Other books that might interest you

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  A Rare Recording of Film Icon...

  Rita Hayworth

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  Rita Hayworth, born Margarita Carmen Cansino, (October 17, 1918 - May 14, 1987) was an American actress who appeared in 61 films over 37 years achieving fame in the 1940s as one of the top stars of the Golden Age of Hollywood. Dubbed "The Love Goddess" by the Hollywood press, Hayworth is best known for her performance in the 1946 film noir Gilda as the femme fatale opposite Glenn Ford in her first major dramatic role. The following is from a 1972 interview at the San Francisco National Film Festival.

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  Abbott and Costello: Hunting Guide

  Bud Abbott, Lou Costello

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  Abbott and Costello talk about the butter and meat shortages. Abbott and Costello go hunting in the north woods with guest Claire Trevor as a guide.

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  Will ye go to the Indies my Mary?

  Robert Burns

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  A LibriVox' Weekly Poetry tribute to Robbie Burns on the upcoming Robbie Burns Day. (January 25)Robert Burns (also known as Robbie Burns, Rabbie Burns, Scotland's favourite son, the Ploughman Poet, Robden of Solway Firth, the Bard of Ayrshire and in Scotland as The Bard) was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is also in English and a light Scots dialect, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest.Burns Night, in effect a second national day, is celebrated on Burns's birthday, 25 January, with Burns suppers around the world, and is more widely observed in Scotland than the official national day, St. Andrew's Day. The format of Burns suppers has changed little since. The basic format starts with a general welcome and announcements, followed with the Selkirk Grace. After the grace comes the piping and cutting of the haggis, when Burns's famous "Address to a Haggis" is read and the haggis is cut open. The event usually allows for people to start eating just after the haggis is presented. At the end of the meal, a series of toasts and replies is made. This is when the toast to "the immortal memory", an overview of Burns's life and work, is given. The event usually concludes with the singing of "Auld Lang Syne".A crater on Mercury is named after Burns.   (Summary from Wikipedia)

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  Do Not Adjust Your Set - Volume 5

  Humphrey Barclay, Terry Jones,...

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  Do Not Adjust Your Set is a 60s comedy show comprised mostly of satirical sketches, often presented in a bizarre, surreal and disjointed manner- much like that of Monty Python, a succeeding show which several of the cast became part of. 
  An important Monty Python predecessor and arguably one of the finest children's sketch comedies ever produced, DNAYS is certainly something you do not want to miss... 
  This volume features a compilation of classic sketches from the show, including: 
  -Sport-Whackfield Wanders-Chairback Banana Grabbing-Angling-Frogmen Routine-The Bonzo Dog Doo-Dah Band-Hello Mabel-Fortune Teller-Miniskirt-Captain Fantastic-Romeo & Juliet

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  Two Solitudes: The Tragically Hip

  Michael Barclay, Jason...

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  "Two Solitudes" is excerpted from Have Note Been the Same: The CanRock Renaissance 1985-1995, available as a print or ebook.Published in autumn 2001, Have Not Been the Same became the first book to comprehensively document the rise of Canadian underground rock between the years 1985 and 1995. It was a tumultuous decade that saw the arrival of Blue Rodeo, The Tragically Hip, SarahMcLachlan, Sloan, Barenaked Ladies, Daniel Lanois, and many others who made an indelible mark not only on Canadian culture, but on the global stage as well. Have Not Been the Same tells all of their stories in rich detail through extensive first–person interviews, while at the same time capturing the spirit of Canada’s homegrown music industry on the cusp of the digital age.Ten years on, the 780–page book is still regarded by critics and musicians as the definitive history of the era. To mark this milestone, the authors have updated many key areas of the book through new interviews, further illuminating the ongoing influence of this generation of artists. And with its treasure trove of rare photos intact, this revised edition of Have Not Been the Same is sure to maintain the book’s status as one of the seminal works in the field of Canadian music writing, and a must–read for any Canadian music fan.

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  Georgia O’Keeffe and artworks

  Janet Souter

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  In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours.

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