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  No Place Like Murder - True...

  Janis Thornton

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  “This engrossing collection of historical Midwest murders reads like a thriller. True crime at its best. I couldn’t put it down.” —Susan Furlong, author of the Bone Gap Travellers novels 
   
  A modern retelling of 20 sensational true crimes, No Place Like Murder reveals the inside details behind nefarious acts that shocked the Midwest between 1869 and 1950. The stories chronicle the misdeeds, examining the perpetrators’ mindsets, motives, lives, apprehensions, and trials, as well as what became of them long after. 
   
  True crime author Janis Thornton profiles notorious murderers such as Frankie Miller, who was fed up when her fiancé stood her up for another woman. As fans of the song “Frankie and Johnny” already know, Frankie met her former lover at the door with a shotgun. 
   
  Thornton’s tales reveal the darker side of life in the Midwest, including the account of Isabelle Messmer, a plucky young woman who dreamed of escaping her quiet farm-town life. After she nearly took down two tough Pittsburgh policemen in 1933, she was dubbed “Gun Girl” and went on to make headlines from coast to coast. In 1942, however, after a murder conviction in Texas, she vowed to do her time and go straight. Full of intrigue and revelations, No Place Like Murder also features such folks as Chirka and Rasico, the first two Hoosier men to die in the electric chair after they brutally murdered their wives in 1913. The two didn’t meet until their fateful last night. 
   
  An enthralling and chilling collection, No Place Like Murder is sure to thrill true crime lovers. 
   
  “Thornton wittily describes heretofore unheralded true crime stories from Indiana’s small towns.” —Keven McQueen, author of Horror in the Heartland

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  Evolution Is Wrong - A Radical...

  Erich von Däniken

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  A Fascinating Exploration on Why the Darwinists’ Theory No Longer Explains Everything 
  There was once a set of ideas called the theory of evolution, conceived by clever people and confirmed by countless scientists. Then people discovered the electron microscope. This made it possible to make the molecules within the cell visible, and suddenly questions about evolution arose that were not possible before. Which force actually bundles the atoms in the right order? What moves the molecular chains into the correct position? How did the first living unit within the cell actually come about? How does inheritance work, how does information pass on to the next generation? Did humans descend only and exclusively from primates—as Charles Darwin and countless other great minds assumed—or did additional “engines” intervene in evolution?  
  Today it is clear: countless questions can no longer be answered with the previous theory of evolution. There is a form of life called “Blob” (Physarum polycephalum). The “thing” has neither eyes nor ears, neither a mouth nor a nose or even a brain. Nevertheless, it takes in food, overcomes obstacles by the shortest route and exchanges information with other “blobs.” The “blob” contradicts any evolutionary thought that one develops from the other. Or the “gastric-brooding frogs” (Rheobatrachus) found in Australia. They hatch their young in the stomach. Impossible in a slow, evolutionary process.  
  Everywhere there are characteristics of animals that do not want to fit into the theory of evolution anywhere. And man? Are we really the most adapted life-form on this planet? Today, more and more scientists who contradict the previous theory of evolution speak out. The theory fits the changes within the species, but it can no longer be reconciled with the inner workings of the cell. Some other influence that has so far escaped us is affecting evolution. It is called “Intelligent Design.” Intelligent planning is suspected behind this. Anyone or anything—a spirit of the universe? Aliens?—could be behind this planning.  
  Erich von Däniken uses countless examples to demonstrate the impossibility of the previous evolutionary idea. He quotes scientists who argue against the previous teaching, but also those who defend it. Unfortunately, established science still refuses to look at discrepancies and holes in the theory of evolution, even though it is quite obvious that there is more going on with regard to the development of all species, as well as human culture, than could be explained by the theory of evolution alone.

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  More Foul Deeds & Suspicious...

  Kate Taylor

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  A historic account of the Northern England city’s crimes, including misdeeds that shed light on past ways of life—from death by neglect to police killings.   How the body of a Wakefield murder victim was exhibited for a fee in 1853, the odd story of a Normanton miner attacked by a prosperous Crofton gentleman in 1875, the tragic death of a twenty-one-year old woman on what should have been her wedding day in 1909, and the case of the Sandal dental lecturer who killed his adopted daughter in 1966 are among the many foul deeds recounted in More Foul Deeds and Suspicious Deaths in Wakefield.   In a companion volume to Foul Deeds and Suspicious Deaths in Wakefield (2001), Kate Taylor has assembled more than fifty further accounts of horrific deaths in or near Wakefield. Some killings reflect the tensions and resentment of domestic life but there are mysteries too like the case of a man found dead in 1860 in a shallow beck with no marks of violence on him. In an incident in Horbury involving the death of a baby in 1849 it was the assistant constable pursuing the inquiries who died. The book shows something of the cultural context that can promote murder—the stigma of illegitimacy in the past and the more recent risks of glue sniffing and the appalling bullying of immigrants. Take a journey into the darker and unknown side of your area as you read More Foul Deeds and Suspicious Deaths in Wakefield.

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  All One Universe

  Poul Anderson

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  “Themes of a colorful assortment of stories range from life on other planets to alternative history . . . a perfect introduction to his perennial genius.” —Booklist 
   
  Poul Anderson himself has put together a retrospective collection of his recent writings, fiction and nonfiction, under the title All One Universe. This is the first major Poul Anderson collection in a decade. It encompasses all his strengths as a teller of tales and, in addition, provides a running commentary in the story notes and in the essays on other literary figures such as Rudyard Kipling, Johannes B. Jensen, and John W. Campbell, Jr., commentary that illuminates the fiction, gives personal insight into the mind of this fine writer, and provides a unifying personality for All One Universe. All One Universe, then, represents the new best of Poul Anderson. It is a rich, varied selection of quintessential science fiction as well as four essays, mostly from recent years, by one of the great science fiction writers of the century. His stories are filled with roaring energy, the soul of poetry, and dark imaginings. 
   
  “A fine introduction to one of SF’s masters.” —Starlog 
   
  “Fact and fiction, shaped by one of SF’s keenest minds, are mingled in this collection . . . On the whole, All One Universe is a collection which does its creator proud while delighting his fans.” —Rapport 
   
  “Poul Anderson’s writings have been at a remarkably high, consistent level of quality for nearly fifty years, now. All One Universe is a book for anyone interested in either SF or in craftsmanship.” —David Drake

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  Not So Merry Wakefield

  Kate Taylor

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  The life and times of a Wakefield woman in the late twentieth century with substantial local historical information. The book aims to echo Henry Clarkson's memories of Merry Wakefield (1887) but with more sombre overtones reflecting experiences of single parenthood, time in the local mental hospital and the trauma of a fatal car accident, but with good times too.

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  Down These Green Streets - Irish...

  Declan Burke

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  This book suggests crime fiction is now the most relevant and valid form of writing which can deal with modern Ireland in terms of the post-'Troubles' landscape and post-Celtic Tiger economic boom. The book takes a chapter by chapter approach with each chapter and author discussing a different facet of Irish crime writing for example, Declan Hughes discusses the influence of American culture on Irish crime writing and Tana French reflects on crime fiction and the post-Celtic Tiger Irish identity. This publication is aimed at both the academic and general reader.

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