Altri libri che potrebbero interessarti

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  Orthodoxy

  G.K. Chesterton

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  Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetics. Chesterton considered this book a companion to his other work, Heretics. In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience.

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  Come West and See - Stories

  Maxim Loskutoff

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  An NPR Best Book of 2018 
   
   "Devastating.…Grows increasingly bizarre and haunting until it’s left an indelible mark." —Janet Maslin, New York TimesIn an isolated region of Idaho, Montana, and eastern Oregon, an armed occupation of a wildlife refuge escalates into civil war. Against this backdrop, Maxim Loskutoff shatters the myths of the West: a lonesome trapper falls in love with a bear; a newly married woman hatches a plot to murder a tree; and an unemployed millworker joins a militia after returning home. Written with “blade-sharp prose” (Electric Literature), the twelve stories in this debut collection expose the simmering rage and resentments of small-town America “with extraordinary eloquence and compassion” (National Book Review).

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  British Short Story The - Volume...

  Charlotte Riddell, Thomas Hardy,...

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  These British Isles, moored across from mainland Europe, are more often seen as a world unto themselves.  Restless and creative, they often warred amongst themselves until they began a global push to forge a World Empire of territory, of trade and of language. 
   
  Here our ambitions are only of the literary kind.  These shores have mustered many masters of literature. So this anthology’s boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English. 
   
  Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet.  And this is how we begin to differentiate our offering; both in scope, in breadth and in depth.  These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties. 
   
  Way back when it was almost immoral that a woman should write.  A few pages of verse might be tolerated but anything else brought ridicule and shame.  That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated ‘legal prostitution’.  Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands.  Here we include George Eliot and other examples. 
   
  We add further depth with many stories by authors who were famed and fawned over in their day.  Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain. 
   
  Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes.  Was this bound to happen or did a growing population that could read begin to influence rather than just accept? 
   
  Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page.  An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form.  Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D’Arcy. 
   
  Now authors began to offer a wider, more diverse choice from social activism and justice – and injustice to cutting stories of manners and principles.  From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache.  If you can imagine it an author probably wrote it.  
   
  At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience’s attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.

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  The Ghost in the Chair

  Lettice Galbraith

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  Lettice Galbraith is as mysterious as the stories she wrote. She appeared on the literary scene in 1893 with a rash of short stories and one novel, published another story four years later, and then disappeared without a trace. Yet despite the brevity of her presence on the literary stage, her supernatural stories have remained popular to this day.'The Ghost in the Chair' tells the story of a strange shareholders' meeting at a troubled mining company. The chairman arrives, delivers a magnificent and inspirational speech to the 150 stockholders which saves the company from ruin, then departs.Moments after his exit, the doctor dramatically arrives to announce that the chairman had been found dead two hours previously - and had already been dead for some hours. A search of the dead man's papers reveals something very disturbing indeed....

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  Every Man His Own University

  Russell H. Conwell

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  A distinct university walks about under each man's hat. The only man who achieves success in the other universities of the world, and in the larger university of life, is the man who has first taken his graduate course and his post-graduate course in the university under his hat. There observation furnishes a daily change in the curriculum. Books are not the original sources of power, but observation, which may bring to us all wide experience, deep thinking, fine feeling, and the power to act for oneself, is the very dynamo of power

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  Slug and Other Stories

  Megan Milks

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  A woman metamorphoses into a giant slug; another quite literally eats her heart out; a wasp falls in love with an orchid; and hair starts sprouting from the walls. These stories slip and slide between genres—from video games to fan fiction, body horror to choose-your-own-adventure—as characters cycle through giddying changes in gender, physiology, species, and identity. Collapsing boundaries between bodies and forms, these fictions interrogate the visceral, gross, and absurd. 
   
   
   
  "This book is fucking weird," wrote Brit Mandelo in 2015. It's only gotten weirder since. Slug and Other Stories is a revised and expanded edition of a contemporary cult classic. Now in audio, this collection is a testament to the messy anti-logic of queer feelings by a revelatory new voice. 
   
   
   
  Contains mature themes.

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