Publisher: Glissato Edizioni Musicali
C Flute 1 part of Suite from the opera "Carmen" by Georges Bizet, arranged for Flute Quartet S.S.S.A (advanced level) by Francesco Leone. Included: 1.Aragonaise 2.Chanson Bohèmienne 3.Habanera 4.Toreador 5.Ouverture (duration 10:30). Score and others parts available separately. Audio demo available on www.glissato.it.
A childs curiosity to discover his grandfathers sadness reveals an eternal love, bound to the evil and selfishness of an age that repressed love between two different worlds. The history of these lovers shows that memories do not disappear with time.Jaime Robles, a renowned war veteran, returns to his hometown with his wife and grandson af-ter forty years of service in the naval force, but as he arrives a series of memories begins to emerge that he has avoided throughout his marriage, his past and that feeling that never disap-peared within him.Laia and Jaime reunite, but the young woman refuses to remember her past, considering the good for both contradicts Jaime and walks away. However, fate proposes to unite them fleetingly to remain in Jaime´s memory forever.Show book
Based on the simple yet deeply moving legendary tale of Orpheus, who loses his beloved wife to death but is able to restore her through the power of his music, Orfeo ed Euridice is among the earliest operas to hold a secure place in the repertory. Gluck lavishes a wealth of beautiful melody on this tale, whose appeal to composers is obvious; yet the abiding strength lies in the power and majesty of his inspiration, whether in the solos, the choruses, or the ballet music – which is surely the finest written for any opera.Show book
Il trovatore has been ruthlessly parodied. It is a tale of murder and mayhem, burned babies, roasted hags, would-be nuns, strolling minstrels and bad baritones. And indeed the libretto does call for a willing suspension of disbelief. The reward is in the music, a score as prodigally melodic as only the mature Verdi could write: the ‘Anvil’ Chorus, the ‘Miserere’ scene, two great tenor arias, a beautiful baritone aria – a richness without embarrassment.Show book
The Takin A Walk podcast, hosted by Buzz Knight, has released its first audiobook titled The Takin A Walk Icons . This exciting new project will feature captivating stories and insights from renowned musicians and artists, offering listeners an intimate glimpse into their journeys and the music that shaped their lives. About the author: Host Buzz Knight is a media executive, consultant, and an enthusiastic music lover. On Takin A Walk, Buzz takes listeners on a journey through music history, exploring the inside stories from guests, while sharing anecdotes and insights from musicians and insiders about our love of music.Show book
Back when going to the movies meant a whole afternoon or evening's entertainment not just the one movie Audiobook radio is proud to be home to the Hollywood Double Bill. Adapted for radio with all the frills including the big stars and hosted by Roger Prior.Show book
Thomas Ostermeier is one of the best-known European theatre makers and is regarded by many as "the face of modern German theatre" (DIE ZEIT). His major Ibsen productions and his "Hamlet", starring Lars Eidinger tour the globe; Berlin's Schaubühne, where he has been the artistic head since 1999, is celebrated worldwide. In conversation with Gerhard Jörder, Thomas Ostermeier describes the path that led him to the theatre, which became "a kind of life saver" after early years riddled by conflict. Self-confident and self-critical, both declarative and ruminative, he recapitulates the early triumphs of the Deutsches Theater's Baracke offshoot, his difficult start at the Schaubühne and the growing success of his politically engaged realistic theatre, particularly among young audiences. He emerges as an outspoken critic of his generation's apolitical attitude, the postmodern mainstream and the narrow aesthetic discourse of German theatre, and a passionate supporter of the permanent institutions of culture, the ensemble concept and creative work with actors – the core of an understanding of contemporary theatre that focuses on people rather than forms.Show book
