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  Moon and Sixpence

  W. Somerset Maugham

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  This Maugham novel is based on the life of the painter Paul Gauguin. The story is told by the narrator as he gradually comes to know the main character Charles Strickland, a middle aged stock broker. We follow Strickland from the point where he abruptly abandons his wife and children to become an artist, through his life in Paris and Marseille to Tahiti where he eventually dies of leprosy (Summary by Andy Minter)

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  Rattlesnake Wells Wyoming

  William W. Johnstone, J.A....

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  The first story in a fiery new series about the west's most dangerous boomtown, and the reformed outlaw who risks his life to keep it safe . . . In the dark shadow of the Prophecy Mountains lies the ramshackle town of Rattlesnake Wells, where dreamers come to make their fortunes, and desperados come to die. The streets of this little settlement are slick with mud and stained with blood, and it will fall to Bob Hatfield to sweep them clean. The town marshal, Hatfield has a young man's face, but his eyes are those of a killer. He is a good man, but he has a secret that weighs on his soul. In Texas, Hatfield was known as the Devil's River Kid, one of the most feared outlaws to ever ride the Lone Star State. He fled Texas after a showdown with a corrupt rancher turned bloody, and he vowed to start a new life on the right side of the law. But when some ghosts from Hatfield's past catch up to him, this gunslinging marshal will risk his life to protect the savage town known as Rattlesnake Wells.

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  The Affair at Honey Hill

  Berry Fleming

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  While Berry Fleming’s interest in history has produced two books of non-fiction, one of which dealt with the Civil War (Autobiography of a City in Arms), The Affair at Honey Hill marks the first time he has used the Civil War as a setting for any of his novels. The story is presented through the eyes of Edwin Daws, a 56 year old Confederate soldier, from his present day (winter, 1864) awareness, as well as his memories, both recent and past. Assigned with his militia company, The Silver Grays, to repel an assault on the railroad leading into Savannah near Honey Hill Plantation, he recalls the month he spent there 18 years earlier, working as a scribe for the Reverend Trezevant Ferebee, and of his growing love for the Reverend’s enigmatic daughter-in-law, Julia. What is to become of them now with Sherman’s forces moving fast to attack the city? Where is Julia? Can he find her in all this desperate confusion and extricate her? The Affair at Honey Hill is a tight and graphic narrative of human beings—civilians and soldiers—caught in the stress of war and defeat, ripe with the sounds and smells and textures of loves and battles, of opportunities lost and gained, and of hard moral decisions.

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  The Somme - Also Including The...

  A. D. Gristwood

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  Two World War I classics: The story of a British soldier enduring the battle in France and a novella starring a man who takes drastic steps to escape the Great War.The million British dead have left no books behind. What they felt as they died hour by hour in the mud, or were choked horribly with gas, or relinquished their reluctant lives on stretchers, no witness tells. But here is a book that almost tells it. . . . Mr. Gristwood has had the relentless simplicity to recall things as they were; he was as nearly dead as he could be without dying, and he has smelt the stench of his own corruption. This is the story of millions of men—of millions.” —H. G. Wells In The Somme and its companion The Coward, first published in 1927, the heroics of war and noble self-sacrifice are completely absent, replaced by the gritty realism of life for the ordinary soldier in World War I and an unflinching portrayal of the horrors of war. Written under the guidance of master storyteller H. G. Wells, they are classics of the genre. Based on A. D. Gristwood’s own wartime experiences, The Somme revolves around a futile attack during the 1916 Somme campaign. On the battlefront, Tom Everitt is wounded and must be moved back through a series of dressing stations to the General Hospital at Rouen. Few other accounts of the war give such an accurate picture of trench life, and The Spectator praised Gristwood’s “very effective writing,” calling The Somme “a book which anyone who was not in the War should read.”The Coward concerns a man who shoots himself in the hand to escape the chaos during the March 1918 retreat—an offense punishable by death—and is haunted by fear of discovery and self-loathing. Together, these works offer a vivid, immersive view of the First World War and the suffering it inflicted on the men who fought it.

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  The Killing Time

  Paul Lederer

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  An out-of-work lawman rides into the hills in search of a runaway killerBefore he draws his gun, Tom Dyce waits for John Bass to shoot first. He plugs the killer in the stomach but doesn’t fire again. A marshal’s deputy, Tom has never killed a man in cold blood . . . at least, not yet.The confrontation with Bass sours Tom on working for the marshal. Needing a change, he decides to return home to Thibido and the woman he loved long ago, Aurora Tyne. Before he leaves Rincon, the marshal offers him one last assignment: tracking a fugitive bank robber who has fled into the hills outside of Tom’s hometown. Though he wants nothing to do with bounty hunting, the reward isn’t the only thing that draws him to the chase. Aurora’s life is in danger, and saving her may require murder.

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  The Indian Corn Planter

  E. Pauline Johnson

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  LibriVox volunteers bring you 13 recordings of The Indian Corn Planter by E. Pauline Johnson. This was the Weekly Poetry project for April 29, 2012.[i]"But in the writings of one poet alone I came upon a new note—the note of the Red Man's Canada. This was the poet that most interested me—Pauline Johnson. I quoted her lovely canoe song "In the Shadows," which will be found in this volume. I at once sat down and wrote a long article, which could have been ten times as long, upon a subject so suggestive as that of Canadian poetry."[/i] (From the Introduction to Flint and Feather, Collected Verse BY E. Pauline Johnson; written by Theodore Watts-Dunton, The Pines, Putney Hill. 20th August, 1913.

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