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  Crush: The Musical (NHB Modern...

  Kath Gotts

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  An outrageously fun musical set in an all-girls school in the 60s, from the team behind Bad Girls: The Musical.
  It's 1963 and the Dame Dorothea Dosserdale School for Girls has a proud tradition of fostering free spirits from all walks of life. So it's a crushing blow when the new headmistress turns out to be a tyrant with strict Victorian values - and top of her hit list are the two sixth-formers accused of 'Unnatural Behaviour' in the Art Room…
  Brimming with catchy tunes and witty lyrics, Crush is a hilarious pastiche of Girls' School stories - a blend of Malory Towers and St Trinian's - with added hockey sticks and 'lashings of jolly good fun' Coventry Telegraph.
  Crush was first performed on tour in the UK in 2015.
  'The all-female (except for a solitary male) cast of twelve, minimal furniture and very achievable set-building requirements will surely put Crush on hundreds of amateur drama societies' to-do lists' - Sardines Magazine
  'Crush taps into the subversive undercurrents of its source and brings them to the fore, producing a show that's boldly queer and a little bit crazy, yet with enough innocent exuberance to make it family-friendly, too' - British Theatre Guide
  'Energetic, jolly, and just plain silly… Faithfully recreating and poking gentle fun at the whole range of "girls' school" tropes' - The Stage

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  Visiting Hours at the Color Line...

  Ed Pavlic

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  The acclaimed poet finds many-hued complexity within America’s divided black-and-white society in this 2012 National Poetry Series–winning collection. 
   
  American attitudes and perceptions—of tragedies, major events, each other—are often segregated into two camps by a politicized, racially divided “Color Line.” But in this award-winning poetry collection, Ed Pavlic explores the nonlinear aspects of our cultural divide. Where, he asks, is the Color Line in the mind, in the body, between bodies, between human beings? 
   
  In daring prose poems and powerful free verse, Pavlic tracks American characters through situations both mundane and momentous. He exposes the many textures of this social, historical world as it seeps into the private dimensions of our lives. The resulting poems are intense, intimate, and psychologically probing, making Visiting Hours at the Color Line a poetic tour de force.

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  Lullaby

  Louisa May Alcott

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  LibriVox volunteers bring you 13 recordings of Lullaby by Louisa May Alcott. This was the Weekly Poetry project for October 4th, 2009.

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  The Tempest

  William Shakespeare

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  ""Our revels now are ended... this rough magic I here abjure..."" 
  In Shakespeare hinting at the end of his own magnificent career in these and others lines spoken by the great magician, Prospero? The Tempest was the last of Shakespeare's comedies, completed just before he retired to his native Stratford-upon-Avon; perhaps this delightful comedy was intended to signal the playwright's farewell to his beloved theater. The Tempest reflects Shakespeare's mature genius, with its story of innocence tempered by intrigue, hilarity bounded by melancholy. Audiences the world over still thrill to The Tempest's dark comedy and magical fantasy. 
  Sir Michael Redgrave and Vanessa Redgrave helped to build one of England's foremost theatrical families-- a tradition that Ms. Redgrave continues today. And Hugh Griffith is one of the nation's greatest character actors. Together, they bring The Tempest majestically to life.

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  The Servant of Two Masters -...

  Carlo Goldoni

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  The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding.
  Over two hundred and fifty years since it was written, The Servant of Two Masters, a classic of Italian comedy, remains blisteringly hilarious and relevant.
  Disguising herself as her dead brother, Beatrice travels to Venice to find Florindo, the man responsible for his death. However her servant, Truffaldino, enters into the pay of Florindo and struggles to keep his two lives and masters separate.

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  The Luckiest Guy Alive

  John Cooper Clarke

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  The godfather of British performance poetry - Daily TelegraphThe Luckiest Guy Alive, performed by the author, is the first new book of poetry from Dr John Cooper Clarke for several decades – and a brilliant, scabrous, hilarious collection from one of our most beloved and influential writers and performers. From the ‘Attack of the Fifty Foot Woman’ to a hymn to the seductive properties of the pie – by way of hand-grenade haikus, machine-gun ballads and a meditation on the loss of Bono’s leather pants – The Luckiest Guy Alive collects stunning set pieces, tried-and-tested audience favourites and brand new poems to show Cooper Clarke still effortlessly at the top of his game.Cooper Clarke’s status as the ‘Emperor of Punk Poetry’ is certainly confirmed here, but so is his reputation as a brilliant versifier, a poet of vicious wit and a razor-sharp social satirist. Effortlessly immediate and contemporary, full of hard-won wisdom and expert blindsidings, it’s easy to see why the good Doctor has continued to inspire several new generations of performers from Alex Turner to Plan B: The Luckiest Guy Alive shows one of the most compelling poets of the age on truly exceptional form.‘John Cooper Clarke is one of Britain’s outstanding poets. His anarchic punk poetry has thrilled people for decades ... long may his slender frame and spiky top produce words and deeds that keep us on our toes and alive to the wonders of the world.’ Sir Paul McCartney

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