Samson Agonistes is a tragic closet drama by John Milton. It appeared with the publication of Milton's Paradise Regain'd in 1671, as the title page of that volume states: "Paradise Regained / A Poem / In IV Books / To Which Is Added / Samson Agonistes".
Milton is best known for Paradise Lost, widely regarded as the greatest epic poem in English. Together with Paradise Regained and Samson Agonistes, it confirms Milton’s reputation as one of the greatest English poets. In his prose works Milton advocated the abolition of the Church of England and the execution of Charles I. From the beginning of the English Civil Wars in 1642 to long after the restoration of Charles II as king in 1660, he espoused in all his works a political philosophy that opposed tyranny and state-sanctioned religion. His influence extended not only through the civil wars and interregnum but also to the American and French revolutions. In his works on theology, he valued liberty of conscience, the paramount importance of Scripture as a guide in matters of faith, and religious toleration toward dissidents. As a civil servant, Milton became the voice of the English Commonwealth after 1649 through his handling of its international correspondence and his defense of the government against polemical attacks from abroad.
Milton’s paternal grandfather, Richard, was a staunch Roman Catholic who expelled his son John, the poet’s father, from the family home in Oxfordshire for reading an English (i.e., Protestant) Bible. Banished and disinherited, Milton’s father established in London a business as a scrivener, preparing documents for legal transactions. He was also a moneylender, and he negotiated with creditors to arrange for loans on behalf of his clients. He and his wife, Sara Jeffrey, whose father was a merchant tailor, had three children who survived their early years: Anne, the oldest, followed by John and Christopher. Though Christopher became a lawyer, a Royalist, and perhaps a Roman Catholic, he maintained throughout his life a cordial relationship with his older brother. After the Stuart monarchy was restored in 1660, Christopher, among others, may have interceded to prevent the execution of his brother.
The elder John Milton, who fostered cultural interests as a musician and composer, enrolled his son John at St. Paul’s School, probably in 1620, and employed tutors to supplement his son’s formal education. Milton was privately tutored by Thomas Young, a Scottish Presbyterian who may have influenced his gifted student in religion and politics while they maintained contact across subsequent decades. At St. Paul’s Milton befriended Charles Diodati, a fellow student who would become his confidant through young adulthood. During his early years, Milton may have heard sermons by the poet John Donne, dean of St. Paul’s Cathedral, which was within view of his school. Educated in Latin and Greek there, Milton in due course acquired proficiency in other languages, especially Italian, in which he composed some sonnets and which he spoke as proficiently as a native Italian, according to the testimony of Florentines whom he befriended during his travel abroad in 1638–39.
LibriVox volunteers bring you 18 recordings of In Memoriam by Ewart Alan Mackintosh. This was the Weekly Poetry project for November 7th, 2010.This week's poem has been chosen for this time of remembrance. Lieutenant Ewart Alan Mackintosh M.C. was a war poet and an officer in the Seaforth Highlanders. His best poetry has been said to be comparable in quality to that of Rupert Brooke. In 1916 he led a raid in which several of his men were killed, one of whom inspired this poem. Mackintosh was himself killed on 21 November 1917. (Summary by Ruth Golding)
The Poetry Book Society was founded by T.S. Eliot in 1953 to "propagate the art of poetry". The Poetry Book Society Autumn 2019 Bulletin features a wide range of exciting new poetry publications, reviewed by expert poet selectors Sandeep Parmar, Vidyan Ravinthiran, George Szirtes, AB Jackson, Degna Stone and Anthony Anaxagorou.
AUTUMN SELECTIONS
July, Aug, Sept 2019
Choice: Jericho Brown, The Tradition (Picador)
Recommendations: Mary Jean Chan, Flèche (Faber)
Peter Sirr, The Gravity Wave (Gallery)
Seni Seneviratne, Unknown Soldier (Peepal Tree)
Anthony Anaxagorou, After the Formalities (Penned in the Margins)
Commendation: Carmen Bugan, Lilies from America – New & Selected (Shearsman)
Wild Card: Dunya Mikhail, In Her Feminine Sign (Carcanet Press)
Translation: Manuel Forcano, Maps of Desire (Arc)
A talkative New Yorker corrals a writer at a cocktail party and forces him to listen to the story of her life. A co-production with the National Jewish Theater.Recorded before a live audience at Chicago’s Guest Quarters Suite Hotel in July 1992.Adapted and directed by Arnold AprillProducing Director Susan Albert LoewenbergMarge Kotlisky as Bessie GoldMalcolm Rothman as The WriterAdditional voices by David Cromer, Steven Trovillion and Jensen Wheeler Radio Producer: Robert NeuhausRecording Engineer: Larry Rock
This abridged performance of the last of Shakespeare's plays founded on English history was recorded in 1952. Henry VIII was first published in the 1623 folio edition of Shakespeare's plays. This performance stars Dame Sybil Thorndike, Sir Lewis Casson & Ralph Truman (as King Henry VIII).
A modern classic about the bitter rivalry between Mary, Queen of Scots, and her cousin and fellow ruler, Elizabeth I of England - retold by Scotland's most popular playwright.
'Once upon a time, there were twa queens on the wan green island, and the wan green island was split inty twa kingdoms. But no equal kingdoms...'
Mary and Elizabeth are two women with much in common, but more that sets them apart.
Following the death of her husband, the Dauphin of France, the beautiful, and staunchly Catholic Mary Stuart has returned from France to rule Scotland, a country she neither knows nor understands. Ill-prepared to rule in her own right, Mary has failed to learn what her protestant cousin, Elizabeth Tudor, knows only too well - that a queen must rule with her head, not her heart.
All too soon the stage is set for a deadly endgame in which there can only be one winner and one queen on the one green island.
'A triumph' the characterisations never slide over into caricature but are full-bodied, subtle, humorous and virile' Time Out
Published to celebrate twenty-five years of Nick Hern Books, the royalties from the sale of this magical collection of sixty-six miniature autobiographies will be donated to the Theatre Section of the Writers' Guild.