D'autres livres qui pourraient vous intéresser

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  For No Reason at All - The...

  Jeffrey A. Hinkelman

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  The years following the signing of the Armistice saw a transformation of attitudes regarding military conflict as America attempted to digest the First World War. During these years popular film culture in the US created new ways of addressing the impact of the war on individuals and society. Filmmakers created works that promoted their own ideas about the depiction of wartime service—ideas that frequently conflicted with established, heroic tropes for the portrayal of warfare on film. 
   
   
   
  Filmmakers spent years modifying existing standards and working through storytelling options before achieving a consensus regarding the fitting method for rendering war on screen. This process reached its peak during the Pre-Code Era of the early 1930s when the initially prevailing narrative would be briefly supplanted by an entirely new approach that questioned the premises of wartime service. The rhetoric of these films argued for an antiwar stance that questioned the wartime experience. 
   
   
   
  For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War–themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

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  Painting Light and Colour in Oils

  Sarah Manolescue

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  This beautiful book shows the artist how to develop their own unique way of seeing and interpreting light and colour in oils, using plein air painting as the foundation (painting outdoors direct from life). It serves as a catalyst for exploration, both out in the field, and back in the studio. Packed with finished examples and step-by-step sequences, it guides you through the beguiling challenge of painting the light, demonstrating how to say 'just enough' in your own work.

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  Bruce Springsteen's Born in the USA

  Geoffrey Himes

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  When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, ""one, two, one, two, three, four,"" followed by the droning synth chords of ""Born in the U.S.A."" Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line (""Born down in a dead man's town"") he sang with the throat-scraping desperation of a man with his back against the wall. When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, ""Nowhere to run. Nowhere to go."" It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength—building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riff—it was clear that the singer was ready to make a stand.

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  Muromachi Period - Ashikaga...

  Rolf Hedger

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  The Muromachi Period, spanning from 1336 to 1573, marked a significant turning point in Japanese history, characterized by the rise of the Ashikaga Shogunate and the gradual shift toward decentralized feudal rule. This period emerged following the fall of the Kamakura Shogunate, as Ashikaga Takauji established his military government in Kyoto. The political, social, and cultural transformations that unfolded during this time laid the foundation for the later Sengoku era, a period of constant warfare among regional warlords. 
  The decline of the Kamakura Shogunate stemmed from mounting dissatisfaction among the samurai class, who had grown discontent with the Hojo regents’ rule. The Mongol invasions of Japan in 1274 and 1281 had placed immense strain on the government, as victory brought no financial rewards for the warriors who had fought to defend the nation. With no lands to distribute as compensation, loyalty to the shogunate weakened, creating an opportunity for ambitious leaders to challenge its authority. Amid this unrest, Emperor Go-Daigo launched the Kenmu Restoration (1333–1336), an effort to reestablish imperial rule. However, his failure to recognize the interests of the samurai led to his downfall. 
  Ashikaga Takauji, originally a supporter of the emperor, turned against him and seized power, defeating both imperial and Kamakura loyalists. In 1336, Takauji established his own military government, known as the Muromachi Bakufu, in Kyoto. Unlike the Kamakura Shogunate, which ruled from a distant military capital, the Muromachi Shogunate was strategically located in the heart of Japan’s cultural and political sphere. Takauji’s rule was solidified in 1338 when he was officially

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  Recording Sound - A Concise...

  Mark Brocklesby

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  This book is for beginners, hobbyists and semi-professionals wanting to enhance and improve their knowledge of recording sound. Focusing on using microphones to capture a few instruments, both the theory and the practical considerations are explained in a concise and digestible manner.
  Many artists can craft standout productions by working solely 'in the box' with their DAW of choice, or with hardware such as synths and processing tools that do not require a microphone. However, musicians and artists may want to start working towards capturing a variety of sounds, instruments and environments, as this can enhance the listening soundstage and feel of a production. This book succinctly presents aspects of the recording process. It explores different ways to get started on your journey as a recording engineer or artist, be it hiring a studio, setting up a recording space or recording on location. 'This book is an essential read for any budding producer, engineer or artist who is serious about a life in music.' – Brendan Lynch

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  Hollywood Stage - The Web - The...

  Various Authors

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  Hollywood is indelibly printed in our minds as the ‘go-to place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in Heaven Hollywood Stage had them performing films as radio plays – on the sponsors dime of course.  The Hollywood director William Keighly unveils the treasure and the stars for you right here…..

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