D'autres livres qui pourraient vous intéresser

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  Romeo & Juliet

  William Shakespeare

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  A classic staged performance of Shakespeare's Romeo and Juliet by the Old Vic Company. Starring Claire Bloom and Alan Bandel.

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  We Anchor in Hope (NHB Modern...

  Anna Jordan

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  "This is a locals pub. And what's the problem with locals?
  
  They die."
  
  "Inconsiderate bastards."
  All over London public houses become private flats. Tomorrow The Anchor closes for good. It's the end of an era, but Kenny and the gang are going out with a bang. There's a blow-up sheep, karaoke and a lot of Campari. There's secrets and grudges and forgotten dreams. As the front doors are locked and the bar is drunk dry, there's a lot more to lose than just a pub.
  Anna Jordan's play We Anchor in Hope was premiered at The Bunker, London, in September 2019.

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  Don Juan

  Lorenzo da Ponte

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  Don Juan (Spanish), Don Giovanni (Italian) is a legendary, fictional libertine.  Although the various iterations of the Don Juan myth show some variation, the basic story remains the same. Don Juan is portrayed as a wealthy, seductive libertine who devotes his life to seducing women, taking great pride in his ability to seduce women of all ages and stations in life. Don Giovanni, an opera composed by Wolfgang Amadeus Mozart with libretto by Lorenzo da Ponte, is arguably the best-known version. First performed in Prague in 1787, it inspired works by E. T. A. Hoffmann, Alexander Pushkin, Søren Kierkegaard, George Bernard Shaw, and Albert Camus.Here, Librivox volunteers read an English translation of da Ponte's libretto.Dramatis Personae:Don Juan: Beth ThomasDonna Anna: AvailleDon Octavio: ToddHWDon Pedro: alanmapstoneDonna Elvira: Elizabeth KlettLeperello: Larry WilsonZerlina: Kristin GjerløwMasetto: John BurlinsonChorus woman: rotgoldChorus woman: KHandStage Directions & Editor: MaryAnnS

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  Mary of the Chance Encounters

  Margaret Elysia Garcia

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  Mary of the Chance Encounters is a collection of stories set in southeastern Los Angeles, chronicling the Mexican-American and Anglo population stucco’d there between family, ghosts, strip malls and too wide boulevards. But their hopes and desires run magical, and sometimes weirdly perverse and erotic. The encounters break open the flat-lining air of consumer life.

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  Love is a Dog From Hell

  Charles Bukowski

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  A classic in the Bukowski poetry canon, Love Is a Dog from Hell is a raw, lyrical, exploration of the exigencies, heartbreaks, and limits of love. 
  A book that captures the Dirty Old Man of American letters at his fiercest and most vulnerable, on a subject that hits home with all of us. Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power. 
  ""there is a loneliness in this world so great 
  that you can see it in the slow movement of 
  the hands of a clock.""

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  Human Resources

  Syd Zolf

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  Winner of the 2008 Trillium Book Award for Poetry
     
  Write for buyers. Write for bosses. Think hyper. Think branding. Tell your visitor where to go. Poetry and ‘plain language’ collide in the writing machine that is Human Resources. Here at the intersection of creation and repackaging, we experience the visceral and psychic cost of selling things with depleted words. Pilfered rhetorics fed into themachine are spit out as bungled associations among money, shit, culture, work and communication. With the help of online engines that numericize language, Human Resources explores writing as a process of encryption.
     
  Deeply inflected by the polyvocality and encoded rhetorics of the screen, Human Resources is perched at the limits of language, irreverently making and breaking meaning. Navigating the crumbling boundaries among page, screen,reader, engine, writer and database, Human Resources investigates wasting words and words as waste – and the creative potential of salvage.
     
  ‘In this bad-mouthing and incandescent burlesque, Rachel Zolf transforms a necessary social anger into the pure fuel that takes us to “the beautiful excess of the unshackled referent.�* We learn something new about guts, and about how dictions slip across one another, entwining, shimmering, wisecracking. For Zolf,political invention takes precedent, works the search engine.’ – Lisa Robertson

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