Editora: Ale.Mar.
A compilation of material concerning the health and healing of the human organism, as considered from the occult viewpoint. Part 1: Man And His Vehicles; Part 2. Disease; Part 3. Healing; Part 4. There Is No Death.
Prepare to embark on an unforgettable journey through the pages of "My Mother Only Had Me for the Check." From a childhood marred by abuse and neglect to the challenges of adulthood grappling with dyslexia and mental illness, the author's story is a testament to the resilience and power of a woman's spirit. Growing up in a world where safety and love were scarce commodities, she learned to navigate a landscape fraught with pain and uncertainty. Yet, amidst the darkness, she clung to the flicker of hope, determined to carve out a better future for herself. Through the ups and downs, rejections, and setbacks, she never lost sight of her dreams. With unwavering determination, she pursued her passion for writing, turning her pain into purpose and her struggles into stories. Each word is a testament to her resilience, a defiant declaration that her past or illness would not define her. Today, her autobiography is a beacon of hope for women who have walked similar paths. Her journey serves as a reminder that no matter how daunting the obstacles may seem, there is always light at the end of the tunnel for those who refuse to give up.Ver livro
"Always to have sympathy, always to be accompanied, always to be understood would be intolerable." Virginia Woolf's essay begins by lamenting the surprise neglect of ill-health as a potential literary subject. What then unfolds is a dazzlingly written series of reflections on sickness, fiction, and the chilling indifference of the natural world. Above all a testament to the fundamental solitariness of the human soul, this is an indispensable work by the preeminent stylist of twentieth-century English literature.Ver livro
Altogether, the Battle of Stalingrad was the deadliest battle in the history of warfare, and the Soviets’ decisive victory there is considered one of the biggest turning points in the entire war, and certainly in the European theater. Over the next two years, the German gains in Russia were steadily reversed, and the Red Army eventually began pushing west towards Berlin. Fittingly, the importance of Stalingrad was commemorated in several ways, from Churchill presenting Stalin with a “Sword of Stalingrad” to the Russians’ decision not to rebuild parts of the battle scarred city as a reminder of what happened there. Partly out of dire circumstances and partly from a cultural worldview, it was the Soviet Union who first pressed female pilots into direct combat when Hitler invaded Russia. Ahead of Stalingrad, Stalin publicly declared that “women should be given the right to fly and fight for their country.” As a result, more than 800,000 women served in the Soviet military during the war years in hospitals, communication units, as road troops, anti-aircraft gunners, and snipers. Of the Soviet female fighter pilots who fought the Nazis in the skies, led raids against ground targets, and stopped supply transports, the iconic Lydia Vladimirovna Litvyak stands out as the most distinguished. The most productive and highly decorated of the Soviet Union’s female pilots, Litvyak was an expert aviator by the age of 14 and trained 45 pilots in the years leading up to the war, while still a teenager. She went on to serve in several of the elite air guard regiments, and she would be credited with numerous victories as the Soviets desperately tried to hold off the German onslaught around Stalingrad. The quirky and defiant Litvyak was described as a “silent modest beauty with a blonde shock of hair and blue eyes.” She “walked with a special gait, causing delight among others,” men in particular, and she tended to look neat at all times.Ver livro
The Autobiography of Benjamin Franklin is the traditional name for the unfinished record of his own life written by Benjamin Franklin from 1771 to 1790. This work has become one of the most famous and influential examples of an autobiography ever written. Franklin's account of his life is divided into four parts, reflecting the different periods at which he wrote them. Franklin's Autobiography has received widespread praise, both for its historical value as a record of an important early American and for its literary style. It is often considered the first American book to be taken seriously by Europeans as literature. William Dean Howells in 1905 asserted that "Franklin's is one of the greatest autobiographies in literature, and towers over other autobiographies as Franklin towered over other men." Public Domain (P) 2019 Flaneur MediaVer livro
Mishna Wolff grew up in a poor black neighborhood with her single father, a white man who truly believed he was black. "He strutted around with a short perm, a Cosby-esque sweater, gold chains and a Kangol—telling jokes like Redd Fox, and giving advice like Jesse Jackson. You couldn't tell my father he was white. Believe me, I tried," writes Wolff. And so from early childhood on, her father began his crusade to make his white daughter down. Unfortunately, Mishna didn't quite fit in with the neighborhood kids: she couldn't dance, she couldn't sing, she couldn't double dutch, and she was the worst player on her all-black basketball team. She was shy, uncool, and painfully white. And yet when she was suddenly sent to a rich white school, she found she was too "black" to fit in with her white classmates. I'm Down is a hip, hysterical, and at the same time beautiful memoir that will have you howling with laughter, recommending it to friends and questioning what it means to be black and white in America.Ver livro
An NPR Best Book of the Year A collection of poetry from one of our most acclaimed contemporary poets, Pulitzer Prize winner Jorie Graham In her formidable and clairvoyant collection, Runaway, Jorie Graham deepens her vision of our futurity. What of us will survive? Identity may be precarious, but perhaps love is not? Keeping pace with the desperate runaway of climate change, social disruption, our new mass migrations, she struggles to reimagine a habitable present—a now—in which we might endure, wary, undaunted, ever-inventive, “counting silently towards infinity.” Graham’s essential voice guides us fluently “as we pass here now into the next-on world,” what future we have surging powerfully through these pages, where the poet implores us “to the last be human.”Ver livro
