Paradise Regained is a poem by English poet John Milton, first published in 1671. The volume in which it appeared also contained the poet's closet drama Samson Agonistes.
Milton is best known for Paradise Lost, widely regarded as the greatest epic poem in English. Together with Paradise Regained and Samson Agonistes, it confirms Milton’s reputation as one of the greatest English poets. In his prose works Milton advocated the abolition of the Church of England and the execution of Charles I. From the beginning of the English Civil Wars in 1642 to long after the restoration of Charles II as king in 1660, he espoused in all his works a political philosophy that opposed tyranny and state-sanctioned religion. His influence extended not only through the civil wars and interregnum but also to the American and French revolutions. In his works on theology, he valued liberty of conscience, the paramount importance of Scripture as a guide in matters of faith, and religious toleration toward dissidents. As a civil servant, Milton became the voice of the English Commonwealth after 1649 through his handling of its international correspondence and his defense of the government against polemical attacks from abroad.
Milton’s paternal grandfather, Richard, was a staunch Roman Catholic who expelled his son John, the poet’s father, from the family home in Oxfordshire for reading an English (i.e., Protestant) Bible. Banished and disinherited, Milton’s father established in London a business as a scrivener, preparing documents for legal transactions. He was also a moneylender, and he negotiated with creditors to arrange for loans on behalf of his clients. He and his wife, Sara Jeffrey, whose father was a merchant tailor, had three children who survived their early years: Anne, the oldest, followed by John and Christopher. Though Christopher became a lawyer, a Royalist, and perhaps a Roman Catholic, he maintained throughout his life a cordial relationship with his older brother. After the Stuart monarchy was restored in 1660, Christopher, among others, may have interceded to prevent the execution of his brother.
The elder John Milton, who fostered cultural interests as a musician and composer, enrolled his son John at St. Paul’s School, probably in 1620, and employed tutors to supplement his son’s formal education. Milton was privately tutored by Thomas Young, a Scottish Presbyterian who may have influenced his gifted student in religion and politics while they maintained contact across subsequent decades. At St. Paul’s Milton befriended Charles Diodati, a fellow student who would become his confidant through young adulthood. During his early years, Milton may have heard sermons by the poet John Donne, dean of St. Paul’s Cathedral, which was within view of his school. Educated in Latin and Greek there, Milton in due course acquired proficiency in other languages, especially Italian, in which he composed some sonnets and which he spoke as proficiently as a native Italian, according to the testimony of Florentines whom he befriended during his travel abroad in 1638–39.
‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.
1 - A Rhyme a Dozen - 12 Poets, 12 Poems, 1 Topic. Christmas Day - An Introduction
2 - Wondrous Sight For Men and Angels by Ann Griffiths
3 - Angels From the Realms of Glory by James Montgomery
4 - A Christmas Carol by Aubrey De Vere
5 - A Christmas Carol by G K Chesterton
6 - Christmas Carol by Sara Teasdale
7 - A Carol. I by Mildmay Fane, Earl of Westmorland
8 - A Christmas Carol by Samual Taylor Coleridge
9 - Carol by Ben Jonson
10 - In The Bleak Midwinter by Christina Georgina Rossetti
11 - Go, Tell It on the Mountain by John Wesley Work Jr
12 - The Darkling Thrush by Thomas Hardy
13 - We Three Kings of Orient Are by John Henry Hopkins Jnr
In November 2005, hundreds of people submitted recordings of Shakespeare, Wordsworth and Roger McGough in an attempt to win a prize – participation in the recording of this new poetry collection by Christina Hardyment, historian and audiobook reviewer for The Times. The collection covers a wide range of classics by Shakespeare, Keats, Clare, Blake and others, as well as modern poems by Roger McGough among others. They are read mainly by the male and female first prize winners, but also by the runners-up. Poetry reading is alive and well in Britain!
Two explosive plays about the need to be seen.
Somalia Seaton's House is a play about family, culture clash, memory and truth. When Pat returns to her childhood home after a five-year absence, she's ready to forgive her mother for the neglect she suffered at her hands, but Mama isn't ready to let the demons back into her home.
In Chino Odimba's Amongst the Reeds, two friends scratch out a living on the margins of society. Oni and Gillian have made their home in a disused office block, finding ever more precarious ways to stay hidden from the authorities. But now Gillian is heavily pregnant, and visibility might be the only way to give her baby a chance.
Commissioned by Clean Break and produced in association with the Yard Theatre, London, House + Amongst the Reeds premiered at the Edinburgh Festival Fringe in 2016, before transferring to The Yard.
Acclaimed theatre company Clean Break produces ground-breaking plays with women writers and actors at the heart of its work. Founded in 1979 by two women prisoners who needed urgently to tell their stories through theatre, the company today has an independent education programme delivering theatre opportunities to women offenders and women at risk, in custodial and community settings.
A muscular version of Sophocles' timeless masterpiece, offering a profound reflection on the nature of power, democracy and human rights.
The war has ended, but with peace comes conflict. Antigone's brother Polyneices lies on the battlefield where he fell, his burial outlawed by Creon, the new king of Thebes. Should Antigone obey Creon, or must she follow her conscience and lay her beloved brother to rest?
'Urgent... Barely contained physical aggression... brilliantly immediate' Guardian
Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another. Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us.
Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy.
In the volumes of this series we take a look through the prism of individual regions of the United States through the centuries and decades.
The United States may be many things: the world’s policeman, a bully, a shameless purveyor of mass market culture but it also, in its better moments, a standard bearer for truth, transparency, equality and the more positive qualities of democracy.
Little wonder that’s its poets are rightly acknowledged as wonders of their art. Leading lights in the fight against slavery and for equality, even if the rest of the Nation is finding it problematic to catch up.
In this volume we have collected verse from poets born in one of the most famous cities in the World: New York. Within its five boroughs are a small universe of wonder and magic, a kaleidoscope of almost everything the planet has to offer. In past times New York was a gateway to a new land and a new future whatever the misery and tragedy of your former life. Of course, this golden vision was not attained by everyone. But our local poets, including such luminaries as Emma Lazarus, Herman Melville, Edith Wharton, Alice Duer Miller, and Alan Seeger bring vision and truth to this unrivalled city and its hallowed status in the world of verse.
1 - Born in the USA. The New York City Poets. Exploring American Poetry - An Introduction
2 - September by George Arnold
3 - October by George Arnold
4 - A Chant of Love for England by Helen Gray Cone
5 - Rheims Cathedral, 1914 by Grace Hazard Conkling
6 - To the Dead in the Graveyard Underneath My Window by Adelaide Crapsey
7 - Keats by Adelaide Crapsey
8 - The Revolt of Mother by Alice Duer Miller
9 - To the Night Breeze by Alice & Caroline Duer
10 - Nathan Hale by Francis Miles Finch
11 - The Wild Honey Suckle by Phillip Freneau
12 - A Political Litany by Philip Freneau
13 - To the Memory of the Americans Who Fell at Eutaw by Philip Freneau
14 - Mother's Day Proclamation by Julia Ward Howe
15 - Battle Hymn of the Republic by Julia Ward Howe
16 - This Curse by Henry James
17 - Old Manuscript by Alfred Kreymborg
18 - Cradle by Alfred Kreymborg
19 - The New Colossus by Emma Lazarus
20 - A June Night by Emma Lazarus
21 - Assurance by Emma Lazarus
22 - Evil In Design by Emma Lazarus
23 - America by Herman Melville
24 - Dupont's Round Fight (November 1861) by Herman Melville
25 - Look-Out Mountain by Herman Melville
26 - Shiloh by Herman Melville
27 - The Portent by Herman Melville
28 - A Visit From St Nicholas (T'Was The Night Before Christmas) by Clement Moore
29 - Aspiration by Henrietta Cordelia Ray
30 - Life by Henrietta Cordelia Ray
31 - Silent Thoughts by Charles Lewis Reason
32 - The Spirit Voice or Liberty Call to The Disfranchised by Charles Lewis Reason
33 - I Have a Rendezvous with Death by Alan Seeger
34 - Resurgam by Alan Seeger
35 - Sonnet 12 by Alan Seeger
36 - At the Tomb of Napoleon by Alan Seeger
37 - Battle Sleep by Edith Wharton
38 - Survival by Edith Wharton
39 - Non Dolet by Edith Wharton
40 - Terminus by E
During the First World War and its immediate aftermath, hundreds of women wrote thousands of poems on multiple themes and for many different purposes. Womens poetry was published, sold (sometimes to raise funds for charities as diverse as Beef Tea for Troops or The Blue Cross Fund for Warhorses), read, preserved, awarded prizes and often critically acclaimed. Tumult and Tears will demonstrate how womens war poetry, like that of their male counterparts, was largely based upon their day-to-day lives and contemporary beliefs. Poems are placed within their wartime context. From war worker to parent; from serving daughter to grieving mother, sweetheart, wife; from writing whilst within earshot of the guns, whilst making the munitions of war, or whilst sitting in relative safety at home, these predominantly amateur, middle-class poets explore, with a few tantalising gaps, nearly every aspect of womens wartime lives, from their newly public often uniformed roles to their sexuality.