Lisa Robertson's Magenta Soul Whip

Lisa Robertson

Beschreibung

Verses, essays, confessions, reports, translations, drafts, treatises, laments and utopias, 1995–2007. Collected by Elisa Sampedrin.

Lisa Robertson writes poems that mine the past – its ideas, its personages, its syntax – to construct a lexicon of the future. Her poems both court and cuckold subjectivity by unmasking its fundament of sex and hesitancy, the coil of doubt in its certitude. Reading her laments and utopias, we realize that language – whiplike – casts ahead of itself a fortuitous form. The form brims here pleasurably with dogs, movie stars, broths, painting's detritus, Latin and pillage. Erudite and startling, the poems in Lisa Robertson's Magenta Soul Whip, occasional works written over the past fifteen years, turn vestige into architecture, chagrin into resplendence. In them, we recognize our grand, saddened century.

'Robertson makes intellect seductive; only her poetry couldturn swooning into a critical gesture.'

– The Village Voice

'Here as in six earlier glittering books, Robertson proves hard to explain but easy to enjoy ... Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt ... Though she wields ... language expertly, even beautifully, she also shows an almost pagan delight in embodiment.'

– New York Times

'Robertson is one of our most crisply intelligent writers, and the poems and prose pieces in Lisa Robertson’s Magenta Soul Whip ... continually knock readers off their conventional responses, asking that they follow the curlicues of thought-in-motion the writing displays.'

– Canadian Literature

'Magenta Soul Whip manages to exist in a universe of its own making, in which Baudelaire and Lucretius both make appearances, as do Jesus Christ and the adulteress he saved from stoning, a conversational dog, and contemporary Canadian visual artist Lucy Hogg. The book teaches us how to read it as it unfolds for us page by page.'

– Jerry Magazine

'[Robertson's] preoccupations are as much lyrical and communicative … as they are intellectual.'

– Quill & Quire

Verfügbar seit: 01.01.2009.

Drucklänge: 104 Seiten.

Poesie & Theater

Weitere Bücher, die Sie mögen werden

Single Skin

Steve Dearden

Steve

Dearden's stories are populated by real people with real jobs and real

desires and fears; and in the rhythms of the dialogue and the

scaffolding of the terse descriptions, we find loneliness, and majesty,

and a belief in humanity that gives your heart a lift.

Zum Buch

Some Cannot Be Caught - The Emma...

Liane Strauss, Anja Konig

The Emma Press Book of Beasts rustles and roars with the voices of animals and humans, co-existing on Earth with varying degrees of harmony. A scorpion appears in a shower; a deer jumps in front of a car. A swarm of snowfleas seethes through leaf litter; children bait a gorilla at the zoo. The poems in this anthology examine hierarchy, herds, power, and the price we pay for belonging.

Zum Buch

Deceptive Calm

Patricia Skipper

Against the turbulent backdrop of declared martial law in South Carolina, a stunning light-skinned beauty, Vanessa, lives in a Catholic orphanage for Blacks. After a series of racial traumas, Vanessa obtains the birth certificate of a deceased white baby and uses this document to assume the child's identity. She moves to California and enrolls at UC Berkeley under her newly acquired name. 
Vanessa marries into one of California's wealthiest families. Her charmed life abruptly ends eighteen months after the birth of her first child who is diagnosed with sickle cell trait. Discovering that the woman he married is Black, as is his toddler son, Vanessa's ruthless husband plots his revenge but they both survive. The police investigation that follows seems pretty clear-cut until a curious, young detective uncovers some clues to her private life where nothing is as it appears. The aftermath of the discovery brings down a pillar of San Francisco society.

Zum Buch

With a Moon in Transit

Jacqueline Osherow

“A collection that is down-to-earth and sparkling in its self-deprecating wit . . . Osherow’s poems cast a magical light on whatever she beholds.” —Library Journal

In With a Moon in Transit, Jacqueline Osherow has given us her most accomplished poetry to date. Integrating the strengths of her earlier work—humor, honesty, artifice, testimony—into compelling poems of great vigor and charm, she combines the often antithetical impulses of lyric and narrative verse. The result is an aesthetic largely her own, one that permits Osherow to treat emotionally charged events and elaborate ideas with remarkable control.

Osherow’s observations are by turns gossipy, grand, sober, and hilarious. She sustains a disarming tone and manages to assimilate elements of both high and popular culture without apparent strain. While firmly rooted in the Hebrew Bible, her verse is also informed by authors as various as Dante and Dickinson. Yet for all that these poems are alive to the literary past, they remain sensitive to the rhythms of conversation and the tones of everyday speech. Osherow’s poems are composed with great clarity and rigor, but they never cease to sound casually spoken.

“Marked by an inimitable anecdotal expansiveness and uncompromising control, Jacqueline Osherow’s poems are among the most ambitious being written.” —Mark Strand, Pulitzer Prize–winning poet

“Abundant in whimsy, philosophical speculation, and earthly affections, Jacqueline Osherow’s poems inhabit their forms with insouciance and wit . . . Whether in mourning or celebration, hers is a voice of dazzling confidence, and humane and generous wisdom.” —Rosanna Warren, author of So Forth: Poems

Zum Buch

Literal Life Lessons

Sandra Nelms-Ludwig

Literal Life Lessons is a collection of poems capturing the tender, hauntingly human frailties of the poet and the persons she has observed over the years. The poems draw the reader into real life, familiar experiences and into thought-provoking realizations. Nothing is spared in depicting the underbelly and vulnerabilities of humanity. Author's Bio Mother, veteran, former interpretative national park ranger, retired educator, poet and activist, Sandra Nelms-Ludwig was born and raised in rural Bedford County, Virginia, nestled beneath the Blue Ridge Mountains. She began writing poetry at age 12 and has performed in numerous poetry slams and open mics both in Germany and America. Her poetry has appeared in two chapbooks, Litspeak at Hollins University in 1994 and Mouth Music at Big Island, Virginia, in 1997. This collection is her first book of poetry to be published and is a sampling of her writing from over the past 50 years. She presently resides with her Cocker Spaniel, Sir Duke, in Virginia.

Zum Buch

Girl in the Machine (NHB Modern...

Stef Smith

'Do you want to live forever?

YES or NO.'
Polly and Owen have nailed it. Successful in their careers and wildly in love with each other, they feel ready to take on the world.
But when a mysterious new technology, promising a break from the daily grind, creeps into everyone's phones, their world is turned upside down. As the line between physical and digital rapidly dissipates, Polly and Owen are forced to question whether their definitions of reality and freedom are the same.
Girl in the Machine is a disturbing but compassionate vision of our potential digital future, and what it might mean for 'life' as we know it. The play premiered at the Traverse Theatre, Edinburgh, in 2017, directed by Traverse Artistic Director Orla O'Loughlin.

Zum Buch