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  Great Narrative Poems of the...

  Various Authors

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  Here are some of the finest narrative poems in the English language, dating from an age of rich inspiration: the nineteenth century. All tell powerful stories of human passion and endeavour, often reflected in vivid evocations of the medieval world. Includes ‘The Eve of St Agnes’ Le Morte d’Arthur and ‘Peter Grimes’

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  Dr Esperanto's International...

  L. Zamenhof

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  In July 1887, Esperanto made its debut as a 40-page pamphlet from Warsaw, published in Russian, Polish, French and German: all written by a Polish eye-doctor under the pen-name of Dr. Esperanto (“one who hopes”). Ludovic Lazarus Zamenhof (1859-1917) had a gift for languages, and a calling to help foster world amity: by a neutral “Internacia Lingvo” that anyone anywhere could readily use as a second language: neither forsaking a mother tongue, nor imposing it. In 1889 Zamenhof published an English translation by Richard H. Geoghegan, a young Irish linguist. All five are respectively considered the “First Book”. This classic sets forth Esperanto pretty much as we know it today (except that we no longer use internal apostrophes for composite words). Its original repertoire of 900 root words has grown tenfold in the past century, but you can still almost make do with the vocabulary herein. -- Summary by Gene Keyes

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  Camp of Wallenstein

  Friedrich Schiller

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  This is the first play of Friedrich Schiller's Wallenstein Trilogy. Set in a Bohemian camp during the Thirty Years War, it introduces the major characters of the rest of the trilogy, like Albrecht von Wallenstein and Max Piccolomini, from their subordinates' point of view. (Summary by Libby Gohn) Cast List:Narrator: Libby GohnPeasant, Dragoon, Second Cuirassier: alanmapstonePeasant Boy: Charlotte DuckettSergeant-Major: Larry WilsonTrumpeter: KHandA Hulan: David OlsonA Sharpshooter, Schoolmaster, Recruit: Kristin GjerløwA Croat: BeniaminoMassimoAn Artilleryman: Arnaldo MachadoFirst Yager: ToddHWSecond Yager: balaSoldier-Boy, First Arquebusier: TriciaGSutler-Woman: Julia NiedermaierServant Girl: SavannahCitizen: AvailleCapuchin: Peter TuckerFirst Cuirassier: Algy PugSecond Arquebusier: Rosslyn CarlyleSecond Sharpshooter: Anna SimonEdited by Libby Gohn

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  Trout Stanley

  Claudia Dey

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  Described by Variety as ‘Yukon Gothic,’ Claudia Dey’s acclaimed Trout Stanley is set in northern British Columbia, on the outskirts of a mining town between Misery Junction and Grizzly Alley. In this inhospitable setting live a pair of sisters, twins who are not identical in any way: Sugar, a complicated, insecure waif who still wears the tracksuit her mother died in ten years prior, and Grace, a rough-and-tumble hellcat who owns the local dump. At the play’s opening, it is their thirtieth birthday, and the TV news has announced the disappearance of a local Scrabble-champ stripper. While Grace is at the dump, housebound Sugar is surprised by a mysterious drifter, one Trout Stanley, foot fetishist and fake cop, who is searching for the lake where his parents drowned – a fishy story if there ever was one. He quickly becomes mired in a surreal love triangle with the two sisters. 
  Trout Stanley is about three people who confuse codependence for co-operation and afliction for affection. An eccentric, captivating story in which the biggest catch of all is love.  
  Lavishly illustrated by Jason Logan.  
  ‘Trout Stanley stands out from the crowd … Dey, whose language has always been striking and whose dramaturgy has sharpened with every play she’s written, here delivers a masterwork.’ – The National Post

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  Forgiveness (Whittier)

  John Greenleaf Whittier

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  LibriVox volunteers bring you 13 recordings of Forgiveness by John Greenleaf Whittier. This was the Weekly Poetry project for June 2, 2013.What some of our readers thought..."The whole poem consists of just a single sentence, but a very complex one, loaded with both independent and subordinate clauses and participial phrases... Following his admirable example of gentle tolerance, I forgive his dangling participles." (Leonard Wilson);  "Kudos to the poet for writing about forgiveness and mortality in a graveyard without letting any gods elbow in!" (Jason Mills) (Summary by David Lawrence)

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  The Female Poet Volume 5

  Christina Georgina Rossetti,...

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  Volume 5 
   
  The gentler sex or the deadlier of the species.  Between these two definitions of the female gender lies a collection of some of the most beautiful verse ever written. For much of history women have been seen rather than heard.  In this volume poets of great depth and feeling express themselves on a range of topics and in ways that perhaps only a woman can. 
   
  Here in Volume 5 we bring you works from Christina Georgina Rossetti to Elinor Wylie by way of Charlotte Smith, Sara Teasdale, Katharine Tynan, Ella Wheeler Wilcox, Dorothy Wordsworth and many others. Our readers include Ghizela Rowe and Nigel Planer. 
   
  Words.  The building blocks of literature.  The ammunition to wrench emotion from brain to lip to life.  All languages of the world have a unique capacity to convey information in many forms. Among them; as concise instructions, as many sided conversations and as great literature.  And within literature these same words can be used in different ways to capture our hearts, our souls, our desires with simple yet unexpected phrasing.  The ear has no problem being captivated by their use. 
   
  Whether Shakespeare requests ‘If music be the food of love, play on’ or Tennyson in heart breaking desire ‘Tis better to have loved and lost/Than never to have loved at all’ or the simple statement of Pope ‘To err is human; to forgive, divine’ or the rage of Dylan Thomas ‘Do not go gentle into that good night’ or the delicious question of Elizabeth Barrett Browning ‘How do I love thee? Let me count the ways.’ 
   
  We are moved by them all because they are both eloquent and emotional. They speak of us and directly to us.   Poetry does what no other use of words can do; they explore, nourish and reflect the many facets of the human condition.

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