Other books that might interest you

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  Moments We Stand The: Silence...

  Ashlee Boyson

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  My name is Ashlee. I am a victim of murder. Through a series of events and by two shots of a gun, I was made a widow at the age of 28, with my youngest child just six weeks old. I am a victim of infidelity. I have felt unlovable. I have felt rejected. I have had days in my life when I wasn’t sure if I would ever take a breath again, let alone be able to raise my five children by myself. I have lived in fear. I have felt much heartache. I have felt truly broken to my core. I have carried some heavy burdens...not only of my own, but burdens put upon my shoulders by the death of my husband. I have felt alone. I have felt humiliated. I have been humbled to my knees. I have searched my soul to find my worth in this world, and in the life that was left for me. My world has been totally shattered. I have faced realities I never knew were possible, and found strength within myself to keep up the fight and live every day as if it was on purpose. I have been carried by Angels...both earthly beings and those unseen. I have found that being a “victim” doesn’t mean we have an excuse to stop living. Being a victim means finding a reason for seeking a higher road. I have picked up the pieces left and carried on. I am a mother. We are survivors. In one way or another, we are all victims. There are times in our lives when we are forced to question who we are at our core. This is my story...the defining moments that have truly brought me to my knees, the times when I’ve questioned to my core my very existence, and the experiences I’ve had that have shown me who I really am and who my Heavenly Father still needs me to become. The night of my husband’s death was my darkest hour, but also the very moment when I saw firsthand that my Heavenly Father sent Angels on errands for me. He carried me. It was the hour when all my fears and all the pain of this world collided together and He was there...putting back together all the pieces, one step at a time.

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  Breathing in Broken Spaces -...

  Belinda Daou

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  Breathing in Broken Spaces 
  Heartbreak. Trauma. Loss. Healing. Rebirth. 
  Some wounds don’t just fade—they shape us. 
  Breathing in Broken Spaces is an unfiltered and deeply personal poetry collection that delves into the rawest corners of heartbreak, trauma, and survival. Through piercingly honest verses, Belinda Daou lays bare the loneliness of grief, the weight of past wounds, and the quiet, aching process of piecing oneself back together after being shattered. 
  This book is for those who have loved and lost, for the ones carrying silent battles within them, and for anyone searching for words that echo their unspoken pain. It is a safe space where emotions aren’t just expressed—but truly seen, understood, and honored. 
  This collection gives voice to the devastation of toxic love, the suffocation of manipulation, and the slow erosion of self-worth at the hands of the wrong person. It speaks to the ones who have stayed too long, who have fought for love that only broke them, and who are now learning to unlearn the lies they were told about themselves. 
  More than just poetry, Breathing in Broken Spaces is a reckoning with the past and a testament to the resilience of the human spirit. It is breathtakingly raw, unapologetically vulnerable, and deeply real. It is the brutal honesty of suffering, the messy in-between of healing, and the quiet strength it takes to keep breathing, even when the air feels heavy. 
  This collection is not just about pain—it is about survival. About learning to breathe again through the cracks of brokenness. About reclaiming the parts of yourself you thought were lost forever. 
  For those who have been lost in the darkness, this book is a whisper: 
  You are not alone. You were never too much. You deserve to be whole.

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  Born in England – Exploring...

  Sir Philip Sidney, Sir Thomas...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series, we take a look at poetry through the prism of individual regions of England, or sometimes more quaintly known as ‘Albion’, or ‘Blighty’, through the centuries of its gloried history. 
   
  England, despite its perception of reserve and under-statement has, in reality, strode the global stage at various time in many things, both good and bad, from Empire to long distance running. Here our focus in on its literature.  Famed for its fiction and dramas, it is equally admired for its plethora of gifted poets and the dazzling verse which has added so much to its artistic legacy.  These classic poets are wonders of their age and of their art.  Genius is written in their names. 
   
  In this volume we explore through many centuries the poetry written by the Nobility of England.  Their titles may be inherited and reek of undeserved privilege but their verse is the inheritance of us all.  Our poets include Sir Thomas Wyatt, W S Gilbert, Sir John Beaumont, Sir John Suckling and many others.  Genius is written in their names.

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  The Beautiful Future is Coming

  Flora Wilson Brown

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  'Can you feel it? Something is hanging in the balance – ready to fall.'
  1856. New York. Eunice sits in what will become Central Park, and wonders if her research into CO2 is telling her something is going horribly wrong.
  
  2027. London. Claire falls in love as the heatwave breaks, and the streets begin to flood.
  
  2100. Svalbard. While an 86-day storm rages outside, Ana hears a baby crying in the seed vault.
  The world is ending, sure. But what happens in between?
  A fast-paced, funny and wildly inventive play, Flora Wilson Brown's The Beautiful Future is Coming looks at two hundred and fifty years of real and imagined history through the eyes of three couples. First performed at Jermyn Street Theatre, London, in 2024, this edition was published alongside a new production at Bristol Old Vic in 2025, directed by the theatre's Artistic Director Nancy Medina.

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  Eleonora: The Last Testament of...

  Julian Fortman

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  Eleonora of Somerset Hall: A Victorian Romance of Love, Betrayal, and Freedom 
  In Victorian England, Lady Eleonora Somerset is trapped in a gilded cage where her beauty is a commodity and her future a transaction. But beneath her exquisite gowns beats a heart yearning for a fierce, untamed freedom. A loveless marriage teaches her that to survive, she must take control. Her rebellion begins with a stolen, forbidden book, awakening a desire that will change everything. 
  Her quest for freedom leads her from a passionate affair with a charismatic officer to the ruthless salons of Paris. There, she must choose between the intellectual dominance offered by an enigmatic Marquis and the raw power of an American industrialist. 
  Eleonora becomes a formidable queen of her own making, a master of money and influence. But as her power grows, she discovers her throne is the most gilded cage of all, forcing her to confront the heartbreaking cost of the love she abandoned. 
  Perfect for fans of sweeping historical romances with strong female characters, complex moral dilemmas, and the intricate social worlds of Downton Abbey and Philippa Gregory. 
  Will Eleonora find redemption, or is her empire of ashes the last testament of a heart that learned too late? 
   

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  Pygmalion

  Bernard Shaw

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  Bernard Shaw's Pygmalion is a witty and thought-provoking play that explores themes of social class, transformation, and the power of language. First performed in 1913, the play remains one of Shaw's most celebrated works, blending comedy with sharp social critique.The story follows Professor Henry Higgins, a phonetics expert, who makes a bet with his friend, Colonel Pickering, that he can transform a poor flower girl, Eliza Doolittle, into a refined lady simply by teaching her proper speech and manners. Eliza, eager to improve her station in life, agrees to the experiment. However, as her transformation progresses, she begins to question her own identity and independence.Shaw cleverly satirizes the rigid British class system, highlighting the superficiality of social status. He emphasizes that one's position in society is often determined by external factors such as language and appearance rather than intelligence or character. Eliza's journey raises important questions about self-worth, agency, and the true meaning of personal change.Unlike the traditional Pygmalion myth, where the sculptor falls in love with his creation, Shaw subverts expectations by making the relationship between Higgins and Eliza complex and ambiguous. While Higgins views Eliza as a project, she ultimately asserts her own autonomy, refusing to be merely a product of his experiment.Pygmalion is a masterpiece of wit and irony, blending elements of romance, drama, and social commentary. Shaw's sharp dialogue and insightful observations on class and gender make the play as relevant today as it was over a century ago. The play later inspired the famous musical My Fair Lady, further cementing its place in literary and theatrical history.With its engaging characters and thought-provoking themes, Pygmalion remains a timeless exploration of identity, transformation, and the human desire for respect and recognition.

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