Maison d'édition: Gibbs Smith
In this memoir/design book, Emmerling takes her readers sleuthing and partying at Round Top antiques fair; reminisces on her days at Mademoiselle, House Beautiful and other top magazines; shares oodles of her favorite things; and shares personal, fresh country decorating in her own home and those of a few close friends.
Host Steve Black speaks with members of Shaman’s Harvest in the summer of 2017.Voir livre
“A plethora of spectacular new photographs of the natural landscapes, wildlife, and beauty found in this remarkable National Park.” —BeautifulNow The Great Smoky Mountains have inspired, challenged, and entertained millions of visitors for hundreds of years. To preserve the splendor of the mountains and valleys for all to enjoy, Franklin D. Roosevelt dedicated this beautiful area as a protected area and National Park in 1940. In this breathtaking book, the husband-and-wife photography team captures a new vision of the Great Smoky Mountains including both popular attractions and spectacular sites off the beaten path. Stunning photos represent all four seasons, including colorful fall foliage, spring’s wildflower riches, intense summer sunsets, and serene winter snowfalls. Majestic views of mountains from Clingman’s Dome to Morton Overlook along Newfound Gap Road will entice new visitors, while regulars will cherish the book as a memory album of their own, enjoying images of Cades Cove, Roaring Fork Motor Trail and the wildlife of the area. This book of new and remarkable photographs is a necessity for everyone who appreciates natural landscapes, wildlife, and beauty in an area rich with history and culture. “Offers readers—make that viewers—page after page of exquisite photographs of the Smokies . . . The photographers visited the Smokies in all four seasons, taking pictures of wildlife, deserted cabins, churches and mills, long panoramic shots of valleys and mountains, close-ups of butterflies, and trillium. Some of the winter photographs—turkeys in the snow, icy stalactites clinging to a rock cliff on Laurel Road, a rusting antique pickup at Ely’s Mill—are especially striking.” —Smoky Mountain Living MagazineVoir livre
Pick your next movie to watch with this collection of four decades of 4-star reviews from the Pulitzer Prize–winning film critic. Spanning the length of Roger Ebert’s career as the leading American movie critic, this book contains all of his four-star reviews written during that time from About Last Night . . . to You Can Count on Me. A great guide for movie watching.Voir livre
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.Voir livre
Abbott and Costello talk about the butter and meat shortages. Abbott and Costello go hunting in the north woods with guest Claire Trevor as a guide.Voir livre
Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on the manner in which his work evolved. Besides numerous paintings with historical and cultural value, Diego Vélasquez painted numerous portraits of the Spanish Royal Family, other major European figures, and even of commoners. His artistic talent, according to general opinion, reached its peak in 1656 with the completion of Las Meninas, his great masterpiece. In the first quarter of the 19th century, Velázquez's style was taken as a model by Realist and Impressionist painters, in particular by Édouard Manet. Since then, further contemporary artists such as Pablo Picasso and Salvador Dalí have paid homage to their famous compatriot by recreating several of his most famous works.Voir livre
