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  The Accompaniment in...

  Stanley Ritchie

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  Known around the world for his advocacy of early historical performance and as a skilled violin performer and pedagogue, Stanley Ritchie has developed a technical guide to the interpretation and performance of J. S. Bach's enigmatic sonatas and partitas for solo violin. Unlike typical Baroque compositions, Bach's six solos are uniquely free of accompaniment. To add depth and texture to the pieces, Bach incorporated various techniques to bring out a multitude of voices from four strings and one bow, including arpeggios across strings, multiple stopping, opposing tonal ranges, and deft bowing. Published in 1802, over 80 years after its completion in 1720, Bach's manuscript is without expression marks, leaving the performer to freely interpret the dynamics, fingering, bowings, and articulations. Marshaling a lifetime of experience, Stanley Ritchie provides violinists with deep insights into the interpretation and technicalities at the heart of these challenging pieces.

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  Rocky Fortune - Volume 9 -...

  Staff Writer

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  Frank Sinatra plays private eye Rocky Fortune, a "footloose and fancy-free young man," frequently unemployed, who would then take on a range of odd-jobs that would lead into adventurous escapades. 
   
  Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior. 
   
  Rocky usually received job assignments from the Gridley Employment Agency, usually referred to as "the agency". During the series, he worked as a process server, museum tour guide, cabbie, bodyguard, chauffeur, truck driver, social director for a Catskills resort and a carny. He could also fake enough bass to play at weddings and bar-mitzvahs. 
   
  The show aired just as Sinatra was in the running for an Oscar for his role in ‘From Here to Eternity’, it became a running gag that Rocky seemed to work the phrase "from here to eternity" into almost every show.

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  Night Beat: Otto the Music Man

  Frank Lovejoy

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  Night is when the city comes alive full of promise. Randy stood on the corner watching the world go by cataloguing each and every person and happening when a car came by and clipped a guy holding a black case, knocking him over. Randy went to help him but he was ok and disappeared into the street into a bar called the Glamour Palace. Randy followed him realizing that he had the guy’s hat.

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  Arts of Independence

  Alexander Moffat

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  There is only one argument for Scottish independence: the cultural argument. It was there long before North Sea oil had been discovered, and it will be here long after the oil has run out. How have perceptions of Scottish culture been shaped by its role within Britain? What would be different about culture in an Independent Scotland? Why is culture the key to the independence debate? ALEXANDER MOFFAT and ALAN RIACH take a hard look at the most neglected aspect of the argument for Scotland's distinctive national identity: the arts. Their proposition is that music, painting, architecture and, pre-eminently, literature, are the fuel and fire that makes imagination possible. Neglect them at your peril. For Moffat and Riach, jobs, health and trade are matters of material fact that need to be enlivened by imagination. How can we organise society to help us approach what the arts have to give. Why have we been so poor at representing our arts comprehensively, both within Scotland and internationally? What can be done? How might things be different? The arts are of paramount importance in the modern world. Moffat and Riach take the argument out of the hands of politicians and economists and beyond the petty squabbles of party politics. Praise for Arts of Resistance An inspiration, a revelation and education, as to the extraordinary richness and organic cohesion of twentieth-century Scottish culture, full of intellectual adventure and openness to the wider world… full of passion and intelligence… This is a landmark book. THE TIMES LITERARY SUPPLEMENT

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  Permian Period The: The History...

  Charles River Editors

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  Among the most interesting of the prehistoric eras is the Permian age, the most extreme period in the planet’s history. It spanned 47 million years, beginning with an ice age, warming, and ending with the most cataclysmic volcanic episode in the planet’s history. The great bulk of all life on the Earth was almost immediately snuffed out, barely crawling back over the following 10 to 30 million years, and it set the stage for the “Age of Dinosaurs.” 
  	What is termed by some as the “Pennsylvanian” or “Carboniferous” period prepared the emergence of the Permian age. Named for the abundance of rocks from the period found in the state of Pennsylvania, many prefer the term “Silesian” or “Carboniferous” era. In the preceding “Mississippian era,” warm, shallow seas disappeared causing serious upheaval to marine life in a tendency toward glaciation.  
  	“Significant glaciation” marks the beginning of the Carboniferous immediately preceding the Permian. Carboniferous glaciation began in the late Ordovician Period long before. The eventual Andean-Saharan glaciation, a minor ice age, occurred later in the Silurian Age. These were all remnants of the “Snowball Earth” period of the Cryogenian. 
  	The resultant sea level drop as the Carboniferous ice age set in produced conditions much like that of today, with ice on both poles, wet tropics near the equator and temperate regions in between. Despite similar conditions, the Carboniferous lacked the output of greenhouse gases produced by humans. 
  	Fragments of plates collided as continents were still fusing into the supercontinent Pangea. During glaciation, “latitudinal climactic belts were widespread.” Permian rocks have been found on all the continents and some have been displaced “considerable distances from their original latitudes” in the Mesozoic and Cenozoic eras that followed the Permian.

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  Why Alanis Morissette Matters

  Megan Volpert

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  Since 1991, only three albums have sold more than 15 million copies---Metallica (Metallica), Come on Over (Shania Twain), and Jagged Little Pill, by Alanis Morissette. JLP won Grammys, Junos, and stayed in the Billboad 200 for more than a year. The record remains a touchstone for many listeners, as evidenced by the Tony Award-winning musical by the same name that premiered in 2018. If you listened to the radio in 1995, you probably recognize "You Oughta Know," "One Hand in My Pocket," and several other songs if only for Morissette's distinctive voice (or, as the author puts it, "this aggressively female noise").  
  Megan Volpert works through Alanis Morissette's career via JLP, her best-known record. Each chapter dives into one of the 13 tracks from the album, dissecting that song while connecting to later work that extends the relevant theme. For instance, the first chapter makes the point that "All I Really Want" reflects a highly sensitive person rather than an angry one, and discusses Morissette's producing on the documentary Sensitive (2015). Later chapters take up mental health, queer symbolism, skepticism vs. Catholicism, as well as more explicitly feminist concerns. As with most of the books in this series, her own experience is an occasional but consistent lens. As she writes in the prologue, JLP got the author through high school and it captures a "specifically female existential anger" that suggests deploying some memoir is appropriate. References to Derrida, Sophocles, and the films of Kevin Smith among others balance the personal side. Publication of this book will coincide with the 30th anniversary of Jagged Little Pill. (Officially released on June 13, 1995.)

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