The revivals of memory are, however, rarely literal. We naturally remember what interests us and because it interests us. The past is recalled not because of itself but because of what it adds to the present. Thus the primary life of memory is emotional rather than intellectual and practical. Savage man recalled yesterday's struggle with an animal not in order to study in a scientific way the qualities of the animal or for the sake of calculating how better to fight tomorrow, but to escape from the tedium of today by regaining the thrill of yesterday. The memory has all the excitement of the combat without its danger and anxiety. To revive it and revel in it is to enhance the present moment with a new meaning, a meaning different from that which actually belongs either to it or to the past. Memory is vicarious experience in which there is all the emotional values of actual experience without its strains, vicissitudes and troubles. The triumph of battle is even more poignant in the memorial war dance than at the moment of victory; the conscious and truly human experience of the chase comes when it is talked over and re-enacted by the camp fire. At the time, attention is taken up with practical details and with the strain of uncertainty. Only later do the details compose into a story and fuse[Pg 3] into a whole of meaning. At the time of practical experience man exists from moment to moment, preoccupied with the task of the moment. As he re-surveys all the moments in thought, a drama emerges with a beginning, a middle and a movement toward the climax of achievement or defeat.
Powerful narrative and graphics tell the story of Malcolm X’s life, his journey of self-discovery, his far-reaching ideas, his martyrdom, and his impact on an era. Embraced as a righteous prophet of Black power and pride, damned as the voice of violence, Malcolm X emerges as a complex, brave, and brilliant figure with much to teach about the struggle for dignity.
Three or four years ago we spent part of a summer in one of the dales in the neighbourhood of Keswick. We lodged at the house of a small Statesman, who added to his occupation of a sheep-farmer that of a woollen manufacturer. His own flock was not large, but he bought up other people's fleeces, either on commission, or for his own purposes; and his life seemed to unite many pleasant and various modes of employment, and the great jolly burly man throve upon all, both in body and mind.
In January 1983 Burt Folsom read a story in Time about Mitch Rutledge, a man on death row with an IQ of 84 who said he was sorry for what he did. "Forget him," the last line of the story read. But Burt wrote Mitch a letter and discovered a man more interesting and intelligent than the article revealed.Burt and his wife, Anita, began a friendship with Mitch and saw him become a leader and role model for others in prison, teaching himself to read and write (starting with copying down the spelling of items he knew from TV commercials) and becoming a national spokesman on prison life.Death on Hold is the amazing story of their friendship, and of grace, reconciliation, and redemption for a man without hope who was given a future.
An intimate and uplifting book about finding renewal and hope through grief and loss. "It was a terrible life; it was an enchanted life; it was a blessed life. And, of course, one day it ended." -Sharon Butala In the tradition of Joan Didion's The Year of Magical Thinking, Diana Athill's Somewhere Towards the End, and Atul Gawande's Being Mortal comes a revelatory new book from one of our beloved writers. When Sharon Butala's husband, Peter, died unexpectedly, she found herself with no place to call home. Torn by grief and loss, she fled the ranchlands of southwest Saskatchewan and moved to the city, leaving almost everything behind. A lifetime of possessions was reduced to a few boxes of books, clothes, and keepsakes. But a lifetime of experience went with her, and a limitless well of memory-of personal failures, of a marriage that everybody said would not last but did, of the unbreakable bonds of family. Reinventing herself in an urban landscape was painful, and facing her new life as a widow tested her very being. Yet out of this hard-won new existence comes an astonishingly frank, compassionate and moving memoir that offers not only solace and hope but inspiration to those who endure profound loss. Often called one of this country's true visionaries, Sharon Butala shares her insights into the grieving process and reveals the small triumphs and funny moments that kept her going. Where I Live Now is profound in its understanding of the many homes women must build for themselves in a lifetime.
Up from Slavery is the 1901 autobiography of Booker T. Washington sharing his personal experience of having to work to rise up from the position of a slave child during the Civil War, to the difficulties and obstacles he overcame to get an education at the new Hampton Institute, to his work establishing the Tuskegee Institute in Alabama to help black people learn useful, marketable skills and work to pull themselves up by the bootstraps. He reflects on the generosity of both teachers and philanthropists who helped in educating blacks and Native Americans. He describes his efforts to instill manners, breeding, health and a feeling of dignity to students.
Acclaimed author Sarah Gerard turns her keen observational eye and penetrating prose to the 2016 murder of her friend Carolyn Bush, examining the multi-faceted reasons for her death?personal and societal, avoidable and inevitable?as “nuanced and subtly intimate” (NPR) as her lauded essay collection, Sunshine State.
On the night of September 28, 2016, twenty-five-year-old Carolyn Bush was brutally stabbed to death in her New York City apartment by her roommate Render Stetson-Shanahan, leaving friends and family of both reeling. In life, Carolyn was a gregarious, smart-mouthed aspiring poet, who had seemingly gotten along well with Render, a reserved art handler. Where had it gone so terribly wrong?
This is the question that has plagued acclaimed author Sarah Gerard and driven her obsessive pursuit to understand this horrific tragedy. In Sarah’s exploration of Carolyn’s life and death, she spent thousands of hours interviewing Carolyn's and Render’s friends and family, poring over court documents and news media, reading obscure writings and internet posts, and attending Carolyn’s memorials and Render’s trial.
What emerged from Sarah’s relentless instinct to follow a story and its characters to their darkest ends is a book that is at once a striking homage to Carolyn’s life, a chilling excavation of a brutal crime, and a captivating whydunit with a shocking conclusion.
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