Weitere Bücher, die Sie mögen werden

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  Chris Porter: A Man from Kansas

  Chris Porter

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  Chris Porter discusses everything from hipsters ruining food, to being a man, to playing beer pong with celebrities, in his 3rd one hour special. No politics. No religion. No racism.  Just a man from Kansas…Live in Colorado.

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  Facts and Fancies - Essays...

  Paul Taylor

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  Witty and whimsical writings about the dance of life by the legendary choreographer.   This wonderful new book by one of the preeminent dancers and choreographers consists of a range of pieces of fact and fiction that run from thoughts on friendliness and country living to animosity and city life. Taylor’s first book since his autobiography (Private Domain, 1995, Alfred A. Knopf) is a romp through his playful mind, with chapter titles such as: Why I Make Dances, The Redheaded Spiritualist, Martha Close Up, Clytemnestra, How to Tell Ballet from Modern, and In the Marcel Proust Suite of L’Hotel Continental.   “No other dancer ever looked like Paul Taylor, that strapping, elastic, goofy hunk of a guy, and no one else’s dance works look like his either—not the deep, dark ones or the zany ones or the uplifting ones. His vocabulary, his tone are unique and unmistakable. The same thing is true, it turns out, about his writing. His style is utterly his own, and like all real style it isn’t a calculated voice but a reflection of the way his quirky mind works.” —From the foreword by Robert Gottlieb   “Taylor has not cultivated one writing persona, but has unleashed a raft of voices in a raft of forms: travesty, comedy, fiction, essay, satire, allegory, poetry, fable, epistle. While many of these selections are humorous, as anyone familiar with Taylor’s choreography knows, even in the sunniest of his dances, there are often threatening clouds on the horizon. And the canny Taylor recognizes when to swap his Janus masks for maximum emotional wallop.” —From the introduction by Suzanne Carbonneau

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  Russian Armour in the Second...

  Michael Green

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  This WWII pictorial history of Russia’s tanks and armored fighting vehicles provides a vivid look at the Eastern Front through rare wartime photographs.When Hitler’s armies advanced into Russia, it was Stalin’s tanks and armored fighting vehicles that finally pushed them back from the outskirts of Moscow. At the Battle of Kursk in the summer of 1943, the Soviet tanks and AFVs proved their effectiveness by defeating the cream of the Panzertruppen. From that point on, the tanks and armored fighting vehicles of the Red Army continued their offensive operations until they victoriously entered Berlin in April and May of 1945. In this fascinating pictorial history, military expert Michael Green provides historical images of the full range of Russian armor as well as exterior and interior color photos of preserved and restored tanks and AFVs from the period. This latest book in the Images of War series brings to life the Red Army’s efforts to repel Hitler's Panzer Armies.

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  In Love with Art - Françoise...

  Jeet Heer

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  Nominated for a 2014 Saskatchewan Book Award
   
  Françoise Mouly, an editor and publisher of uncommon taste and creativity, and an artist in her own right, has spent nearly four decades transforming comics. With her husband, Art Spiegelman, Mouly founded the landmark magazine RAW, which showcased artists such as Ben Katchor, Chris Ware, Charles Burns and Sue Coe, and, along with Spiegelman's Maus, brought an avant-garde sensibility to the popular art form. As art editor of The New Yorker since 1993, Mouly has remade the face of that venerable magazine with covers that capture the political and social upheavals of the last two decades, from the black-on-black cover after 9/11 to the Obamas' pre-election fist-bump. And now, with TOONâ??Books, Mouly is at the forefront of a new wave of comic-making for children.
   
  Based on exclusive interviews with Mouly, Spiegelman and a pantheon of comics artists – including Dan Clowes, Anita Kunz and Bill Griffith – In Love With Art is both the first book-length portrait of a female pioneer in a male-dominated industry and a rare, behind-the-scenes look at some of today’s most iconic images. Through the prism of an uncommonly successful relationship, the book tells the story of one of the most remarkable artistic transformations of our time.
   
  ‘Jeet Heer more thoroughly and widely understands comics history and the perplexing binomial life of the cartoonist better than anyone who's not one. As well-versed in literature as he is in comics, he always gets at the peculiar, poetical texture of his subject not only by what he writes, but how he writes it – clearly, mellifluously, and beautifully. Our humble discipline is singularly lucky to have him telling its story.’ – Chris Ware

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  The Age of Minority - Three Solo...

  Jordan Tannahill

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  Three of Jordan Tannahill’s fresh and riveting works are featured in this collection, including Get Yourself Home Skyler James, Peter Fechter: 59 Minutes, and rihannaboi95. Based on a true story, Get Yourself Home Skyler James follows the harrowing journey of a young lesbian who defects from the army when she is outed by fellow soldiers. Peter Fechter: 59 Minutes chronicles the last hour of Peter Fechter’s life, a teenager in East Berlin shot while attempting to cross the Berlin Wall in 1962 with his companion. Finally, the award-winning  rihannaboi95 centres around a Toronto teen whose world comes crashing in when YouTube videos of him dancing to songs by his favourite pop heroine go viral. Together these solo plays explore the lives of three queer youth and their resilience in the face of violence and intolerance.

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  Golf With Alan Shepard

  Carter W. Lewis

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  A quartet of aging retirees tee up for a witty and incisive reflection on love, faith, time, and (of course) golf. Over eighteen holes, the four men face truths ranging from the quotidian to the cosmic as they bicker and bond on the putting green.An L.A. Theatre Works full-cast performance featuring John Astin, Charles Durning, Richard Hoyt Miller, John Randolph and William Schallert.Directed by Robert Robinson. Recorded before a live audience in Santa Monica, CA in December, 1992.

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