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  Shakespeare Tales of Jealousy

  William Shakespeare, Edith Nesbit

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  Shakespeare often uses expressive language in his portrayal of jealousy. It is a 'green-eyed monster', an object that 'one might fight and conquer', 'an infection which strikes as quickly as the plague'. 
  In this selection of Shakespeare stories, jealousy plays a prominent role, offering us a wonderful opportunity to learn how Shakespeare's characters are dealing with this vice. 
  The collection includes: 
  OthelloThe Two Gentlemen of VeronaTwelfth Night 
  Read in English, unabridged.

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  Tobermory

  Saki Saki

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  When Mr. Cornelius Appin announces that he has succeeded in teaching the cat, Tobermory, to speak, nobody in the house party believes him. But when Tobermory makes his entrance and begins to reveal the kind of personal secrets only a cat can know about the assembled company, chaos breaks out. Tobermory must be destroyed at all costs. Hector Hugh Munro at his most masterful!

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  Woodcutters

  Thomas Bernhard

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  Fiercely observed, often hilarious, and "reminiscent of Ibsen and Strindberg" (The New York Times Book Review), this exquisitely controversial novel was initially banned in its author's homeland. A searing portrayal of Vienna's bourgeoisie, it begins with the arrival of an unnamed writer at an 'artistic dinner' hosted by a composer and his society wife—a couple he once admired and has come to loathe. The guest of honor, a distinguished actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the writer, who narrates a silent but frenzied tirade against these former friends, most of whom have been brought together by Joana, a woman they buried earlier that day. Reflections on Joana's life and suicide are mixed with these denunciations until the famous actor arrives, bringing an explosive end to the evening that even the writer could not have seen coming.

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  The Complete Tragedies - Oedipus...

  Lucius Annaeus

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  The second of two volumes collecting the complete tragedies of Seneca. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, the Complete Works of Lucius Annaeus Seneca offers authoritative, modern English translations of the writings of the Stoic philosopher and playwright (4 BCE–65 CE). The two volumes of The Complete Tragedies presents all of his dramas, expertly rendered by preeminent scholars and translators. The first volume contains Medea, The Phoenician Women, Phaedra, The Trojan Women, and Octavia, the last of which was written in emulation of Senecan tragedies and serves as a unique example of political tragedy. This second volume includes Oedipus, Hercules Mad, Hercules on Oeta, Thyestes, and Agamemnon. High standards of accuracy, clarity, and style are maintained throughout the translations, which render Seneca into verse with as close a correspondence, line for line, to the original as possible, and with special attention paid to meter and overall flow. In addition, each tragedy is prefaced by an original translator’s introduction offering reflections on the work’s context and meaning. Notes are provided for the reader unfamiliar with the culture and history of classical antiquity. Accordingly, The Complete Tragedies will be of use to a general audience and professionals alike, from the Latinless student to scholars and instructors of comparative literature, classics, philosophy, drama, and more.

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  The Canterville Ghost

  Oscar Wilde

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  The Canterville Ghost is a humorous short story by Oscar Wilde. 
  The story is about an American family who move to a castle haunted by the ghost of a dead English nobleman, who killed his wife and was then walled in and starved to death by his wife's brothers. It has been adapted for the stage and screen several times. 
  Download your copy!

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  The Hunchback of Notre Dame

  Victor Hugo

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  When Quasimodo appears before the masses as the "Pope of Fools," the crowd beholds an enormous cyclops-like creature—             the hunchback's whole body seems a twisted grimace. Yet, with all his deformity, there is a certain grace and agility in him, and he possesses an endearing passion. When Esmerelda, the beautiful Romani woman, stands between his two executioners, Quasimodo makes the ultimate sacrifice.

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