Other books that might interest you

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  The Pursuit of God

  Aiden Wilson Tozer

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  As the heart panteth after the water brooks, so panteth my soul after thee, O God. This thirst for an intimate relationship with God, claims A.W. Tozer, is not for a select few, but should be the experience of every follower of Christ. But, he asserts, it is all too rare when believers have become conditioned by tradition to accept standards of mediocrity, and the church struggles with formality and worldliness. Using examples from Scripture and from the lives of saints who lived with this thirst for God, Tozer sheds light on the path to a closer walk with God. 
  Summary by D. Leeson

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  Leonard Bernstein - American...

  Burton Bernstein, Barbara Haws

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  One of the most gifted, celebrated, scrutinized, and criticized musicians in the second half of the twentieth century, Leonard Bernstein made his legendary conducting debut at the New York Philharmonic in 1943, at age 25. A year later, he became a sensation on Broadway with the premiere of On the Town. Throughout the 1950s, his Broadway fame only grew with Wonderful Town, Candide, and West Side Story. And in 1958, the Philharmonic appointed him the first American Music Director of a major symphony orchestra—a signal historical event. He was adored as a quintessential celebrity but one who could do it all—embracing both popular and classical music, a natural with the new medium of television, a born teacher, writer, and speaker, as well as a political and social activist. In 1976, having conducted the Philharmonic for more than one thousand concerts, he took his orchestra on tour to Europe for the last time.All of this played out against the backdrop of post-Second World War New York City as it rose to become the cultural capital of the world—the center of wealth, entertainment, communications, and art—and continued through the chaotic and galvanizing movements of the 1960s that led to its precipitous decline by the mid 1970s. The essays within this book do not simply retell the Bernstein story; instead, Leonard Bernstein's brother, Burton Bernstein, and current New York Philharmonic archivist and historian, Barbara B. Haws, have brought together a distinguished group of contributors to examine Leonard Bernstein's historic relationship with New York City and its celebrated orchestra. Composer John Adams, American historians Paul Boyer and Jonathan Rosenberg, music historians James Keller and Joseph Horowitz, conductor and radio commentator Bill McGlaughlin, musicologist Carol Oja, and music critics Tim Page and Alan Rich have written incisive essays, which are enhanced by personal reminiscences from Burton Bernstein. The result is a telling portrait of Leonard Bernstein, the musician and the man.

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  Feldenkrais for Actors - How to...

  Victoria Worsley

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  'The Feldenkrais Method is unique... I haven't found any other movement study that opens up such a rich and continuing area of enquiry' John Wright, from his Foreword
  Spontaneity, sensitivity, simplicity and flexibility in any situation are just some of the qualities that the Feldenkrais Method has inspired in performers around the world. It uses movement to enable you to feel, adapt and respond in new ways – not just in limited, habitual patterns – thereby increasing your physical, emotional and mental potential.
  Written by an experienced actor, theatre-maker and Feldenkrais practitioner, Feldenkrais for Actors leads you through a range of topics where using the Method can help, such as:
  
  
  - Presence and Posture
  - The Role of Tension
  - Emotion, Character and Creativity
  - Voice and Breath
  - Injury and Anxiety
  Also included are dozens of exercises and lessons so that you can experience how the Method will help you in practice.
  Feldenkrais for Actors is the result of thirty years of study and experience of the Method, and the benefits it can bring. It is invaluable for actors at any stage of their career, as well as for singers, dancers, musicians, martial artists, athletes and more.
  'A very readable, very practical book... makes a very passionate, detailed and accessible argument for how and why the Feldenkrais Method can be useful to an actor's continuing creative development' - Theatre, Dance and Performance Training

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  Do Not Adjust Your Set - Volume 1

  Humphrey Barclay, Terry Jones,...

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  Do Not Adjust Your Set is a 60s comedy show comprised mostly of satirical sketches, often presented in a bizarre, surreal and disjointed manner- much like that of Monty Python, a succeeding show which several of the cast became part of. 
  An important Monty Python predecessor and arguably one of the finest children's sketch comedies ever produced, DNAYS is certainly something you do not want to miss... 
  This volume features a compilation of classic sketches from the show, including: 
  -King Lear-Musicians at Work-Family Grocer-Science for Sixth Forms-Bonzo Dog Doo-Dah Band-Monster Mash-Maternity Ward-On Guard-The Wonder of Words-Stool Pigeon-The Sound of Music-An Extraordinary Sight-Captain Fantastic-The Tartan Thistle Club

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  IMPACT: The Impersonal Actor

  Shawn Clement Nelson

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  Impact: The Impersonal Actor, is Shawn Clement Nelson's initial master work on acting philosophy and technique. In twelve audio chapters, it contains almost 5 hours of detailed lectures, examples, exercises and quotations to guide the actor in film, television and stage to the very highest concepts in theatrical craft. These are not taped classes - but a one-on-one audio course recorded live in studio, in Burbank, Ca. Designed to be listened to again and again, The Impersonal Actor brings the actor to an increasing understanding of the craft of acting - but not as it is commonly taught. In fact, it has been called heretical in its positions toward the subjects of character, circumstances, spontaneity and performance psychology. IMPACT has been used as course material at colleges and universities.Shawn Clement Nelson has been a teacher and coach to stars and working actors in Hollywood for three decades. He has taught acting at the University of Southern California and has been a guest instructor in acting and directing at Pasadena City College, the Sedona Film School, Liberty University, Louisiana State University, Northern Arizona University and Arizona State University. Shawn's new book, Comprehensive Contemporary Acting, Revised Edition (amazon), is also college course material.

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  Les Miserables

  Orson Welles

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  Les Miserables (1937) was Orson Welles' first radio series. He served as actor, director, producer, and adaptor, developing narrative and audio techniques that would later be used for The Mercury Theatre on the Air.

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