Altri libri che potrebbero interessarti

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  Black Dog Black Night -...

  Paul Hoover, Nguyen Do

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  “A monumental contribution to international literature.” —BLOOMSBURY REVIEWVietnam—the very word raises many associations for Westerners. Yet while the country has been ravaged by a modern history of colonialism and war, its ancient culture is rich and multilayered, and within it poetry has long had a special place.In this groundbreaking anthology, coeditors and translators Nguyen Do and Paul Hoover present a revelatory portrait of contemporary Vietnamese poetry. What emerges from this conversation of outsiders and insiders, Vietnamese and American voices, is a worldly sensibility descended from the geographical and historical crossroads of Vietnam in the modern era. Reflecting influences as diverse as traditional folk stories and American Modernism, the twenty-one poets included in Black Dog, Black Night, many of whom have never before been published in English, introduce readers to a fresh, uncensored, and utterly unique poetic vision.

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  Lisa Robertson's Magenta Soul Whip

  Lisa Robertson

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  Verses, essays, confessions, reports, translations, drafts, treatises, laments and utopias, 1995–2007. Collected by Elisa Sampedrin.
     
  Lisa Robertson writes poems that mine the past – its ideas, its personages, its syntax – to construct a lexicon of the future. Her poems both court and cuckold subjectivity by unmasking its fundament of sex and hesitancy, the coil of doubt in its certitude. Reading her laments and utopias, we realize that language – whiplike – casts ahead of itself a fortuitous form. The form brims here pleasurably with dogs, movie stars, broths, painting's detritus, Latin and pillage. Erudite and startling, the poems in Lisa Robertson's Magenta Soul Whip, occasional works written over the past fifteen years, turn vestige into architecture, chagrin into resplendence. In them, we recognize our grand, saddened century.
     
  'Robertson makes intellect seductive; only her poetry couldturn swooning into a critical gesture.'
     
  – The Village Voice
     
  'Here as in six earlier glittering books, Robertson proves hard to explain but easy to enjoy ... Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt ... Though she wields ... language expertly, even beautifully, she also shows an almost pagan delight in embodiment.'
     
  – New York Times
     
  'Robertson is one of our most crisply intelligent writers, and the poems and prose pieces in Lisa Robertson’s Magenta Soul Whip ... continually knock readers off their conventional responses, asking that they follow the curlicues of thought-in-motion the writing displays.'
     
  – Canadian Literature
     
  'Magenta Soul Whip manages to exist in a universe of its own making, in which Baudelaire and Lucretius both make appearances, as do Jesus Christ and the adulteress he saved from stoning, a conversational dog, and contemporary Canadian visual artist Lucy Hogg. The book teaches us how to read it as it unfolds for us page by page.'
     
  – Jerry Magazine
     
  '[Robertson's] preoccupations are as much lyrical and communicative … as they are intellectual.'
     
  – Quill & Quire

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  Neon Vernacular - New and...

  Yusef Komunyakaa

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  This Pulitzer Prize–winning collection pairs twelve new poems with work from seven previous volumes by “one of the most extraordinary poets writing today” (Kenyon Review). The poetry of Yusef Komunyakaa traverses psychological and physical landscapes, mining personal memory to understand the historical and social contexts that shape experience. Neon Vernacular charts the development of his characteristic themes and concerns by gathering work from seven of his previous collections, along with a dozen new poems that continue the autobiographical trajectory of his previous collection, Magic City.  Here, Komunyakaa shares an intimate and evocative life journey, from his childhood in Bogalusa, Louisiana—once a center of Klan activity and later a focus of Civil Rights efforts—to his stormy relationship with his father, his high school football days, and his experience of the Vietnam War and his difficult return home. Many of the poems collected here are drawn from limited editions and are no longer available.

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  Beloved Clara

  Lucy Parham

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  The intense relationships between Robert Schumann, his wife Clara, and Johannes Brahms are brought to vivid life through music and excerpts from their passionate writings.  With the arrival of the young, dynamic Brahms into their household, the Schumanns’ fragile marriage is threatened by the deepening bond between Clara and their gifted guest.  “This is a beautifully put — together portrait… Kleenex required” says The Guardian (London).Recorded before a live audience at the Skirball Cultural Center, Los Angeles, in December 2008.Directed by Martin JarvisProducing Director Susan Albert LoewenbergRosalind Ayres as ClaraSchumann/Eugenie Schumann/NarratorMartin Jarvis as Robert Schumann/Johannes Brahms/NarratorLucy Parham on PianoAssociate Producers: Jennifer Brooks and Christina MontañoRecording and Mixing Engineer, Sound Designer/Editor: Mark Holden for The Invisible Studios, West HollywoodSenior Radio Producer: Mark Ward

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  The Importance of Being Earnest

  Oscar Wilde

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  The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play's humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde's artistic career so far. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play. The successful opening night marked the climax of Wilde's career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde's lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Soon afterwards their feud came to a climax in court, where Wilde's homosexual double life was revealed to the Victorian public and he was eventually sentenced to imprisonment. His notoriety caused the play, despite its early success, to be closed after 86 performances. After his release, he published the play from exile in Paris, but he wrote no further comic or dramatic work.

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  Mother Goose for Grown-Ups

  Guy Wetmore Carryl

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  "Mother Goose for Grown-Ups" is a delightful reinvention of classic nursery rhymes tailored for a more mature audience. In this witty and irreverent collection, Carryl puts a humorous spin on beloved childhood favorites such as "Humpty Dumpty," "Jack and Jill," and "Mary Had a Little Lamb," with each rhyme being transformed into a clever and comical tale. If nostalgia is calling your name, but the intellectual side of your brain won't let you be whimsical, throw this on your headphones and let Guy Wetmore Carryl appeal to both sides of your fancy with "Mother Goose for Grown-Ups!"

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