Editora: Soma Publishing
"Robots Don't Respect Sundays" locates the humor in facts. It's a book of tough, terse and often terrific accounts of science and technology gone awry. Hard-hitting and ethical. Ironic and spiritual. Direct and downright funny.
Leather jewelry doesn't have to be traditional! Fabulous leather can be anything from casual and fun to stylish and sophisticated. With a smattering of beads and some clever construction ideas you can take leather jewelry beyond conventional and onto the fashion runway. Award-winning jewelry designer Myléne Hillam shows you how to use leather not just as a stringing component, but as the featured material in designer accessories. No conventional leather crafting skills are required. You'll learn how to loop, twist, fold, and recolor leather in ways that will redefine your perception of jewelry. Whether you're looking for something colorful and fun to team with your T-shirt and jeans or a statement necklace to dress up your work wear, you're bound to find something here to suit your style and take your wardrobe from glum to glam.Ver livro
More than sixty educational, entertaining craft projects that encourage children to unplug, interact, and have fun! Does your child spend too much time in front of a screen? Help them discover the excitement of hands-on learning with Screen-Free Crafts Kids Will Love. Packed with DIY projects like a personalized race track chore tracker, a high-flying homemade 3D kite, and handmade musical instruments, the activities in this book will encourage your child to explore the world beyond the screen. Screen-Free Crafts Kids Will Love features step-by-step instructions and color photos for over sixty entertaining and educational projects that: • Promote lifelong learning • Stimulate creativity • Improve problem solving • Spur imaginative thinking • Encourage independent playtime And the fun doesn’t end when the crafting is over—youngsters will love playing with their new handmade creations on game night, at parties, during holidays, and more.Ver livro
What would Little Women be without the charms of the March family’s cozy New England home? Or Wuthering Heights without the ghost-infested Wuthering Heights? Getting lost in the setting of a good book can be half the pleasure of reading, and Decorating a Room of One’s Own brings literary backdrops to the foreground in this wryly affectionate satire of interior design reporting. English professor and humorist Susan Harlan spoofs decorating culture by reimagining its subject as famous fictional homes and “interviews” the residents who reveal their true tastes: Lady Macbeth’s favorite room in the castle, or the design inspiration behind Jay Gatsby’s McMansion of unfulfilled dreams. Featuring 30 entries of notable dwellings, sidebars such as “Setting Up an Ideal Governess’s Room,” and four-color spot illustrations throughout, Decorating a Room of One’s Own is the ideal book for readers who appreciate fine literature and a good end table.Ver livro
More and more textile artists are using natural processes in their work, from dyeing with rust to working with found and scavenged items, and this book is the first to bring these increasingly popular techniques together. It promotes a way of working creatively with what is close at hand, whether gathered on walks by the seashore or collected in your garden, and working in tune with natural processes, bringing the rhythms and unpredictability of nature into your work. Examples of this type of working include rust dyeing embroidered fabric to give it a natural patina, dyeing with garden fruits or seaweed, weaving with pieces of beachcombed fibre and printing with found objects. In all of this work nature is directly harnessed to make its mark. The book is illustrated with the finest examples of contemporary embroidery and textile-art work using nature, by artists whose practice is tied up with their experience of and respect for the natural environment, often capturing a very strong sense of place and a feeling of calmness and contemplation.Ver livro
It is possible that in the history of British steam locomotives no class of engine was ever more universally popular than the Stanier 5MT 4-6-0 class, which were generally referred to as Black Fives. This informative book includes numerous images of the class at work, many of which are published for the first time.Introduced by the London Midland & Scottish Railway (LMS) in 1934 the building of the 842-strong class was shared between the locomotive works at Crewe, Horwich and Derby and also by the private builders Armstrong Whitworth Ltd. and Vulcan Foundry Ltd. With the exception of a pause in production during the war time years Black Five locomotives continued to be built until May 1951, when the last example was out-shopped from BR Horwich Works. Only four examples of the class were named, but a fifth locomotive was allocated a name which it reportedly never carried.They were often referred to as the finest mixed-traffic locomotives ever to run in Britain. William Arthur Stanier joined the LMS in 1932 having previously served the Great Western Railway (GWR) at Swindon Works, doubtless his LMS 2-cylinder tapered boiler Class 5 4-6-0 design reflected his Swindon experiences.This highly efficient and reliable general-purpose design (in several variants) could generally be seen at work over all of the former LMS network, from Thurso in the north of Scotland to Bournemouth (Somerset & Dorset Joint Railway) in the south of England. They became the ultimate go everywhere steam locomotives, working all manner of trains from slow goods to express passenger services.In 1967 just prior to the end of steam, British Railways remarkably listed 151 Stanier Black Fives as serviceable locomotives. A total of 18 Stanier Black Five locomotives survived into preservation, with the majority of those having been returned to steam.Ver livro
Preserve memories and create new family heirlooms—by transforming gorgeous vintage tablecloths into beautiful quilts! Dig into grandma’s attic, visit a flea market, buy new reproduction panels…even old tablecloths with holes or stains can become part of a lovely quilt. With clear guidance and photos, learn how to convert the best parts of each cloth into quilt blocks and appliqué elements that can be combined with commercial fabrics for extra vibrancy. Customize your design to get the most out of any tablecloth—parcel out a single cloth for multiple projects, or combine pieces of different cloths into one quilt. “Blue roses in rows, red cherries in bunches, brown pots and pans in golden squares—anyone who has ever been enticed by the colors and styles of vintage tablecloths, like ones produced in the 1920s by Wilendur, will be further delighted by the thought of quilting them…[The authors] cite fabric requirements, measurements, colors, and they clearly describe blocks, construction, and borders with clean graphics for finishing these beauties.”—Publishers WeeklyVer livro
