Outros livros que poderiam interessá-lo

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  Cyrano (NHB Modern Plays)

  Edmond Rostand, Virginia Gay

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  Cyrano is the most interesting person in any room – a wordsmith, a charmer. She works twice as hard and runs twice as fast as the pretty boys, because she's deeply ashamed of something about herself.
  Enter Roxanne: brilliant and beautiful, with a penchant for poetry and a way with words, just like Cyrano. But Roxanne only has eyes for Yan: hot, manly Yan, who is dumbstruck around Roxanne. (Probably shy, right?) Until suddenly he starts saying the most amazing things. But it's not Yan writing these perfect love scenes, it's Cyrano...
  A joyous, gender-flipped retelling of Edmond Rostand's classic play, Cyrano is a love letter to hope; to language and desire; to the lo-fi magic of theatre.
  This big-hearted, irreverent queer-as-hell rom-com was first performed by Melbourne Theatre Company in 2022. A new production, directed by Clare Watson and produced by Roast Productions, was a hit at the Traverse Theatre during the 2024 Edinburgh Festival Fringe, winning a Fringe First Award, before transferring to Park Theatre, London.
  'Enormously uplifting and infectiously sweet. This is theatre at its most happy-making. A total treat' - The Stage
  'Dazzlingly clever… witty, knowing, satirical and heartfelt all at once' - Financial Times
  'A sizzling and hilarious twenty-first-century comedy… A damn near-perfect night out' - Scotsman

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  This House - Poems

  Rehema Njambi

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  Rehema Njambi unpacks identity, faith, womanhood and – above all – agency, in poems partly inspired by conversations with the Black, mostly African, women around her.
  
  Imbued with quiet resistance to patriarchal societies, Njambi's debut collection is an ode to the women who have raised her, and their strength and their ability to hold, sustain, and be rooted in their faith. The poems resound with their idea of home, and belonging they wish to pass on to their daughters.
  GHOSTS IN THIS HOUSE
  There were footsteps in the dark all night,
  
  almost every night, and we were scared —
  
  but we didn't say a thing.
  She called us to prayer in the morning, every morning.
  
  With our small hands and smaller faith
  we asked the Lord for protection —
  
  but He didn't say a thing.

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  Hurtz

  Jasmine Gardosi

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  Gardosi's first foray into print. It is also a labour of love. A single poem, performable, readable on the subject of sound, colour and individual pain (physical but also and most notably emotional).Jasmine's incredible piece helps launch our new Verve Poetry Pamphlet series – 'Pamphlet of Words' – in which Spoken Word Poets of note explore the variety of ways performance pieces can be aimed resolutely at the page and yet still fly in performance.

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  On the Sight of a Skull

  Mary Mollineux

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  Mary Mollineux (born Mary Southworth) was probably the daughter of Catholic parents who converted to Quakerism, differed from many of her Quaker contemporaries because of an early education in Latin, Greek, science, and arithmetic. (Summary from Wikipedia)

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  Tea

  Velina Hasu Houston

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  Velina Hasu Houston’s Tea uses history and poetic writing to weave a drama about Japanese “war brides” living in Kansas.  An L.A. Theatre Works full-cast performance featuring Shuko Akune, June Angela, Takayo Fischer, Lily Mariye and Diana Tanaka.

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  Girl from the North Country (NHB...

  Conor McPherson, Bob Dylan

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  Duluth, Minnesota. 1934. A community living on a knife-edge. Lost and lonely people huddle together in the local guesthouse.
  The owner, Nick, owes more money than he can ever repay, his wife Elizabeth is losing her mind, and their daughter Marianne is carrying a child no one will account for.
  So, when a preacher selling bibles and a boxer looking for a comeback turn up in the middle of the night, things spiral beyond the point of no return…
  In Girl from the North Country, Conor McPherson beautifully weaves the iconic songbook of Bob Dylan into a show full of hope, heartbreak and soul. It premiered at The Old Vic, London, in July 2017, in a production directed by Conor McPherson, and later transferred to the West End, Broadway, Australia, Ireland and toured the UK.

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