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  The Meeting of the Waters

  Thomas More

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  LibriVox volunteers bring you 16 recordings of The Meeting of the Waters by Thomas Moore. This was the Fortnightly Poetry project for November 25, 2102.

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  Fifty Shades of February - 50 of...

  Henry Wadsworth Longfellow,...

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  The second month adds tiny dashes of colour.  Nature begins to gently rouse herself for the coming season.  Winter begins to withdraw its raw and elemental fingers in soft remembered surrender to the natural cycle that welcomes Spring.  
  Our classic poets, in 50 poems of inky verse, reveal all manner of events, sights and sounds. Among their ranks are Longfellow, Coleridge, Dickinson, Teasdale, Clare and a wealth of many others, who, with their thoughts and desires express the world in lines of revelation. 
   
  1 - Fifty Shades of February - An Introduction 
  2 - February by John Clare 
  3 - Lines on Observing a Blossom on the First of February 1796 by Samuel Taylor Coleridge 
  4 - February by Dollie Radford 
  5 - On the Death of Ms Burnite Who Died February the 2nd 1878 by David John Scott 
  6 - The Snowdrop by Henry James Pye 
  7 - February 3rd, 1830 by Henry Alford 
  8 - February by Arthur Christopher Benson 
  9 - February by Edward Ward 
  10 - February by Louisa Sarah Bevington 
  11 - February 10th, 1840 by Henry Alford 
  12 - A Calendar of Sonnets by Helen Hunt Jackson 
  13 - Hymn Written Sunday February 11th, 1798 by Robert Anderson 
  14 - In February by Alice Meynell 
  15 - A Valentine's Song by Robert Louis Stevenson 
  16 - A Valentine by Matilda Betham Edwards 
  17 - February by Edwin Arnold 
  18 - Meeting in Winter by William Morris 
  19 - Valentine by Elinor Wylie 
  20 - Sonnet I - Go Valentine and Tell That Lovely Maid by Robert Southey 
  21 - A Valentine by Lewis Carroll 
  22 - St Valentine's Day by Edith Nesbit 
  23 - The February Hush by Thomas Wentworth Higginson 
  24 - Snow Flakes by Henry Wadsworth Longfellow 
  25 - In February by John Addington Symonds 
  26 - London Snow by Robert Seymour Bridges 
  27 - The Snow Storm by Ralph Waldo Emerson 
  28 - Snow Beneath Whose Chilly Softness by Emily Dickinson 
  29 - The Snow Man by Wallace Stevens 
  30 - Woods in Winter by Henry Wadsworth Longfellow 
  31 - The Brook in February by Sir Charles George Douglas Roberts 
  32 - Before You Thought of Spring by Emily Dickinson 
  33 - Winter - My Secret by Christina Georgina Rossetti 
  34 - Winter Calls by Daniel Sheehan 
  35 - February by George Walter Thornbury 
  36 - To Susanna, February 1824 by Eliza Acton 
  37 - To A Primrose by Samuel Taylor Coleridge 
  38 - To Primroses Filled With Morning Dew by Robert Herrick 
  39 - February by Sara Teasdale 
  40 - February by James Berry Bensel 
  41 - February Morning by Laurence Binyon 
  42 - The Thrush in February by George Meredith 
  43 - February Twilight by Sara Teasdale 
  44 - Evening in February by Francis Ledwidge 
  45 - Rainy Midnight by Ivor Gurney 
  46 - The Rain and the Wind by William Ernest Henley 
  47 - February by Edith Nesbit 
  48 - To a Locomotive in Winter by Walt Whitman 
  49 - Ode to France, February 1848 by James Russell Lowell 
  50 - To H W L on His Birthday 27th February, 1867 by James Russell Lowell 
  51 - February. An Elegy by Thomas Chatterton

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  Acceptance (NHB Modern Plays)

  Amy Ng

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  'We're supposed to be assessing their potential as college students, not conducting a quasi-criminal investigation.'
  Out of 37,451 applicants to Eliot University, Angela stands out – but not for the right reasons. An ambiguous event in her past threatens to overshadow her talent, her potential and her future prospects. Can she overcome the prejudices of those judging her application, or is she already tainted beyond redemption?
  Crackling with razor-sharp dialogue, Acceptance asks whether we can ever escape our past, and investigates the destructive side of our search for acceptance. It premiered at Hampstead Theatre Downstairs, London, in 2018.
  Amy Ng's other plays include Shangri-La (Finborough Theatre, London).
  'Funny and compelling... [Amy Ng's] revelations are exciting and feel fresh... powerful' WhatsOnStage on Shangri-La

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  This Is Not An Epiphany

  Tom Branfoot

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  Tom Branfoot's This is Not an Epiphany examines inner and outer landscapes that have become inhospitable; where people are 'burnt / by business as usual'. This collection is attentive to shifting landscapes where warehouses spring up on empty land, and the incremental austerities that constitute our living; its lyric absorbs the shocks and crises of survival within them.

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  One Good Beating (NHB Modern Plays)

  Linda McLean

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  A remarkably vivid picture of one merciless family and three desperate lives.
  A blackly comic play about a grown-up brother and sister who exact revenge on their violent father. Locking him in the coalshed as retribution for years of sniping, bullying and pain, they are both aching to use their fists on him for once. But he's not defeated. Yet... First staged at the Traverse Theatre, Edinburgh in 1999.

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  The Drama Workshop Leader - A...

  Linden Walcott-Burton

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  This comprehensive, easy-to-use guide contains everything you need to plan and deliver effective drama sessions, get the best out of your participants, and develop an empowering leadership style that works for you.
  Drawing on over fifteen years' experience of running workshops – including for the National Theatre, The Old Vic, Barbican, Battersea Arts Centre and National Youth Theatre – Linden Walcott-Burton takes you through everything you need to know, with essential advice on:
  
  - Your Workshop: How to plan and structure a successful session; how to deliver it effectively, whether in-person or online; how to devise and run an entire course.
  - Your Group: How to motivate and get the best out of your group; how to encourage positive behaviours and manage challenging ones; how to adapt to different groups and needs; how to give and receive feedback.
  - Yourself as a Workshop Leader: How to empower yourself by owning the space and maintaining boundaries; how to use your voice (and not lose it); how to harness the power of humour and fun.
  Packed with tips and techniques that work with any setting and age group, whether you're running a short session or a longer course, the book also provides specific guidance on delivering workshops in schools, working with disabled people and those with learning disabilities, and safeguarding when working with children and young people. There's also advice on co-facilitating, working with assistants and finding work.
  Organised in handy, bite-sized chunks allowing you to find just what you need, the book also includes sample workshop plans and content, with additional insights and examples of best practice from many other leading practitioners in the field.
  Whether you're just starting out and want to learn the basics, or you're a seasoned facilitator looking for fresh ideas, The Drama Workshop Leader is the resource you need to deliver a great session in any room you walk into, no matter what's thrown your way.
  'Every practitioner, no matter their level of experience, will gain so much from this book' Jackie Tait, Primary Programme Manager, National Theatre Learning

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