action and pace, fun and sadness, a huge variety of life experiences and a sense of providence and redemption.

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  The Hurting Kind

  Ada Limón

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  An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

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