Other books that might interest you

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  WHAT - The Sunday Times...

  John Cooper Clarke

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  Read by the author, John Cooper Clarke.'Nothing short of dazzling' – Alex TurnerDr John Cooper Clarke's dazzling, scabrous voice has reverberated through pop culture for decades, his influence on generations of performance poets and musicians plain for all to see. In WHAT, the original 'People's Poet' comes storming out of the gate with an uproarious new collection, reminding us why he is one of Britain's most beloved writers and performers. James Brown, John F. Kennedy, Jesus Christ: nobody is safe from the punk rocker's acerbic pen – and that's just the first poem.Hot on the heels of The Luckiest Guy Alive and his sprawling, encyclopaediac memoir I Wanna Be Yours, the good Doctor returns with his most trenchant collection of poems yet. Vivid and alive, with a sensitivity only a writer with a life as varied and extraordinary as Cooper Clarke's could summon, WHAT is an exceptional collection from one of our foremost satirists.

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  In the Seven Woods

  William Butler Yeats

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  In the Seven Woods (1904) is Yeats's first twentieth-century poetry collection. Its fourteen poems show him moving steadily away from the decisively Romantic diction of his earlier work. Here we hear a poetic voice that is at once more individual, colloquial and dramatic than previously. In addition, several poems sound a note of bitter lamentation over the marriage in 1903 of Maud Gonne, Yeats's great love and muse, to John MacBride. (Summary by Kasper Nijsen)

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  Jane Eyre

  Charlotte Brontë

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  Jane Eyre (originally published as Jane Eyre: An Autobiography) is a novel by English writer Charlotte Brontë. It was published on 16 October 1847 by Smith, Elder & Co. of London, England, under the pen name "Currer Bell." The first American edition was released the following year by Harper & Brothers of New York. Primarily of the bildungsroman genre, Jane Eyre follows the emotions and experiences of its title character, including her growth to adulthood, and her love for Mr. Rochester, the byronic master of fictitious Thornfield Hall. In its internalization of the action — the focus is on the gradual unfolding of Jane's moral and spiritual sensibility and all the events are colored by a heightened intensity that was previously the domain of poetry — Jane Eyre revolutionized the art of fiction. Charlotte Brontë has been called the 'first historian of the private consciousness' and the literary ancestor of writers like Joyce and Proust. The novel contains elements of social criticism, with a strong sense of morality at its core, but is nonetheless a novel many consider ahead of its time given the individualistic character of Jane and the novel's exploration of classism, sexuality, religion, and protofeminism.

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  Adam and Eve

  John Milton

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  LibriVox volunteers bring you 15 recordings of Adam and Eve (From “Paradise Lost,” Fourth Book) by John Milton. This was the Weekly Poetry project for Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. It was originally published in 1667 (though written nearly ten years earlier) in ten books, with a total of over ten thousand individual lines of verse. A second edition followed in 1674, redivided into twelve books (in the manner of the division of Virgil's Aeneid) with minor revisions throughout and a note on the versification; most of the poem was written while Milton was blind, and was transcribed for him.Milton first presents Adam and Eve in Book IV with impartiality. The relationship between Adam and Eve is one of "mutual dependence, not a relation of domination or hierarchy." While the author does place Adam above Eve in regard to his intellectual knowledge, and in turn his relation to God, he also grants Eve the benefit of knowledge through experience. ( Summary from Wikipedia)

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  Short Story Press Presents Agent...

  Short Story Press, Natashiah Jansen

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  Brigitte had a rough start in life. It all began when her village was bombed when she was just a child. After being sent to the USA by a refugee agency, she drifted from one foster home to another for some time. In her pursuit to find the sense of family she is recruited by the Russian mob, where she meets up with an old friend. The mob offered them everything except freedom. She wanted more. She changes her name and makes a new life for herself. She meets Martin who makes her an offer that was hard to refuse. Everything went well until she falls in love. In an effort to get information she makes a deal with a devil called Olga, the wife of the Russian mob boss. 
  Her past comes to haunt her and almost takes the life of her lover. In an effort to protect her love she betrays Martin. Just when she thought everything was going her way, Olga surprises her with a special request to prove her loyalty. At first she hesitates but keeping her love alive was more important. Everything was perfect until she receives a phone call that would change her whole life. 
  Short Story Press publishes short stories written by everyday writers.

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  The Potting Shed - A Play

  Graham Greene

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  From the British novelist, this Tony Award–winning drama of family secrets delivers “brilliantly effective . . . enormously provocative . . . theatrical suspense” (New York Post). The Callifer family has assembled in the English country home of Wild Grove where its patriarch—a once-renowned rationalist and man of letters—nears death. Arriving unexpectedly to pay his respects is his son, James, a pariah among the Callifers, who finds a dark veil still drawn over his mysterious childhood. It was decades ago, when James was fourteen, that something happened to him in the garden shed, a black hole in his memories. For everyone else, it’s an unforgettable source of unease—and for some, unforgiveable. To discover the truth, James seeks out his ostracized uncle, an alcoholic priest with nothing left to lose. What unfolds makes for “some of the most moving, forceful and compelling theatre since Eugene O’Neill” (The Harvard Crimson). Graham Greene’s Tony Award–winning work for the stage made its Broadway debut in 1957 and was hailed by the New York Times as “an original drama that probes deep into the spirit and casts a spell.”  

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