Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Salute to Adventurers by John Buchan - Delphi Classics (Illustrated) - cover

Salute to Adventurers by John Buchan - Delphi Classics (Illustrated)

John Buchan

Publisher: Delphi Classics (Parts Edition)

  • 0
  • 0
  • 0

Summary

This eBook features the unabridged text of ‘Salute to Adventurers by John Buchan - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of John Buchan’.  
Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Buchan includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.eBook features:* The complete unabridged text of ‘Salute to Adventurers by John Buchan - Delphi Classics (Illustrated)’* Beautifully illustrated with images related to Buchan’s works* Individual contents table, allowing easy navigation around the eBook* Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Available since: 07/17/2017.

Other books that might interest you

  • American Short Story The - Volume 2 - A Chronological History - Volume 2 - cover

    American Short Story The -...

    Herman Melville, Frances E W...

    • 0
    • 0
    • 0
    The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. 
     
    From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. 
     
    America prides itself on liberty, on justice for all and, if you are a wealthy white man, that is essentially true.  Sadly, many other segments of society find it difficult to feel or become part of this endeavour. 
     
    Within this chronological history of the American short story, that prejudice has helped shape the borders of those two endless questions about any anthology.  Why that story? Why that Author? 
     
    We made some hard choices.  We start with Uriah Derrick Dárcy, an unlikely American name and, to all intents, it appears to be a pseudonym, about whom little is known or can be verified. He leads our literary parade.  From here leviathans appear on a regular basis; Hawthorne, Poe, Melville, Twain but also note how many women are here and not just Stowe, Alcott and Chopin.  Women’s status as writers is often neglected or undervalued, predominantly due to their second-class social status throughout much of history but their stories, their angles of approach to writing are both expertly crafted and refreshing.   
     
    Another stain on the social and cultural fabric of American has been that of Race.  Black people were harshly and unfairly treated as a matter of course.  The Civil War may have opened the door but in reality little changed.  The majority of the stories included here written by black authors are disturbing in the wrongs they were accused of, and the burdens they were forced to carry.  This eye-opening literature enables us to once more take stock and applaud and bring some glimmers of recognition to their struggles and their art.  
     
    There are some authors, liberally sprinkled throughout, both male and female who may previously have escaped your attention.  Enjoy them.  Adore them.  Make them part of your everyday reading and listening.  These forgotten voices are fine examples both of their craft, their art, and their take on society as it was then. 
     
    In the period we cover from the late 18th Century, around the time of the American Revolution, up until the catastrophe of World War 2, the printing press was creating a market to share words.  With industrialization and a large swathe of people eager to be distracted from hard working lives, a plethora of magazines and periodicals shot up, all clamoring for works to publish, to share those words, to introduce new ideas and explain how some of us view ourselves and each other.  Some of these authors were only published that way, one story wonders—hitched to the fading star of a disposable periodical.   
     
    And, of course, the elephant in the room was the English.  In its early days US copyright law was non-existent and didn’t recognise anyone else’s.  Publishers were free to take the talents of Dickens or Trollope and freely print it without permission or coin.   Competing against that, gave you a decided disadvantage. 
     
    Within these stories you will also find very occasional examples of historical prejudice.  A few words here and there which in today’s world some may find inappropriate or even offensive.  It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight.  Context is everything, both to understand and to illuminate the path forward.  The author’s words are set, our reaction to them encourages our change. 
     
    Within this melting pot of styles, genres and wordplay one fact stands out: The American short story Literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.  Which is here
    Show book
  • Ordered South (Unabridged) - cover

    Ordered South (Unabridged)

    Robert Louis Stevenson

    • 0
    • 0
    • 0
    BY a curious irony of fate, the places to which we are sent when health deserts us are often singularly beautiful. Often, too, they are places we have visited in former years, or seen briefly in passing by, and kept ever afterwards in pious memory; and we please ourselves with the fancy that we shall repeat many vivid and pleasurable sensations, and take up again the thread of our enjoyment in the same spirit as we let it fall. We shall now have an opportunity of finishing many pleasant excursions, interrupted of yore before our curiosity was fully satisfied. It may be that we have kept in mind, during all these years, the recollection of some valley into which we have just looked down for a moment before we lost sight of it in the disorder of the hills; it may be that we have lain awake at night, and agreeably tantalised ourselves with the thought of corners we had never turned, or summits we had all but climbed: we shall now be able, as we tell ourselves, to complete all these unfinished pleasures, and pass beyond the barriers that confined our recollections.
    Show book
  • Frankenstein Retold Inclusively - cover

    Frankenstein Retold Inclusively

    Mary Shelley, Kath Shone

    • 0
    • 0
    • 0
    Frankenstein was written in the Romantic literary period. The literary trend of the early 1800s produced poems that described how nature elevated and blissed human minds. Most literary work at this time was written and published by men. 
    In amongst these ecstatic reveries of nature, the 19 year old, Mary Shelley wedged the chilling story of Frankenstein into the literary landscape and our minds forever. 
    Her story filled an empty space in humankind's collective consciousness. That empty space was waiting for this story of over-reaching scientific madness. 
    This version of Frankenstein is a translation not an abridged telling. I have translated the Old Romantic era English into easy-to-read accessible English. 
    • The same characters say the same things at the same times in the story. 
    • Plot point for plot point the story stays the same. 
    • The themes are all preserved. 
    • The transcendent and brutal settings of the story are still on the pages. 
    • References to poems and other literature are explained. 
    • Supplementary information supports understanding of the text. 
    This book is for 
    • humans who like to read archetypal literature in easy-to-read language, 
    • neuro-diverse readers, 
    • young readers, 
    • English second language speakers, 
    • English literature students who need a study guide to unravel the original Frankenstein. 
    • anyone (I think that's most of us) who finds old English inaccessible but would like to read Frankenstein. 
    This accessible Frankenstein is part of Inclusive Books (Inc!Bs) journey to rewrite history inclusively.
    Show book
  • The Ugly Duckling - cover

    The Ugly Duckling

    H. C. Andersen

    • 0
    • 0
    • 0
    The Ugly Duckling (1842) tells the story of a duckling who is rejected by everyone, including his family, because he looks different. Tired of being made fun of, he decides to go far, far away, but the characters he meets on the way are no more tolerant...-
    Show book
  • The Battle of Life - Unabridged - cover

    The Battle of Life - Unabridged

    Charles Dickens

    • 0
    • 0
    • 0
    The Battle of Life: A Love Story is a novella by Charles Dickens, first published in 1846. It is the fourth of his five "Christmas Books". The setting is an English village that stands on the site of an historic battle. Some characters refer to the battle as a metaphor for the struggles of life, hence the title. Battle is the only one of the five Christmas Books that has no supernatural or explicitly religious elements. (One scene takes place at Christmas time, but it is not the final scene.) The story bears some resemblance to The Cricket on the Hearth in two respects: it has a non-urban setting, and it is resolved with a romantic twist. It is even less of a social novel than is Cricket. As is typical with Dickens, the ending is a happy one.
    Show book
  • Dagon (Unabridged) - cover

    Dagon (Unabridged)

    H. P. Lovecraft

    • 0
    • 0
    • 0
    "Dagon" is the second story of the writer H.P.Lovecraft, written in 1917 and published ,for the first time, in 1919. The work takes its title from the mythological God Dagon, and tells a disturbing story, happened years before to a man with the obsession of suicide. Before throwing himself from the window of his attic, this man writes some notes related to his mental state. Then, he began to recall an old story that happened in the years of the First World War: suddenly, he finds himself a prisoner of a German ship in the Pacific Ocean. After only five days, the protagonist manages to escape with a raft. Wandering for days, adrift in the sea, one afternoon he finds himself stranded on a disquieting and apparently deserted island. Immediately he notices that in the mud, a lot of rotting fish are stranded...
    Show book