Publisher: Perennial Press
Keith Laumer is a writer new to science fiction. In this story he displays the finesse, artistry and imagination of an old pro. Here is one of the tightest, tautest stories of interplanetary adventure in a long while...
The Abominations Of Yondo - Brought to you by Altrusian Grace Media and narrated by Matthew Schmitz Clark Ashton Smith (January 13, 1893 – August 14, 1961) was an American writer and artist. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn". Smith's work was praised by his contemporaries. H. P. Lovecraft stated that "in sheer daemonic strangeness and fertility of conception, Clark Ashton Smith is perhaps unexcelled", and Ray Bradbury said that Smith "filled my mind with incredible worlds, impossibly beautiful cities, and still more fantastic creatures". Smith was one of "the big three of Weird Tales, with Robert E. Howard and H. P. Lovecraft", though some readers objected to his morbidness and violation of pulp traditions. The fantasy writer and critic L. Sprague de Camp said of him that "nobody since Poe has so loved a well-rotted corpse".[3] Smith was a member of the Lovecraft circle, and his literary friendship with Lovecraft lasted from 1922 until Lovecraft's death in 1937. His work is marked by an extraordinarily rich and ornate vocabulary, a cosmic perspective and a vein of sardonic and sometimes ribald humor. Of his writing style, Smith stated: "My own conscious ideal has been to delude the reader into accepting an impossibility, or series of impossibilities, by means of a sort of verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor, simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation."Show book
At the right time, in the right place, words have the power to change the world.Show book
One million cloned soldiers. A nation imprisoned. A group of neurodiverse rebels fighting back.Britain as we know it lies destroyed. In the aftermath of the most daring military coup in history, the surviving population is crammed inside giant Citadels, watched over by an army of cloned soldiers. The hope of a nation lies in a tiny number of freedom fighters hidden in the abandoned countryside most of whom are teenagers who escaped the attack on their special school. Seen as no more than misfits and problem children, this band of fighters could never have imagined the responsibility that now rests on their shoulders. But perhaps this war needs a different kind of hero.Show book
John Talon and his son have survived the Upheaval, the event which saw the dead rising to feed on the living. After two years of fighting off the worst the infection had to throw at them, a new danger emerges which threatens to take apart their small hold on humanity and the one chance they have to rebuild the country. Sometimes the biggest threat to humanity isn't the living dead, and the survivors will learn if they will live in America the Beautiful or America the Dead.Show book
Nightmare Abbey was Peacock's third long work of fiction to be published. It was written in late March and June 1818, and published in London in November of the same year. The novella was lightly revised by the author in 1837 for republication in Volume 57 of Bentley's Standard Novels. The book is Peacock's most wellliked and frequentlyread work. The novel was a topical work of Gothic fiction in which the author satirized tendencies in contemporary English literature, in particular Romanticism's obsession with morbid subjects, misanthropy and transcendental philosophical systems. Most of its characters are based on historical figures whom Peacock wished to pillory. It has been observed that "the plots of Peacock's novels are mostly devices for bringing the persons together and the persons are merely the embodiment of whims and theories, or types of a class". Nightmare Abbey embodies the critique of a particular mentality and pillories the contemporary vogue for the macabre. To his friend Percy Bysshe Shelley, Peacock described the object of his novel as being "to bring to a sort of philosophical focus a few of the morbidities of modern literature". Appearing in the same year as Northanger Abbey, it similarly contrasts the product of the inflamed imagination, or what Peacock's Mr. Hilary describes as the "conspiracy against cheerfulness", with the commonplace course of everyday life, with the aid of lighthearted ridicule. Several of the chapters take a dramatic form interspersed with stage directions in order to illustrate without comment how much the speakers characterize themselves through their conversation. The actor and director Anthony Sharp was eventually to take this approach to its logical conclusion and reduced the whole novel to a successful and popular script. First performed in February 1952, it was eventually published in 1971. A one of a kind audio encounter from Icon Audiobooks!Show book
Demon. Incubus. Bad guy. When I took my place as a mid-level boss for a crime syndicate, I thought my life would be easy. Turns out, I just attracted a much more powerful enemy, one that could literally drag my demon-powered ass all the way down into Hell. Looks like I'm going to need to find out just how far murders and mayhem can take me. Good thing I have my own personal Incubus along for the ride, and that leveling up is an absolute pleasure! Contains mature themes.Show book
