Otros libros que te pueden interesar

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  Steven Spielberg and Philosophy...

  Dean A. Kowalski

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  “This lively collection of essays on the ideas underpinning his films enriches and enlarges our understanding of Spielberg’s complex body of work.” —Joseph McBride, author of Steven Spielberg: A Biography Few directors have had as powerful an influence on the film industry and the movie-going public as Steven Spielberg. Whatever the subject—dinosaurs, war, extra-terrestrials, slavery, the Holocaust, or terrorism—one clear and consistent touchstone is present in all of Spielberg’s films: an interest in the human condition. In movies ranging from Jaws to Schindler’s List to Amistad to Jurassic Park, he has brought to life some of the most popular heroes—and most despised villains—of all time.   In Steven Spielberg and Philosophy, Dean A. Kowalski and some of the nation’s most respected philosophers investigate Spielberg’s art to illuminate the nature of humanity. The book explores rich themes such as cinematic realism, fictional belief, terrorism, family ethics, consciousness, virtue and moral character, human rights, and religion in Spielberg’s work. Avid moviegoers and deep thinkers will discover plenty to enjoy in this collection.

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  Most Notorious Art Thefts of the...

  Charles River Editors

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  Hans Memling, a painter from Flanders, is the holder of an unfortunate record. He painted a triptych, The Last Judgment, commissioned by Medici banker Angelo Tani. The paintings were intended for a new chapel in Fiesole in Tuscany, near the city of Florence.[1] However, in April 1472, the ship on which they were being transported from Bruges to Florence was intercepted by Polish privateer and Danzig Town Council leader Paul Beneke. The captured ship and its cargo were taken to the Polish city of Gdansk, and Memling’s triptych was placed on display in St Mary’s Church in that city. The Last Judgment remained as an altarpiece in Gdansk until it was moved to the National Museum in Gdansk in the 20th century.  
  	This is generally accepted as the first documented instance of modern art theft, and it marks an important turning point. Prior to this, no self-respecting privateer would have bothered to steal a painting – they would have instead concentrated on coinage, gold or silver, or precious stones, items that, in other words, had a high intrinsic value. Paintings had no such value, though many had great subjective importance.  
  	In the 16th and 17th centuries, this began to change. Private collectors became interested in art, and suddenly, some paintings became worth a great deal of money. By the beginning of the 20th century, a number of paintings by well-known artists had become incredibly valuable. Thus, it should come as little surprise that as art began to be more highly valued and appreciated, stealing historic works also became more commonplace.  
  	The threat of theft also necessitated higher security, whether through technological advancements or personnel, which meant that the most recent attempts to steal valuable works would also be the most audacious. Whether the thefts took place during wartime (especially World War II) or in times of peace, it required ambition and daring to attempt art theft.

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  Powerful Pacing for Storytellers

  Vanessa Grant

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  In Vanessa Grant's Powerful Pacing for Storytellers, you'll discover how to build tension, emphasize important events, and control your story's pacing while increasing the reader's engagement.  
  You'll explore story pacing with its three different timing clocks and a formula that can help you control the relationship between time, speed, viewpoint depth, and emotional intensity.  
  Then you'll go on to look at the way a reader's perception of time fluctuates with the level of excitement, and we'll study the techniques you can use to control pacing and your reader's level of excitement.  
  And finally, you'll study the effect that different writing modes have on pacing, and how you can control pacing and speed using these modes. 
  Vanessa Grant is the author of 32 published romance novels with over 10 million copies of her books sold. She has been translated into 15 languages and has presented writers' workshops in Canada, the USA, Australia, and New Zealand. 

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  CHANGES - Berliner Festspiele...

  Thomas Oberender

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  Changes features a collection of key texts and ideas by artists, intellectuals and curators who have rethought and redefined the way a cultural institution should work. Alongside these documents, five essays establish guidelines for describing the institution's experimental and vastly innovative conceptual approach over the last ten years: the new meaning of format (as distinct from artistic work), the issue of sustainability in cultural institutions, identity politics, immersion and digital culture.
  
  A reader on the positioning of a pioneering German cultural institution that invites us to take a look at what has shaped the profile of its innovative programme.
  
  With texts and contributions by Frédérique Aït-Touati, Ed Atkins, Sivan Ben Yishai, Jens Bisky, Emanuele Coccia, Brian Eno, Naika Foroutan, Dorothea von Hantelmann, Donna Haraway, Susanne Kennedy, William Kentridge, Signa Köstler, Bruno Latour, Robert Maharajh, Bonaventure Soh Bejeng Ndikung, Thomas Oberender, David OReilly, Diana Palm, Philippe Parreno, Nancy Pettinicchio, Alex Ross, Stephanie Rosenthal, Rebecca Saunders, Frank Schirrmacher, Stephan Schwingeler, Tino Sehgal, Markus Selg, Gabriele Stötzer, Lucien Strauch.

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  The Earth Shook the Sky Burned -...

  William Bronson

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  Illustrated with more than four hundred on-the-scene photographs, this is the definitive account of the 1906 earthquake and fire that devastated San Francisco. 
   
  The Earth Shook, The Sky Burned tells the tragic story of the four days of upheaval and destruction that swept San Francisco when a violent earth tremor rocked the land, succeeded rapidly by a devastating fire that destroyed nearly thirty thousand buildings and left more than a quarter million people homeless.  
   
  William Bronson’s blow-by-blow account is full of dramatic detail and includes a fascinating cast of characters, including Enrico Caruso, John Barrymore, and other turn of the century icons. A classic of San Francisco history, The Earth Shook, The Sky Burned reveals what really happened that April morning when the face of the city was changed forever.

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  Abbott and Costello: Knights in...

  John Grant, Bud Abbott

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  Merle does the voices of Porky Pig, Bugs Bunny, an electric organ and hiccups. Lou wants to play the romantic lead in Merle's next picture. The cast does, The Brave Knight Cut Off The Dragon's Tail, or, The Dragon Isn't Waggin' Anymore. Costello plays, Sir Porterhouse, Abbott plays, Sir Loin.

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