Other books that might interest you

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  Irish Problem An - From their...

  Somerville & Ross - the writing...

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  The bookshelves of British literature are incredible collections that have gathered together centuries of very talented authors.  From these Isles their fame spread and whilst among their number many are now forgotten or neglected their talents endure.  Among them are Somerville & Ross - the writing pseudonym for Edith Somerville & Violet Florence Martin Sidney Benson Thorp.

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  Thirteen

  Victoria Dean

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  In Thirteen, Victoria Dean takes the reader on a journey through the multifaceted landscape of horror. This collection of thirteen short stories offers a tryst into the paranormal, the terrors of the mundane, and what the dark shadows may be hiding around every corner. From the heart-pounding battle against a mad serial killer to an unseen evil terrorizing two best friends, and monsters that roam the night, Dean works to explore what fear is all about and what it means to overcome it.

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  Honeymoons in Temporary Locations

  Ashley Shelby

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  Climate disaster–induced fugue states, mutinous polar bears, support groups for recently displaced millionaires, men who hear trees, and women who lose their wives on environmental refugee resettlement trips. In these dispatches from a weirding world, the absurd and fantastic are increasingly indistinguishable from reality. Exploring this liminal moment, Ashley Shelby's collection of climate fictions imagines a near future that is both unnervingly familiar and subversively strange. 
   
   
   
  Set in the same post-climate-impact era, these stories range from playfully satirical to poignantly humane, bending traditional narrative forms and coming together into a brilliant and unusual contemplation of our changing world. Featuring the Hugo-nominated novelette "Muri," Honeymoons in Temporary Locations processes the unthinkable through riotous inventions like guided tours of submerged cities, Craigslist ads placed by climate refugees, and cynical pharmaceutical efforts to market a drug to treat solastalgia, the existential distress caused by environmental change. 
   
   
   
  Shelby reengineers the dystopic bleakness that characterizes so much climate fiction by embracing an eclectic experimentalism leavened with humor, irony, and the inevitable bathos that characterizes the human experience. Unexpected and clever, this innovative collection confirms her status as a visionary writer whose work expands the forms, attitudes, and possibilities of climate fiction.

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  Frankenstein

  Mary Shelley

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  Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.Shelley travelled through Europe in 1815, moving along the river Rhine in Germany, and stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where, two centuries before, an alchemist had engaged in experiments.[note She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. Galvanism and occult ideas were topics of conversation for her companions, particularly for her lover and future husband Percy B. Shelley. In 1816 Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley was inspired to write Frankenstein after imagining a scientist who created life and was horrified by what he had made.Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued for regarding it as the first true science-fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results. The novel has had a considerable influence on literature and on popular culture; it has spawned a complete genre of horror stories, films, and plays.Since the publication of the novel, the name "Frankenstein" has often been used, erroneously, to refer to the monster, rather than to his creator/father.

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  The Tomb

  Guy de Maupassant

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  Title: The Tomb 
  Author: H. P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1917 (first published 1922) 
  Public Domain: Yes 
  Series Placement: Number 26 in the Timeless Terrors series 
  Description: 
  The Tomb by H. P. Lovecraft is a tale of ancestral obsession, forbidden curiosity, and the thin veil separating memory from madness. It follows Jervas Dudley, a solitary dreamer fascinated by an ancient mausoleum belonging to the long-dead Hyde family. Drawn by an irresistible pull, he becomes consumed by the mystery of the tomb — and by the eerie sense that his destiny is entwined with the dead within. 
  Through Lovecraft’s early mastery of gothic atmosphere and psychological unease, The Tomb explores themes of hereditary memory, morbid fixation, and the haunting persistence of the past. What begins as mere curiosity descends into a dreamlike horror, where identity and sanity unravel among the shadows of the grave. 
  Narrated by Amazon bestselling horror author Jonathan Dunne, this performance evokes the dark romanticism and creeping dread of Lovecraft’s vision — a descent into the spectral corridors of the mind. While the text resides in the public domain, this narration is an original work and copyright © 2025 Jonathan Dunne. 
  Part of Timeless Terrors, a series devoted to reviving the classic works of horror and the uncanny, The Tomb bridges gothic tradition and cosmic dread — a haunting meditation on the lure of the past and the peril of those who cannot let the dead rest. 
  Listeners should prepare for a story where fascination becomes fate, where dreams trespass upon death, and where the past itself refuses to stay buried.

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  The Shout

  Chris Snell

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  The sea is not a playground. A huge wave lifted the stern of the coaster, propeller and rudder, out of the froth and oil just as Bill Hawken tried to swing the Tamar Class lifeboat into a better position…Set in Cornwall, the crew never know what dangers, or even stranger outcomes, a call for a lifeboat launch will bring. The complexities of family life, interaction with hostile holiday-home owners, criminal activity, peer group tensions coupled with the day-to-day business of harbour life and other events, make for an exciting living.

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